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{{short description|1960 song by Roy Orbison and Joe Melson}}
{{short description|1960 song by Roy Orbison and Joe Melson}}
{{Infobox song
{{Infobox song
| name = Only the Lonely (Know the Way I Feel)
| name = Only the Lonely (Know the Way I Feel)
| cover = Only The Lonely (Know The Way I Feel).jpg
| cover = Only The Lonely (Know The Way I Feel).jpg
| caption = ''scan of record label Monument 45-421''
| caption = ''scan of record label Monument 45-421''
| alt =
| alt =
| published = {{Start date|1960|5|4}} [[Acuff-Rose Music|Acuff-Rose Publications, Inc.]]<ref>{{Cite book|last=Library of Congress. Copyright Office.|url=http://archive.org/details/catalogofcopyrig3145lib|title=Catalog of Copyright Entries 1960 Music Jan-June 3D Ser Vol 14 Pt 5|date=1960|publisher=U.S. Govt. Print. Off.|others=United States Copyright Office|language=English}}</ref>
| published = {{Start date|1960|5|4}} [[Acuff-Rose Music|Acuff-Rose Publications, Inc.]]<ref>{{Cite book|last=Library of Congress. Copyright Office.|url=http://archive.org/details/catalogofcopyrig3145lib|title=Catalog of Copyright Entries 1960 Music Jan-June 3D Ser Vol 14 Pt 5|date=1960|publisher=U.S. Govt. Print. Off.|others=United States Copyright Office|language=English}}</ref>
| type = single
| type = single
| artist = [[Roy Orbison]]
| artist = [[Roy Orbison]]
| album = [[Lonely and Blue]]
| album = [[Lonely and Blue]]
| B-side = Here Comes That Song Again
| B-side = Here Comes That Song Again
| released = {{Start date|1960|5|9}}<ref name="Orbison"></ref>
| released = {{Start date|1960|5|9}}<ref name="Orbison"></ref>
| format =
| format =
| recorded = March 26, 1960<ref name="Orbison">{{Cite AV media notes |title = Orbison 1955-1965 (7-CD Deluxe Box Set) |last = Weize |first = Richard |url = https://www.bear-family.com/orbison-roy-orbison-1955-1965-7-cd-deluxe-box-set.html |date = 2001 |access-date = 2021-10-11 |type = booklet |publisher = Bear Family Records|id = BCD16423}}</ref>
| recorded = March 25, 1960<ref name="Orbison">{{Cite AV media notes |title = Orbison 1955-1965 (7-CD Deluxe Box Set) |last = Weize |first = Richard |url = https://www.bear-family.com/orbison-roy-orbison-1955-1965-7-cd-deluxe-box-set.html |date = 2001 |access-date = 2021-10-11 |type = booklet |publisher = Bear Family Records|id = BCD16423}}</ref>
| studio = [[RCA Studio B|RCA Victor Studio B]], Nashville, Tennessee<ref name="Orbison"></ref>
| studio = [[RCA Studio B|RCA Victor Studio B]], [[Nashville, Tennessee|Nashville]]<ref name="Orbison"></ref>
| venue =
| venue =
| genre = *[[Rock music|Rock]]
| genre = *[[Rock music|Rock]]
*[[Pop music|pop]]
*[[Pop music|pop]]
*[[rock and roll]]
*[[rock and roll]]
| length = {{Duration|m=2|s=27}}
| length = {{Duration|m=2|s=27}}
| label = [[Monument Records|Monument 421]]
| label = [[Monument Records|Monument 421]]
| writer = [[Roy Orbison]], [[Joe Melson]]
| writer = [[Roy Orbison]], [[Joe Melson]]
| producer = [[Fred Foster]]
| producer = [[Fred Foster]]
| prev_title = Up Town
| prev_title = Up Town
| prev_year = 1959
| prev_year = 1959
| next_title = Blue Angel
| next_title = [[Blue Angel (song)|Blue Angel]]
| next_year = 1960
| next_year = 1960
}}
}}
<!-- Deleted image removed: [[Image:Orbisonsbook.jpg|thumb|Roy Orbison {{deletable image-caption}}]] -->
<!-- Deleted image removed: [[Image:Orbisonsbook.jpg|thumb|Roy Orbison {{deletable image-caption}}]] -->
"'''Only the Lonely (Know the Way I Feel)'''" is a song recorded by [[Roy Orbison]], written by Orbison and [[Joe Melson]].<ref name="nyt">{{cite news| url=https://query.nytimes.com/gst/fullpage.html?res=950DE2D81239F932A35752C0A96F948260 | work=The New York Times | title=POP VIEW; The Man With the Blue Velvet Voice | first=Stephen | last=Holden | date=January 1, 1989 | access-date=May 20, 2010}}</ref> Orbison's recording of the song, produced by [[Fred Foster]] for [[Monument Records]], was the first major hit for the singer. It was described by ''[[The New York Times]]'' as expressing "a clenched, driven urgency".<ref name="nyt" /> Released as a [[Single (music)|45 rpm single]] by [[Monument Records]] in May 1960, "Only the Lonely" went to No. 2 on the [[United States]] ''[[Billboard (magazine)|Billboard]]'' [[pop music]] charts on 25 July 1960 (blocked by [[Brenda Lee]]'s "[[I'm Sorry (Brenda Lee song)|I'm Sorry]]") and No. 14 on the ''[[Billboard (magazine)|Billboard]]'' R&B charts.<ref>{{cite book |title= Top R&B/Hip-Hop Singles: 1942-2004|last=Whitburn |first=Joel |author-link=Joel Whitburn |year=2004 |publisher=Record Research |page=443}}</ref> "Only the Lonely" reached [[List of UK Singles Chart number ones of the 1960s|Number One]] in the [[United Kingdom]], a position it achieved on 20 October 1960, staying there for two weeks (out of a total of 24 weeks spent on the UK singles chart from 28 July 1960).<ref>{{cite news| url=http://news.bbc.co.uk/1/hi/entertainment/1737084.stm | work=BBC News | title=Orbison's widow sues film makers | date=January 1, 2002 | access-date=May 20, 2010}}</ref> According to "The Authorized Roy Orbison," "Only the Lonely" was the longest charting single of Orbison's career.<ref>{{Cite book |last=Orbison|first=Roy, Jr. |title=The authorized Roy Orbison|date=2017|author2=Wesley Orbison |author3=Alex Orbison |author4=Jeff Slate |isbn=978-1-4789-7654-7 |location=New York |oclc=1017566749}}</ref> Personnel on the original recording included Orbison's drummer Larry Parks, plus Nashville's regulars, [[Floyd Cramer]] on piano, [[Bob Moore]] on bass, and [[Hank Garland]] and [[Harold Bradley]] on guitars, [[Joe Melson]] and the [[Anita Kerr|Anita Kerr Singers]] on backing vocals. Drummer [[Buddy Harman]] played on the rest of the songs on the session.
"'''Only the Lonely (Know the Way I Feel)'''" is a 1960 song written by [[Roy Orbison]] and [[Joe Melson]].<ref name="nyt">{{cite news| url=https://query.nytimes.com/gst/fullpage.html?res=950DE2D81239F932A35752C0A96F948260 | work=The New York Times | title=POP VIEW; The Man With the Blue Velvet Voice | first=Stephen | last=Holden | date=January 1, 1989 | access-date=May 20, 2010}}</ref> Orbison's recording of the song, produced by [[Fred Foster]] for [[Monument Records]], was the first major hit for the singer. It was described by ''[[The New York Times]]'' as expressing "a clenched, driven urgency".<ref name="nyt" /> Released as a [[Single (music)|45 rpm single]] by [[Monument Records]] in May 1960, "Only the Lonely" went to No. 2 on the [[United States]] ''[[Billboard (magazine)|Billboard]]'' [[pop music]] charts on 25 July 1960 (blocked by [[Brenda Lee]]'s "[[I'm Sorry (Brenda Lee song)|I'm Sorry]]") and No. 14 on the ''[[Billboard (magazine)|Billboard]]'' R&B charts.<ref>{{cite book |title= Top R&B/Hip-Hop Singles: 1942-2004|last=Whitburn |first=Joel |author-link=Joel Whitburn |year=2004 |publisher=Record Research |page=443}}</ref> "Only the Lonely" reached [[List of UK Singles Chart number ones of the 1960s|number one]] in the [[United Kingdom]], a position it achieved on 20 October 1960, staying there for two weeks (out of a total of 24 weeks spent on the UK singles chart from 28 July 1960).<ref>{{cite news| url=http://news.bbc.co.uk/1/hi/entertainment/1737084.stm | work=BBC News | title=Orbison's widow sues film makers | date=January 1, 2002 | access-date=May 20, 2010}}</ref> According to ''The Authorized Roy Orbison'', "Only the Lonely" was the longest charting single of Orbison's career.<ref>{{Cite book |last=Orbison|first=Roy Jr. |title=The authorized Roy Orbison|date=2017|author2=Wesley Orbison |author3=Alex Orbison |author4=Jeff Slate |isbn=978-1-4789-7654-7 |location=New York |oclc=1017566749}}</ref> Personnel on the original recording included Orbison's drummer Larry Parks, plus [[The Nashville A-Team|Nashville A-Team]] regulars [[Floyd Cramer]] on piano, [[Bob Moore (musician)|Bob Moore]] on bass, and [[Hank Garland]] and [[Harold Bradley (guitarist)|Harold Bradley]] on guitars, [[Joe Melson]] and the [[Anita Kerr|Anita Kerr Singers]] on backing vocals. Drummer [[Buddy Harman]] played on the rest of the songs on the session.

In 1999, the 1960 recording of "Only the Lonely" by [[Roy Orbison]] on [[Monument Records]] was inducted into the [[Grammy Hall of Fame]].<ref>https://www.grammy.com/awards/hall-of-fame-award#o {{Bare URL inline|date=August 2024}}</ref>


==Development==
==Development==
After several years without much success in the music business, and sharing a tiny apartment with his wife and new baby, Roy Orbison had taken to sitting in his car to write songs when, in 1958, his acquaintance [[Joe Melson]] tapped on the car window and suggested they collaborate.<ref>Clayson, Alan "Only the Lonely: the Roy Orbison Story" pp. 68–69.</ref> With [[Chet Atkins]] producing, they recorded several songs for [[RCA Studio B|RCA Nashville]], only two of which were deemed worthy of release.<ref>Zak, Albin "I Don't Sound Like Nobody: Remaking Music in 1950s America" p. 32.</ref> Wesley Rose brought Orbison to the attention of producer [[Fred Foster]] at [[Monument Records]]. There, Orbison would become one of the first recording artists to popularize the "[[Nashville sound]]".
After several years without much success in the music business, and sharing a tiny apartment with his wife and new baby, Roy Orbison had taken to sitting in his car to write songs when, in 1958, his acquaintance [[Joe Melson]] tapped on the car window and suggested they collaborate.<ref>Clayson, Alan "Only the Lonely: the Roy Orbison Story" pp. 68–69.</ref> With [[Chet Atkins]] producing, they recorded several songs for [[RCA Victor]], only two of which were deemed worthy of release.<ref>Zak, Albin "I Don't Sound Like Nobody: Remaking Music in 1950s America" p. 32.</ref> Wesley Rose brought Orbison to the attention of producer [[Fred Foster]] at [[Monument Records]]. There, Orbison would become one of the first recording artists to popularize the "[[Nashville sound]]".


In his first session for Monument in Nashville, Orbison recorded "Paper Boy" (a song that RCA had previously refused) while sound engineer [[Bill Porter (sound engineer)|Bill Porter]] experimented with [[Microphone practice|close miking]] the [[doo-wop]] backing singers. Orbison requested a string section to perform in the studio, to augment the Nashville sound. The resulting recording had a "polished, professional sound&nbsp;... finally allow[ing] Orbison's stylistic inclinations free rein".<ref>Zak, pp. 32-33.</ref> With this combination, Orbison recorded three new songs, the most notable of which was "Uptown".<ref name="Lehman, p. 48.">Lehman, p. 48.</ref> Impressed with the results, Melson later recalled, "We stood in the studio, listening to the playbacks, and thought it was the most beautiful sound in the world."<ref>Clayson, Alan, pp. 70–71.</ref> However, "Uptown" only reached number 72 on the ''Billboard'' Top 100, and Orbison set his sights on negotiating a contract with an upscale nightclub somewhere.
In his first session for Monument in Nashville, Orbison recorded "Paper Boy" (a song that RCA Victor had previously refused) while sound engineer [[Bill Porter (sound engineer)|Bill Porter]] experimented with [[Microphone practice|close miking]] the [[doo-wop]] backing singers. Orbison requested a string section to perform in the studio, to augment the Nashville sound. The resulting recording had a "polished, professional sound&nbsp;... finally allow[ing] Orbison's stylistic inclinations free rein".<ref>Zak, pp. 32-33.</ref> With this combination, Orbison recorded three new songs, the most notable of which was "Uptown".<ref name="Lehman, p. 48.">Lehman, p. 48.</ref> Impressed with the results, Melson later recalled, "We stood in the studio, listening to the playbacks, and thought it was the most beautiful sound in the world."<ref>Clayson, Alan, pp. 70–71.</ref> However, "Uptown" only reached number 72 on the ''Billboard'' Top 100, and Orbison set his sights on negotiating a contract with an upscale nightclub somewhere.


In early 1960, Orbison and Joe Melson wrote one more song, "Only the Lonely", which they tried to sell to [[Elvis Presley]] and [[the Everly Brothers]], who turned it down.<ref>Amburn p. 91.</ref> (The song was subtitled "Know The Way I Feel" to avoid confusion with another song called "Only The Lonely", which [[Sammy Cahn]] and [[Jimmy Van Heusen]] had written for [[Frank Sinatra]] in 1958.)
In early 1960, Orbison and Joe Melson wrote one more song, "Only the Lonely", which they tried to sell to [[Elvis Presley]] and [[the Everly Brothers]], who turned it down.<ref>Amburn p. 91.</ref> (The song was subtitled "Know The Way I Feel" to avoid confusion with another song called "Only The Lonely", which [[Sammy Cahn]] and [[Jimmy Van Heusen]] had written for [[Frank Sinatra]] in 1958.)


Instead, they recorded "Only the Lonely" themselves at [[RCA Studio B|RCA's Nashville studio]],<ref name="Orbison"></ref> using the string section and doo-wop backing singers that had given "Uptown" such an impressive sound.<ref>Zak, p. 35.</ref> But this time, sound engineer Bill Porter tried a completely new strategy: building the mix from the top down rather than from the bottom up, beginning with close-miked backing vocals in the foreground, and ending with the rhythm section soft in the background.<ref name="Lehman, p. 48."/><ref>Fremer, Michael (January 1, 2006). [http://www.musicangle.com/feat.php?id=108 Recording Elvis and Roy With Legendary Studio Wiz Bill Porter&nbsp;— Part II], MusicAngle.com. Retrieved on February 8, 2011.</ref> This combination was to become Orbison's trademark sound.<ref>Zak, p. 35."</ref>
Instead, they recorded "Only the Lonely" themselves at [[RCA Studio B|RCA's Nashville studio]],<ref name="Orbison"></ref> using the string section and doo-wop backing singers that had given "Uptown" such an impressive sound.<ref>Zak, p. 35.</ref> But this time, sound engineer Bill Porter tried a completely new strategy: building the mix from the top down rather than from the bottom up, beginning with close-miked backing vocals in the foreground, and ending with the rhythm section soft in the background.<ref name="Lehman, p. 48."/><ref>Fremer, Michael (January 1, 2006). [http://www.musicangle.com/feat.php?id=108 Recording Elvis and Roy With Legendary Studio Wiz Bill Porter&nbsp;— Part II] {{Webarchive|url=https://web.archive.org/web/20110714134327/http://www.musicangle.com/feat.php?id=108 |date=2011-07-14 }}, MusicAngle.com. Retrieved on February 8, 2011.</ref> This combination was to become Orbison's trademark sound.<ref>Zak, p. 35."</ref>


The recording also featured a [[falsetto]] note hit by Orbison that showcased a surprisingly powerful voice. According to biographer Alan Clayson, it "came not from his throat but deeper within".<ref>Clayson, p. 77.</ref> The song differed from the typical [[verse-chorus form]] structure of popular music of the time, building and falling to a climax, with emotional expression then rare for masculine performance.<ref>Lehman, Peter "Roy Orbison: Invention Of An Alternative Rock Masculinity" p. 70</ref>
The recording also featured a [[falsetto]] note hit by Orbison that showcased a surprisingly powerful voice. According to biographer Alan Clayson, it "came not from his throat but deeper within".<ref>Clayson, p. 77.</ref> The song differed from the typical [[verse-chorus form]] structure of popular music of the time, building and falling to a climax, with emotional expression then rare for masculine performance.<ref>Lehman, Peter "Roy Orbison: Invention Of An Alternative Rock Masculinity" p. 70</ref>


The single shot to number two on the ''Billboard'' Hot 100 and hit number one in the UK, Ireland and Australia. According to Orbison, he and Melson now began constructing songs with Orbison's voice in mind, specifically to showcase its range and power. He told ''Rolling Stone'' in 1988, "I liked the sound of [my voice]. I liked making it sing, making the voice ring, and I just kept doing it. And I think that somewhere between the time of "Ooby Dooby" and "Only the Lonely", it kind of turned into a good voice."<ref name="rockhall">[http://www.rockhall.com/inductees/roy-orbison Roy Orbison], [[Rock and Roll Hall of Fame]] (2007). Retrieved on May 21, 2009.</ref> Instantly Orbison was in high demand. He appeared on ''[[American Bandstand]]'' and toured the U.S. for three months non-stop with Patsy Cline. When Presley heard "Only the Lonely" for the first time, the song he had turned down, he bought a box of the records to give out to his friends.<ref>Amburn, p. 98.</ref>
The single shot to number two on the ''Billboard'' Hot 100 and hit number one in the UK, Ireland and Australia. According to Orbison, he and Melson now began constructing songs with Orbison's voice in mind, specifically to showcase its range and power. He told ''Rolling Stone'' in 1988, "I liked the sound of [my voice]. I liked making it sing, making the voice ring, and I just kept doing it. And I think that somewhere between the time of "Ooby Dooby" and "Only the Lonely", it kind of turned into a good voice."<ref name="rockhall">[http://www.rockhall.com/inductees/roy-orbison Roy Orbison], [[Rock and Roll Hall of Fame]] (2007). Retrieved on May 21, 2009.</ref> Instantly Orbison was in high demand. He appeared on ''[[American Bandstand]]'' and toured the U.S. for three months non-stop with Patsy Cline. When Presley heard "Only the Lonely" for the first time, the song he had turned down, he bought a box of the records to give out to his friends.<ref>Amburn, p. 98.</ref>

==Certifications==
{{Certification Table Top|caption=Certifications for "Psycho"}}
{{Certification Table Entry|region=United Kingdom|artist=Roy Orbison|title=Only The Lonely|award=Silver|type=single|relyear=2004|certyear=2024|id=20187-1872-1|access-date=July 20, 2024}}
{{Certification Table Bottom|streaming=true|nosales=true|noshipments=true}}


==Cover versions==
==Cover versions==
In 1969, [[country music|country singer]] [[Sonny James]] recorded the song and had a number-one hit on the ''Billboard ''[[country music]] charts.<ref>{{cite book |title= The Billboard Book Of Top 40 Country Hits: 1944-2006, Second edition|last=Whitburn |first=Joel |author-link=Joel Whitburn |year=2004 |publisher=Record Research |page=172}}</ref>
In 1969, [[country music|country singer]] [[Sonny James]] recorded the song and had a number-one hit on the ''Billboard'' [[country music]] charts.<ref>{{cite book |title= The Billboard Book Of Top 40 Country Hits: 1944-2006, Second edition|last=Whitburn |first=Joel |author-link=Joel Whitburn |year=2004 |publisher=Record Research |page=172}}</ref> In [[RPM (magazine)|Canada]], it reached #1 on the country charts and #93 on the rock charts.<ref>{{cite web|url=http://www.collectionscanada.gc.ca/obj/028020/f2/nlc008388.5942.pdf| title=RPM Top 40 Country Singles - April 28, 1969}}</ref><ref>{{cite web|url=http://www.collectionscanada.gc.ca/obj/028020/f2/nlc008388.5890.pdf| title=RPM Top 100 Singles - February 3, 1969}}</ref>

[[Chris Isaak]] included an acoustic cover of the song in his 1996 album ''[[Baja Sessions]]''.<ref>{{Cite web |title=Baja Sessions - Chris Isaak |url=https://www.allmusic.com/album/baja-sessions-mw0000074593#trackListing |access-date=2024-05-07 |website=[[AllMusic]]}}</ref>


==In popular culture==
==In popular culture==

Revision as of 12:27, 19 August 2024

This article is about the Roy Orbison song. For other uses, see Only the Lonely (disambiguation).
"Only the Lonely (Know the Way I Feel)"
scan of record label Monument 45-421
Single by Roy Orbison
from the album Lonely and Blue
B-side"Here Comes That Song Again"
PublishedMay 4, 1960 (1960-05-04) Acuff-Rose Publications, Inc.[1]
ReleasedMay 9, 1960 (1960-05-09)[2]
RecordedMarch 25, 1960[2]
StudioRCA Victor Studio B, Nashville[2]
Genre
Length2:27
LabelMonument 421
Songwriter(s)Roy Orbison, Joe Melson
Producer(s)Fred Foster
Roy Orbison singles chronology
"Up Town"
(1959) 		"Only the Lonely (Know the Way I Feel)"
(1960) 		"Blue Angel"
(1960)

"Only the Lonely (Know the Way I Feel)" is a 1960 song written by Roy Orbison and Joe Melson.[3] Orbison's recording of the song, produced by Fred Foster for Monument Records, was the first major hit for the singer. It was described by The New York Times as expressing "a clenched, driven urgency".[3] Released as a 45 rpm single by Monument Records in May 1960, "Only the Lonely" went to No. 2 on the United States Billboard pop music charts on 25 July 1960 (blocked by Brenda Lee's "I'm Sorry") and No. 14 on the Billboard R&B charts.[4] "Only the Lonely" reached number one in the United Kingdom, a position it achieved on 20 October 1960, staying there for two weeks (out of a total of 24 weeks spent on the UK singles chart from 28 July 1960).[5] According to The Authorized Roy Orbison, "Only the Lonely" was the longest charting single of Orbison's career.[6] Personnel on the original recording included Orbison's drummer Larry Parks, plus Nashville A-Team regulars Floyd Cramer on piano, Bob Moore on bass, and Hank Garland and Harold Bradley on guitars, Joe Melson and the Anita Kerr Singers on backing vocals. Drummer Buddy Harman played on the rest of the songs on the session.

In 1999, the 1960 recording of "Only the Lonely" by Roy Orbison on Monument Records was inducted into the Grammy Hall of Fame.[7]

Development

After several years without much success in the music business, and sharing a tiny apartment with his wife and new baby, Roy Orbison had taken to sitting in his car to write songs when, in 1958, his acquaintance Joe Melson tapped on the car window and suggested they collaborate.[8] With Chet Atkins producing, they recorded several songs for RCA Victor, only two of which were deemed worthy of release.[9] Wesley Rose brought Orbison to the attention of producer Fred Foster at Monument Records. There, Orbison would become one of the first recording artists to popularize the "Nashville sound".

In his first session for Monument in Nashville, Orbison recorded "Paper Boy" (a song that RCA Victor had previously refused) while sound engineer Bill Porter experimented with close miking the doo-wop backing singers. Orbison requested a string section to perform in the studio, to augment the Nashville sound. The resulting recording had a "polished, professional sound ... finally allow[ing] Orbison's stylistic inclinations free rein".[10] With this combination, Orbison recorded three new songs, the most notable of which was "Uptown".[11] Impressed with the results, Melson later recalled, "We stood in the studio, listening to the playbacks, and thought it was the most beautiful sound in the world."[12] However, "Uptown" only reached number 72 on the Billboard Top 100, and Orbison set his sights on negotiating a contract with an upscale nightclub somewhere.

In early 1960, Orbison and Joe Melson wrote one more song, "Only the Lonely", which they tried to sell to Elvis Presley and the Everly Brothers, who turned it down.[13] (The song was subtitled "Know The Way I Feel" to avoid confusion with another song called "Only The Lonely", which Sammy Cahn and Jimmy Van Heusen had written for Frank Sinatra in 1958.)

Instead, they recorded "Only the Lonely" themselves at RCA's Nashville studio,[2] using the string section and doo-wop backing singers that had given "Uptown" such an impressive sound.[14] But this time, sound engineer Bill Porter tried a completely new strategy: building the mix from the top down rather than from the bottom up, beginning with close-miked backing vocals in the foreground, and ending with the rhythm section soft in the background.[11][15] This combination was to become Orbison's trademark sound.[16]

The recording also featured a falsetto note hit by Orbison that showcased a surprisingly powerful voice. According to biographer Alan Clayson, it "came not from his throat but deeper within".[17] The song differed from the typical verse-chorus form structure of popular music of the time, building and falling to a climax, with emotional expression then rare for masculine performance.[18]

The single shot to number two on the Billboard Hot 100 and hit number one in the UK, Ireland and Australia. According to Orbison, he and Melson now began constructing songs with Orbison's voice in mind, specifically to showcase its range and power. He told Rolling Stone in 1988, "I liked the sound of [my voice]. I liked making it sing, making the voice ring, and I just kept doing it. And I think that somewhere between the time of "Ooby Dooby" and "Only the Lonely", it kind of turned into a good voice."[19] Instantly Orbison was in high demand. He appeared on American Bandstand and toured the U.S. for three months non-stop with Patsy Cline. When Presley heard "Only the Lonely" for the first time, the song he had turned down, he bought a box of the records to give out to his friends.[20]

Certifications

Certifications for "Psycho"
Region Certification Certified units/sales
United Kingdom (BPI)[21] Silver 200,000‡

‡ Sales+streaming figures based on certification alone.

Cover versions

In 1969, country singer Sonny James recorded the song and had a number-one hit on the Billboard country music charts.[22] In Canada, it reached #1 on the country charts and #93 on the rock charts.[23][24]

Chris Isaak included an acoustic cover of the song in his 1996 album Baja Sessions.[25]

References

  1. ^ Library of Congress. Copyright Office. (1960). Catalog of Copyright Entries 1960 Music Jan-June 3D Ser Vol 14 Pt 5. United States Copyright Office. U.S. Govt. Print. Off.
  2. ^ a b c d Weize, Richard (2001). Orbison 1955-1965 (7-CD Deluxe Box Set) (booklet). Bear Family Records. BCD16423. Retrieved 2021-10-11.
  3. ^ a b Holden, Stephen (January 1, 1989). "POP VIEW; The Man With the Blue Velvet Voice". The New York Times. Retrieved May 20, 2010.
  4. ^ Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942-2004. Record Research. p. 443.
  5. ^ "Orbison's widow sues film makers". BBC News. January 1, 2002. Retrieved May 20, 2010.
  6. ^ Orbison, Roy Jr.; Wesley Orbison; Alex Orbison; Jeff Slate (2017). The authorized Roy Orbison. New York. ISBN 978-1-4789-7654-7. OCLC 1017566749.{{cite book}}: CS1 maint: location missing publisher (link)
  7. ^ https://www.grammy.com/awards/hall-of-fame-award#o [bare URL]
  8. ^ Clayson, Alan "Only the Lonely: the Roy Orbison Story" pp. 68–69.
  9. ^ Zak, Albin "I Don't Sound Like Nobody: Remaking Music in 1950s America" p. 32.
  10. ^ Zak, pp. 32-33.
  11. ^ a b Lehman, p. 48.
  12. ^ Clayson, Alan, pp. 70–71.
  13. ^ Amburn p. 91.
  14. ^ Zak, p. 35.
  15. ^ Fremer, Michael (January 1, 2006). Recording Elvis and Roy With Legendary Studio Wiz Bill Porter — Part II Archived 2011-07-14 at the Wayback Machine, MusicAngle.com. Retrieved on February 8, 2011.
  16. ^ Zak, p. 35."
  17. ^ Clayson, p. 77.
  18. ^ Lehman, Peter "Roy Orbison: Invention Of An Alternative Rock Masculinity" p. 70
  19. ^ Roy Orbison, Rock and Roll Hall of Fame (2007). Retrieved on May 21, 2009.
  20. ^ Amburn, p. 98.
  21. ^ "British single certifications – Roy Orbison – Only The Lonely". British Phonographic Industry. Retrieved July 20, 2024.
  22. ^ Whitburn, Joel (2004). The Billboard Book Of Top 40 Country Hits: 1944-2006, Second edition. Record Research. p. 172.
  23. ^ "RPM Top 40 Country Singles - April 28, 1969" (PDF).
  24. ^ "RPM Top 100 Singles - February 3, 1969" (PDF).
  25. ^ "Baja Sessions - Chris Isaak". AllMusic. Retrieved 2024-05-07.
  26. ^ Rohter, Larry (July 8, 1991). "In Movies, a Formula Is Born: Hitching One's Star to a Song". The New York Times. Retrieved May 20, 2010.
  27. ^ Barker, Derek (2009). Liner notes to Bruce Springsteen's Jukebox: The Songs that Inspired the Man [CD]. Chrome Dreams.
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