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According to Tsang, her films, videos, and performances look to explore the "in-betweeness" in which people and ideas cannot be discussed in binary terms.<ref name=":1">{{Cite web|title=Take Me Apart: Wu Tsang's Art Questions Everything We Think We Know About Identity|url=https://www.artnews.com/art-news/artists/wu-tsang-12224/|last=Greenberger|first=Alex|date=March 26, 2019|website=ARTnews.com|language=en-US|access-date=May 23, 2020}}</ref> Generally, her films form a hybrid of narrative and documentary; they do not conform fully to one form or the other.<ref name=":1" />
According to Tsang, her films, videos, and performances look to explore the "in-betweeness" in which people and ideas cannot be discussed in binary terms.<ref name=":1">{{Cite web|title=Take Me Apart: Wu Tsang's Art Questions Everything We Think We Know About Identity|url=https://www.artnews.com/art-news/artists/wu-tsang-12224/|last=Greenberger|first=Alex|date=March 26, 2019|website=ARTnews.com|language=en-US|access-date=May 23, 2020}}</ref> Generally, her films form a hybrid of narrative and documentary; they do not conform fully to one form or the other.<ref name=":1" />


Her projects have been presented at the [[Tate Modern]] (London), [[Stedelijk Museum Amsterdam|Stedelijk Museum]] (Amsterdam), [[Migros Museum of Contemporary Art|Migros Museum]] (Zurich), the [[Whitney Museum]] and the [[New Museum]] (New York), the [[Museum of Contemporary Art Chicago|MCA Chicago]], and [[Museum of Contemporary Art, Los Angeles|MoCA Los Angeles]]. In 2012 she participated in the [[Whitney Biennial]], [[Liverpool Biennial]] and [[Gwangju Biennale|Gwangju Biennial]].<ref>{{Cite web|title=Wu Tsang|url=https://creative-capital.org/artists/wu-tsang/|access-date=December 1, 2020|website=Creative Capital|language=en}}</ref>
Her projects have been presented at the [[Tate Modern]] (London), [[Stedelijk Museum Amsterdam|Stedelijk Museum]] (Amsterdam), [[Migros Museum of Contemporary Art|Migros Museum]] (Zurich), the [[Whitney Museum]] and the [[New Museum]] (New York), the [[Museum of Contemporary Art Chicago|MCA Chicago]], [[Museum of Contemporary Art, Los Angeles|MoCA Los Angeles]] and [[SFMOMA]] (San Francisco). In 2012 she participated in the [[Whitney Biennial]], [[Liverpool Biennial]] and [[Gwangju Biennale|Gwangju Biennial]].<ref>{{Cite web|title=Wu Tsang|url=https://creative-capital.org/artists/wu-tsang/|access-date=December 1, 2020|website=Creative Capital|language=en}}</ref>


== Education ==
== Education ==
Line 19: Line 19:
Wu Tsang's short films include:
Wu Tsang's short films include:


* '''Under Cinema (2017):''' This film follows R&B singer [[Kelela]] along for a deep dive into the life of a black artist. The film is intimately shot on a handheld camera which follows Kelela through events such as a festival, studio time, and emotional reflections. "The most memorable moment of Under Cinema is when Kelela speaks to camera and eloquently dismantles the music industry by pointing out how it is ‘interested in … the currency of culture you come with as a person of colour’ and that ‘pop music comes from R&B, it’s a painful music."<ref>{{Cite web|title=Wu Tsang: Under Cinema – ProQuest|url=https://www.proquest.com/openview/06402239bc8f86241677b6da08f94a3d/1?pq-origsite=gscholar&cbl=106011|access-date=December 1, 2020|website=search.proquest.com|language=en}}</ref>
* '''Under Cinema (2017):''' This film follows R&B singer [[Kelela]] along for a deep dive into the life of a black artist. The film is intimately shot on a handheld camera which follows Kelela through events such as a festival, studio time, and emotional reflections. "The most memorable moment of Under Cinema is when Kelela speaks to camera and eloquently dismantles the music industry by pointing out how it is ‘interested in … the currency of culture you come with as a person of colour’ and that ‘pop music comes from R&B, it’s a painful music."<ref>{{cite magazine |last1=De Wachter |first1=Ellen Mara |title=Wu Tsang: Under Cinema |magazine=Art Monthly |issue=413 |date=February 2018 |pages=27–28 |url=https://www.proquest.com/openview/06402239bc8f86241677b6da08f94a3d/1 }}</ref>
* '''Duilian (2015):''' The film explores the life and writings of [[Qiu Jin]], a Chinese feminist revolutionary who was executed at the age of 31 for attempting to foment revolution against the [[Qing dynasty]]. Lesser known, and highlighted in the film, is her long-term queer relationship with calligrapher Wu Zhuying. Wu Tsang plays Wu Zhuying, and long-time Wu Tsang collaborator, Boychild, plays Qiu Jin.<ref>{{cite web|url=http://www.timeout.com.hk/gay-lesbian/features/75158/artist-wu-tsang-on-her-new-film-exploring-the-life-of-chinas-first-feminist-qiu-jin.html|title=Artist Wu Tsang on her new film exploring the life of 'China's first feminist', Qiu Jin|publisher=Time Out HK|access-date=December 17, 2015}}</ref> The film illuminates the use of Qui Jin's poems (translated in english for the first time) and [[Wushu Martial Arts]] to create "jarring yet beautiful scenes."<ref name=":0" />
* '''Duilian (2015):''' The film explores the life and writings of [[Qiu Jin]], a Chinese feminist revolutionary who was executed at the age of 31 for attempting to foment revolution against the [[Qing dynasty]]. Lesser known, and highlighted in the film, is her long-term queer relationship with calligrapher Wu Zhuying. Wu Tsang plays Wu Zhuying, and long-time Wu Tsang collaborator, Boychild, plays Qiu Jin.<ref>{{cite web|url=http://www.timeout.com.hk/gay-lesbian/features/75158/artist-wu-tsang-on-her-new-film-exploring-the-life-of-chinas-first-feminist-qiu-jin.html|title=Artist Wu Tsang on her new film exploring the life of 'China's first feminist', Qiu Jin|publisher=Time Out HK|access-date=December 17, 2015}}</ref> The film illuminates the use of Qui Jin's poems (translated in english for the first time) and [[Wushu Martial Arts]] to create "jarring yet beautiful scenes."<ref name=":0" />
* '''You're Dead to Me (2013):''' In suburban California, a Chicana mother is mourning the death of her teenage daughter two years earlier. On the eve of [[Dia de los Muertos]], everything changes when Death offers her a choice she could not make in life. The cast includes [[Laura Patalano]] and [[Harmony Santana]]. The film was widely shown in LGBT and other film festivals, and won various awards, including best short and best actress.<ref>{{cite web|url=https://www.facebook.com/Youre-Dead-To-Me-Short-621357764545056/info/?__fns&hash=Ac1Ix19Ip_zqjubp&tab=page_info|title=Official Page, You're Dead To Me – Short|website=[[Facebook]] |access-date=December 17, 2015}}</ref>
* '''You're Dead to Me (2013):''' In suburban California, a Chicana mother is mourning the death of her trans child two years earlier. On the eve of [[Dia de los Muertos]], everything changes when Death offers her a choice she could not make in life. The cast includes [[Laura Patalano]] and [[Harmony Santana]]. The film was widely shown in LGBT and other film festivals, and won various awards, including best short and best actress.<ref>{{cite web|url=https://www.facebook.com/Youre-Dead-To-Me-Short-621357764545056/info/?__fns&hash=Ac1Ix19Ip_zqjubp&tab=page_info|title=Official Page, You're Dead To Me – Short|website=[[Facebook]] |access-date=December 17, 2015}}</ref>
* '''Tied and True (2012):''' Co-written with [[Nana Oforiatta-Ayim]], the film takes place in a fictional post-colonial African city, inspired by Île Saint-Louis, Senegal. It tells the story of two star-crossed lovers while exploring the themes of assimilation, alterity and racism.<ref>{{Cite news|url=http://articles.latimes.com/2013/jun/06/entertainment/la-et-cm-wu-tsang-michael-benevento-gallery-20130603|title=Wu Tsang at Michael Benevento Gallery|last=Knight|first=Christopher|date=June 6, 2013|work=Los Angeles Times|access-date=March 4, 2019|language=en-US|issn=0458-3035}}</ref>
* '''Tied and True (2012):''' Co-written with [[Nana Oforiatta-Ayim]], the film takes place in a fictional post-colonial African city, inspired by Île Saint-Louis, Senegal. It tells the story of two star-crossed lovers while exploring the themes of assimilation, alterity and racism.<ref>{{Cite news|url=https://www.latimes.com/entertainment/arts/culture/la-et-cm-wu-tsang-michael-benevento-gallery-20130603-story.html|title=Wu Tsang at Michael Benevento Gallery|last=Knight|first=Christopher|date=June 6, 2013|work=Los Angeles Times|access-date=March 4, 2019|language=en-US|issn=0458-3035}}</ref>
* '''Mishima in Mexico (2012):''' Starring Alex Segade and Wu Tsang, the film is inspired by the 1950 novel by Yukio Mishima, Thirst for Love. It takes place in Mexico City, where a writer and director check into a hotel together to work through their creative process, while integrating Mishima's work into their own, and into their lives.<ref>{{cite web|url=http://www.art-agenda.com/reviews/wu-tsang/|title=Wu Tsang|publisher=art-agenda.com|access-date=December 17, 2015}}</ref>
* '''Mishima in Mexico (2012):''' Starring Alex Segade and Wu Tsang, the film is inspired by the 1950 novel by Yukio Mishima, Thirst for Love. It takes place in Mexico City, where a writer and director check into a hotel together to work through their creative process, while integrating Mishima's work into their own, and into their lives.<ref>{{cite web|url=http://www.art-agenda.com/reviews/wu-tsang/|title=Wu Tsang|publisher=art-agenda.com|access-date=December 17, 2015}}</ref>
* '''Wildness (2012):''' This film tells the story of the weekly party and clinic Tsang hosted at the Silver Platter bar in the [[MacArthur Park]] area of Los Angeles, California. The film is a "whimsically fictional account" of the events that transpired at the Silver Platter, and is narrated by both Tsang and (in Spanish) the Silver Platter. As Tsang stated in a 2016 interview, "The more subjective I could be in telling my own experience of the situation, the more ethical I could be to my subjects and collaborators."<ref>{{Cite journal|url=https://frieze.com/article/focus-wu-tsang|title = In Focus: Wu Tsang &#124; Frieze| journal=Frieze | date=February 2012 | issue=145 | last1=Thorne | first1=Sam }}</ref> In an interview with Art Basel, Wu Tsang said she approached this film as more as an activist than a filmmaker. She continues by saying she "felt there was an important story to tell about the lives of [her] friends at the bar, many of whom were trans women and undocumented immigrants, often struggling with overlapping invisibilities, and thriving despite intense conditions of violence and policing."<ref>{{cite web |last1=Jeni |first1=Fulton |title=How I became an artist: Wu Tsang |url=https://www.artbasel.com/news/wu-tsang-how-i-became-an-artist-art-basel |website=Art Basel |access-date=November 30, 2020}}</ref> Wu Tsang describes the making of Wildness as a learning process in which she taught herself to "write, direct, and edit".<ref>{{Cite journal|last=Ballard|first=Finn Jackson|date=August 1, 2014|title=Wu Tsang's Wildness and the Quest for Queer Utopia|url=https://read.dukeupress.edu/tsq/article/1/3/461/24779/Wu-Tsang-s-Wildness-and-the-Quest-for-Queer-Utopia|journal=TSQ: Transgender Studies Quarterly|language=en|volume=1|issue=3|pages=461–465|doi=10.1215/23289252-2687555|issn=2328-9252}}</ref> ''Wildness'' premiered at The Museum of Modern Art's Documentary Fortnight in 2012, and Hot Docs Canadian International Documentary in Toronto.<ref>{{Cite web|title=Wu Tsang :: Foundation for Contemporary Arts|url=https://www.foundationforcontemporaryarts.org/recipients/wu-tsang|access-date=December 1, 2020|website=www.foundationforcontemporaryarts.org}}</ref>
* '''Wildness (2012):''' This film tells the story of the weekly party and clinic Tsang hosted at the Silver Platter bar in the [[MacArthur Park]] area of Los Angeles, California. The film is a "whimsically fictional account" of the events that transpired at the Silver Platter, and is narrated by both Tsang and (in Spanish) the Silver Platter. As Tsang stated in a 2016 interview, "The more subjective I could be in telling my own experience of the situation, the more ethical I could be to my subjects and collaborators."<ref>{{Cite journal|url=https://frieze.com/article/focus-wu-tsang|title = In Focus: Wu Tsang &#124; Frieze| journal=Frieze | date=February 2012 | issue=145 | last1=Thorne | first1=Sam }}</ref> In an interview with Art Basel, Wu Tsang said she approached this film as more as an activist than a filmmaker. She continues by saying she "felt there was an important story to tell about the lives of [her] friends at the bar, many of whom were trans women and undocumented immigrants, often struggling with overlapping invisibilities, and thriving despite intense conditions of violence and policing."<ref>{{cite web |last1=Jeni |first1=Fulton |title=How I became an artist: Wu Tsang |url=https://www.artbasel.com/news/wu-tsang-how-i-became-an-artist-art-basel |website=Art Basel |access-date=November 30, 2020}}</ref> Wu Tsang describes the making of Wildness as a learning process in which she taught herself to "write, direct, and edit".<ref>{{Cite journal|last=Ballard|first=Finn Jackson|date=August 1, 2014|title=Wu Tsang's Wildness and the Quest for Queer Utopia|url=https://read.dukeupress.edu/tsq/article/1/3/461/24779/Wu-Tsang-s-Wildness-and-the-Quest-for-Queer-Utopia|journal=TSQ: Transgender Studies Quarterly|language=en|volume=1|issue=3|pages=461–465|doi=10.1215/23289252-2687555|issn=2328-9252}}</ref> ''Wildness'' premiered at The Museum of Modern Art's Documentary Fortnight in 2012, and Hot Docs Canadian International Documentary in Toronto.<ref>{{Cite web|title=Wu Tsang :: Foundation for Contemporary Arts|url=https://www.foundationforcontemporaryarts.org/recipients/wu-tsang|access-date=December 1, 2020|website=www.foundationforcontemporaryarts.org}}</ref>
Line 28: Line 28:
==== Feature films ====
==== Feature films ====


* '''MOBY DICK; or, The Whale (2022):''' This is a 75-minute digital silent film accompanied by live orchestra. It is an adaptation of [[Herman Melville]]'s 1851 classic [[Moby-Dick]], with a post-colonial reading.<ref name=":2">{{Cite news |last=Rogers |first=Thomas |date=February 20, 2023 |title=An Artist’s Queer Take on ‘Moby-Dick’ |url=https://www.nytimes.com/2023/02/20/arts/wu-tsang-moby-dick.html |access-date=February 21, 2023}}</ref> It drew inspiration from [[C. L. R. James]]’s ''[[C. L. R. James#Return to Britain|Mariners, Renegades, and Castaways: The Story of Herman Melville and the World We Live In]]'', which studied the Melville work as related to colonialist greed and 1950s social hierarchy''.''<ref>{{Cite news |last=Yerebakan |first=Osman Can |date=April 28, 2022 |title=Artist Wu Tsang Dives Into the Depths of ‘Moby Dick’ With Three Simultaneous Shows About Melville’s ‘Flamboyant, Queer’ Saga |work=artnet |url=https://news.artnet.com/art-world/wu-tsang-moby-dick-2104448}}</ref> Tsang's film depicts the ship's crew as having partially transcended gender and race, and features the main characters Ishmael and Queequeg as lovers.<ref name=":2" /> The film, supported by the Swiss theater [[Schauspielhaus Zürich]],<ref>{{Cite magazine |last=Tyner |first=Ashley |date=January 13, 2023 |title=Wu Tsang on reclaiming Moby Dick |url=https://i-d.vice.com/en/article/pkg5kg/wu-tsang-on-reclaiming-moby-dick |work=i-D |access-date=February 21, 2023}}</ref> premiered in 2022, and was shown at the Thyssen-Bornemisza Museum in Madrid in 2023.<ref>{{Cite news |date=February 20, 2023 |title=El Thyssen se sumerge con la instalación "De ballenas" en el mar de Wu Tsang |language=Spanish |work=La Vanguardia |url=https://www.lavanguardia.com/vida/20230220/8770729/thyssen-sumerge-instalacion-ballenas-mar-wu-tsang.html |access-date=February 21, 2023}}</ref>
* '''MOBY DICK; or, The Whale (2022):''' This is a 75-minute digital silent film accompanied by live orchestra. It is an adaptation of [[Herman Melville]]'s 1851 classic [[Moby-Dick]], with a post-colonial reading.<ref name=":2">{{Cite news |last=Rogers |first=Thomas |date=February 20, 2023 |title=An Artist's Queer Take on 'Moby-Dick' |work=The New York Times |url=https://www.nytimes.com/2023/02/20/arts/wu-tsang-moby-dick.html |access-date=February 21, 2023}}</ref> It drew inspiration from [[C. L. R. James]]’s ''[[C. L. R. James#Return to Britain|Mariners, Renegades, and Castaways: The Story of Herman Melville and the World We Live In]]'', which studied the Melville work as related to colonialist greed and 1950s social hierarchy''.''<ref>{{Cite news |last=Yerebakan |first=Osman Can |date=April 28, 2022 |title=Artist Wu Tsang Dives Into the Depths of 'Moby Dick' With Three Simultaneous Shows About Melville's 'Flamboyant, Queer' Saga |work=artnet |url=https://news.artnet.com/art-world/wu-tsang-moby-dick-2104448}}</ref> Tsang's film depicts the ship's crew as having partially transcended gender and race, and features the main characters Ishmael and Queequeg as lovers.<ref name=":2" /> The film, supported by the Swiss theater [[Schauspielhaus Zürich]],<ref>{{Cite magazine |last=Tyner |first=Ashley |date=January 13, 2023 |title=Wu Tsang on reclaiming Moby Dick |url=https://i-d.vice.com/en/article/pkg5kg/wu-tsang-on-reclaiming-moby-dick |magazine=i-D |access-date=February 21, 2023}}</ref> premiered in 2022, and was shown at the Thyssen-Bornemisza Museum in Madrid in 2023.<ref>{{Cite news |date=February 20, 2023 |title=El Thyssen se sumerge con la instalación "De ballenas" en el mar de Wu Tsang |language=Spanish |work=La Vanguardia |url=https://www.lavanguardia.com/vida/20230220/8770729/thyssen-sumerge-instalacion-ballenas-mar-wu-tsang.html |access-date=February 21, 2023}}</ref>


=== Art installations ===
=== Art installations ===
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[[Category:American LGBT people of Asian descent]]
[[Category:American LGBT people of Asian descent]]
[[Category:Queer artists]]
[[Category:Queer artists]]
[[Category:LGBT film directors]]
[[Category:American LGBT film directors]]
[[Category:American transgender artists]]
[[Category:American transgender artists]]
[[Category:Living people]]
[[Category:Living people]]

Revision as of 14:17, 15 August 2024

Wu Tsang
Born1982
Worcester, Massachusetts
Alma mater
Occupation
  • Filmmaker
  • performer
  • artist
Awards
[edit on Wikidata]

Wu Tsang (born 1982 in Worcester, Massachusetts) is a filmmaker, artist and performer based in New York and Berlin, whose work is concerned with hidden histories, marginalized narratives, and the act of performing itself.[1] In 2018, Tsang received a MacArthur "genius" grant.[1]

According to Tsang, her films, videos, and performances look to explore the "in-betweeness" in which people and ideas cannot be discussed in binary terms.[2] Generally, her films form a hybrid of narrative and documentary; they do not conform fully to one form or the other.[2]

Her projects have been presented at the Tate Modern (London), Stedelijk Museum (Amsterdam), Migros Museum (Zurich), the Whitney Museum and the New Museum (New York), the MCA Chicago, MoCA Los Angeles and SFMOMA (San Francisco). In 2012 she participated in the Whitney Biennial, Liverpool Biennial and Gwangju Biennial.[3]

Education

Tsang received a B.F.A. (2004) from the School of the Art Institute of Chicago and an M.F.A. (2010) from the University of California at Los Angeles. [1]

Work

Film

Tsang's best-known documentary, Wildness,[4] documents the Los Angeles trans bar "Silver Platter".[5] Wu Tsang directed and produced the film. It was co-written with Roya Rastegar. The film was premiered at the MoMA Documentary Fortnight in New York and has been screened at festivals in Canada, the US, and Chile. Since 1963, "Silver Platter" has been a historic bar that patronised by a predominantly Latin LGBT community. Wildness documents what happens when a group of young artists host a weekly performance night at the bar. Documenting the collision between the two LGBT communities, the film poses questions about community, space, and ownership. In an interview, Tsang describes how this film represents a number of people who are often stereotyped, such as trans people, people of color, and queer communities, and she experiments with how to be accountable to the communities that she documents.[6] Her collaborators include poet and scholar Fred Moten as well as performance artist boychild.[7]

Short films

Wu Tsang's short films include:

  • Under Cinema (2017): This film follows R&B singer Kelela along for a deep dive into the life of a black artist. The film is intimately shot on a handheld camera which follows Kelela through events such as a festival, studio time, and emotional reflections. "The most memorable moment of Under Cinema is when Kelela speaks to camera and eloquently dismantles the music industry by pointing out how it is ‘interested in … the currency of culture you come with as a person of colour’ and that ‘pop music comes from R&B, it’s a painful music."[8]
  • Duilian (2015): The film explores the life and writings of Qiu Jin, a Chinese feminist revolutionary who was executed at the age of 31 for attempting to foment revolution against the Qing dynasty. Lesser known, and highlighted in the film, is her long-term queer relationship with calligrapher Wu Zhuying. Wu Tsang plays Wu Zhuying, and long-time Wu Tsang collaborator, Boychild, plays Qiu Jin.[9] The film illuminates the use of Qui Jin's poems (translated in english for the first time) and Wushu Martial Arts to create "jarring yet beautiful scenes."[1]
  • You're Dead to Me (2013): In suburban California, a Chicana mother is mourning the death of her trans child two years earlier. On the eve of Dia de los Muertos, everything changes when Death offers her a choice she could not make in life. The cast includes Laura Patalano and Harmony Santana. The film was widely shown in LGBT and other film festivals, and won various awards, including best short and best actress.[10]
  • Tied and True (2012): Co-written with Nana Oforiatta-Ayim, the film takes place in a fictional post-colonial African city, inspired by Île Saint-Louis, Senegal. It tells the story of two star-crossed lovers while exploring the themes of assimilation, alterity and racism.[11]
  • Mishima in Mexico (2012): Starring Alex Segade and Wu Tsang, the film is inspired by the 1950 novel by Yukio Mishima, Thirst for Love. It takes place in Mexico City, where a writer and director check into a hotel together to work through their creative process, while integrating Mishima's work into their own, and into their lives.[12]
  • Wildness (2012): This film tells the story of the weekly party and clinic Tsang hosted at the Silver Platter bar in the MacArthur Park area of Los Angeles, California. The film is a "whimsically fictional account" of the events that transpired at the Silver Platter, and is narrated by both Tsang and (in Spanish) the Silver Platter. As Tsang stated in a 2016 interview, "The more subjective I could be in telling my own experience of the situation, the more ethical I could be to my subjects and collaborators."[13] In an interview with Art Basel, Wu Tsang said she approached this film as more as an activist than a filmmaker. She continues by saying she "felt there was an important story to tell about the lives of [her] friends at the bar, many of whom were trans women and undocumented immigrants, often struggling with overlapping invisibilities, and thriving despite intense conditions of violence and policing."[14] Wu Tsang describes the making of Wildness as a learning process in which she taught herself to "write, direct, and edit".[15] Wildness premiered at The Museum of Modern Art's Documentary Fortnight in 2012, and Hot Docs Canadian International Documentary in Toronto.[16]

Feature films

Art installations

  • Moved by the Motion (2014– 2015) - is the first in a series of performances and works by Tsang that inhabits a space between fiction and documentary. This was presented over the course of 2014–2015 including a live performance at DiverseWorks as part of CounterCurrent in collaboration with the University of Houston Cynthia Woods Mitchell Center for the Arts (Saturday, April 12, 2014) and a video installation in the exhibition Double Life at the Contemporary Arts Museum Houston (December 19, 2014 – March 13, 2015).[21]

Awards and honors

In 2012, Tsang was named one of Filmmaker Magazine's "25 New Faces of Independent Film".[6] At Outfest 2012, Wildness won the Grand Jury Award for Outstanding Documentary.[22] Also in 2012, her work was featured in the Whitney Biennial and the New Museum Triennial. She won the Foundation for Contemporary Arts Grants to Artists award (2013).[23] In 2014, she was included in the Hammer Museum's 2014 "Made in L.A." biennial.[24] In 2015 she received a Creative Capital Award for A Day in the Life of Bliss. Tsang received the MacArthur Genius Award in 2018.[25]

Filmography

  • Wildness
  • Mishima in Mexico
  • Tied and True
  • You're Dead to Me
  • Duilian
  • Under Cinema

See also

References

  1. ^ a b c d "Wu Tsang – MacArthur Foundation". www.macfound.org. Retrieved October 9, 2018.
  2. ^ a b Greenberger, Alex (March 26, 2019). "Take Me Apart: Wu Tsang's Art Questions Everything We Think We Know About Identity". ARTnews.com. Retrieved May 23, 2020.
  3. ^ "Wu Tsang". Creative Capital. Retrieved December 1, 2020.
  4. ^ Cheh, Carol (June 30, 2014). "Artists at Work: Wu Tsang". East of Borneo. Retrieved August 22, 2014.
  5. ^ "¿Qué pasó con los martes? – WILDNESS THE MOVIE – trailer". wildnessmovie.com. Retrieved July 25, 2014.
  6. ^ a b "Wu Tsang | Filmmaker Magazine". filmmakermagazine.com. July 19, 2012. Retrieved July 25, 2014.
  7. ^ Trigger : gender as a tool and a weapon. Burton, Johanna,, Bell, Natalie,, New Museum (New York, N.Y.). [New York, NY]. 2017. ISBN 9780915557165. OCLC 1011099218.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
  8. ^ De Wachter, Ellen Mara (February 2018). "Wu Tsang: Under Cinema". Art Monthly. No. 413. pp. 27–28.
  9. ^ "Artist Wu Tsang on her new film exploring the life of 'China's first feminist', Qiu Jin". Time Out HK. Retrieved December 17, 2015.
  10. ^ "Official Page, You're Dead To Me – Short". Facebook. Retrieved December 17, 2015.
  11. ^ Knight, Christopher (June 6, 2013). "Wu Tsang at Michael Benevento Gallery". Los Angeles Times. ISSN 0458-3035. Retrieved March 4, 2019.
  12. ^ "Wu Tsang". art-agenda.com. Retrieved December 17, 2015.
  13. ^ Thorne, Sam (February 2012). "In Focus: Wu Tsang | Frieze". Frieze (145).
  14. ^ Jeni, Fulton. "How I became an artist: Wu Tsang". Art Basel. Retrieved November 30, 2020.
  15. ^ Ballard, Finn Jackson (August 1, 2014). "Wu Tsang's Wildness and the Quest for Queer Utopia". TSQ: Transgender Studies Quarterly. 1 (3): 461–465. doi:10.1215/23289252-2687555. ISSN 2328-9252.
  16. ^ "Wu Tsang :: Foundation for Contemporary Arts". www.foundationforcontemporaryarts.org. Retrieved December 1, 2020.
  17. ^ a b Rogers, Thomas (February 20, 2023). "An Artist's Queer Take on 'Moby-Dick'". The New York Times. Retrieved February 21, 2023.
  18. ^ Yerebakan, Osman Can (April 28, 2022). "Artist Wu Tsang Dives Into the Depths of 'Moby Dick' With Three Simultaneous Shows About Melville's 'Flamboyant, Queer' Saga". artnet.
  19. ^ Tyner, Ashley (January 13, 2023). "Wu Tsang on reclaiming Moby Dick". i-D. Retrieved February 21, 2023.
  20. ^ "El Thyssen se sumerge con la instalación "De ballenas" en el mar de Wu Tsang". La Vanguardia (in Spanish). February 20, 2023. Retrieved February 21, 2023.
  21. ^ "Wu Tsang: Moved by the Motion". DiverseWorks. Retrieved December 1, 2020.
  22. ^ "Outfest 2012". outfest.org. Retrieved July 25, 2014.
  23. ^ "Wu Tsang :: Foundation for Contemporary Arts". www.foundationforcontemporaryarts.org. Retrieved April 19, 2018.
  24. ^ "Made in L.A.: Wu Tsang". Hammer Museum. Retrieved August 22, 2014.
  25. ^ "Wu Tsang – MacArthur Foundation". www.macfound.org. Retrieved March 4, 2019.
  1. ^ Judah, Hettie (May 17, 2017). "Sister of the sword: Wu Tsang, the trans artist retelling history with lesbian kung fu". The Guardian. Retrieved March 23, 2018.
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