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| name = Esham
| name = Esham
| image =
| image =
| birth_name = Esham Attica Smith
| birth_name = Esham Attica Smith<ref name=allmusic />
| alias = <!--This section is for official stage names only.-->
| alias = <!--This section is for official stage names only.-->
| birth_date = {{nowrap|{{birth date and age|1973|09|20}}}}
| birth_date = {{nowrap|{{birth date and age|1973|09|20}}}}
| birth_place = [[Long Island, New York]], U.S.
| birth_place = [[Long Island, New York]], U.S.
| origin = [[Detroit, Michigan]], U.S.
| origin = [[Detroit, Michigan]], U.S.
| genre = {{Flatlist|
| genre = {{flatlist|
* [[Horrorcore]]
* [[Horrorcore]]
* [[rap rock]]
* [[hip hop music|hip hop]]
}}
| occupation = {{flatlist|
* Rapper
* record producer
}}
}}
| occupation = Rapper
| years_active = 1988–present
| years_active = 1988–present
| label = {{Flatlist|
| label = {{Flatlist|
* [[Reel Life Productions]]
* [[Reel Life Productions|Reel Life]]
* [[Psychopathic Records|Psychopathic]]
* [[Psychopathic Records|Psychopathic]]
}}
}}
| associated_acts = {{hlist|[[Natas (group)|Natas]]|[[Mastamind]]|TnT|[[Soopa Villainz]]|[[Insane Clown Posse]]|[[J Dilla]]}}
| website = {{URL|acidrap.com}}
| website = {{URL|acidrap.com}}
}}
}}


'''Esham Attica Smith''' (born September 20, 1973), known [[Mononymous person|mononymously]] as '''Esham''', is an American [[rapping|rapper]] from [[Detroit|Detroit, Michigan]]. Emerging as one of the first ever [[hip-hop music|hip hop]] artists from Detroit, Esham released his debut studio album, ''[[Boomin' Words from Hell]]'', in 1989 at the age of 16. Since then, he has gone on to release 15 studio albums in total and is best known as a representative of the hip hop subgenres [[horrorcore]] and [[rap rock]]. In 1992, he co-founded the horrorcore group [[Natas (group)|Natas]]. He and his brother James Smith founded and ran the Detroit hip hop label [[Reel Life Productions]].
'''Esham Attica Smith''' (born September 20, 1973), known [[Mononymous person|mononymously]] as '''Esham''', is an American [[rapping|rapper]] from [[Detroit|Detroit, Michigan]]. Emerging as one of the first ever [[hip-hop music|hip hop]] artists from Detroit, Esham released his debut studio album, ''[[Boomin' Words from Hell]]'', in 1989 at the age of 16. Since then, he has gone on to release 21 studio albums in total and is best known as a representative of the hip hop subgenre [[horrorcore]]. In 1992, he co-founded the horrorcore group [[Natas (group)|Natas]]. He and his brother James Smith founded and ran the Detroit hip hop label [[Reel Life Productions]].


As one of the first rappers to receive attention in the city, Esham was often cited as a major influence on another Detroit horrorcore act, [[Insane Clown Posse]]. Esham is known for incorporating elements of [[rock music]] in his beats, and his lyrics cover a number of subjects, including death, drug use, evil, [[paranoia]] and sex. Esham refers to his style of music as "[[acid rap]]".
As one of the first rappers to receive attention in the city, Esham was often cited as a major influence on another Detroit horrorcore act, [[Insane Clown Posse]]. Esham is known for incorporating elements of [[rock music]] in his beats, and his lyrics cover a number of subjects, including death, drug use, evil, [[paranoia]] and sex. Esham refers to his style of music as "[[acid rap]]".
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===Early career===
===Early career===
Born Esham Attica Smith on September 20, 1973, in [[Long Island, New York]],<ref name=allmusic>{{cite web|url=http://www.allmusic.com/artist/esham-mn0000174100/biography|title=Esham - Biography & History - AllMusic|website=AllMusic|access-date=October 18, 2017}}</ref><ref name="AMGHipHop">{{cite book |title=All Music Guide to Hip-Hop: The Definitive Guide to Rap & Hip-hop |year=2003 |isbn=0-87930-759-5 |publisher=Backbeat Books |chapter=Esham |pages=[https://archive.org/details/isbn_9780879307592/page/160 160–163] |url-access=registration |url=https://archive.org/details/isbn_9780879307592/page/160 }}</ref><ref name="Ketchum">{{cite news |first=William E. |last=Ketchum III|title=Mayor Esham? What? |url=http://www.metrotimes.com/music/story.asp?id=13341 |newspaper=[[Metro Times]] |location=[[Detroit|Detroit, Michigan]] |date=October 15, 2008 |access-date=October 16, 2008}}</ref> Esham grew up splitting time between the Seven Mile neighborhood on the East side of [[Detroit|Detroit, Michigan]],<ref name="McLeod">{{cite magazine |first=Rodd |last=McLeod |title=The Wicket World of Natas |url=https://www.rollingstone.com/news/story/5923056/the_wicket_world_of_natas |magazine=[[Rolling Stone]] |date=March 2, 2000 |access-date=July 19, 2008 |archive-url = https://web.archive.org/web/20080708011214/http://www.rollingstone.com/news/story/5923056/the_wicket_world_of_natas |archive-date = July 8, 2008|url-status=dead}}</ref> where he lived with his mother. He attended [[Osborn High School]],<ref name="Birchmeier">{{cite web |url=http://www.allrovi.com/name/natas-mn0000375162 |title=music biography |access-date=July 19, 2008 |last=Birchmeier |first=Jason |publisher=Allrovi |url-status=dead |archive-url=https://archive.today/20121206040456/http://www.allrovi.com/name/natas-mn0000375162 |archive-date=December 6, 2012 }}</ref> and lived with his grandmother in New York during summers.<ref name="Ketchum"/> He studied piano, guitar, and trombone in high school, and listened to artists such as [[Sugar Hill Gang]], [[Run-DMC]], [[Ozzy Osbourne]] and [[Kiss (band)|Kiss]].<ref name="Ketchum"/><ref name="McLeod"/> Esham began to write original lyrics, and was encouraged by his older brother, James H. Smith, to seriously pursue a career in hip hop. According to Esham, "He felt like I had a dope flow, and he thought I could bring something new to the game, just coming from the city of Detroit. Back then, it wasn't really a [rap] music scene in Detroit. Everybody was just imitating what everybody else was doing."<ref name="Ketchum"/> In the second grade, Esham met [[Champtown]], who was also an aspiring rapper. The two performed together at [[open mic]] events Seafood Bay.<ref name=briansmith/> In one occurrence, Champtown and Esham were forced to rap for a drug dealer at gunpoint.<ref name=briansmith>Smith, Brian. (December 15, 2004) [http://www2.metrotimes.com/editorial/story.asp?id=7099 Rap maestro and the link to Esham, Kid and Em']. metrotimes.com</ref>
Born Esham Attica Smith on September 20, 1973, in [[Long Island, New York]],<ref name=allmusic>{{cite web|url=http://www.allmusic.com/artist/esham-mn0000174100/biography|title=Esham - Biography & History - AllMusic|website=AllMusic|access-date=October 18, 2017}}</ref><ref name="AMGHipHop">{{cite book |title=All Music Guide to Hip-Hop: The Definitive Guide to Rap & Hip-hop |year=2003 |isbn=0-87930-759-5 |publisher=Backbeat Books |chapter=Esham |pages=[https://archive.org/details/isbn_9780879307592/page/160 160–163] |url-access=registration |url=https://archive.org/details/isbn_9780879307592/page/160 }}</ref><ref name="Ketchum">{{cite news |first=William E. |last=Ketchum III|title=Mayor Esham? What? |url=http://www.metrotimes.com/music/story.asp?id=13341 |newspaper=[[Metro Times]] |location=[[Detroit|Detroit, Michigan]] |date=October 15, 2008 |access-date=October 16, 2008}}</ref> Esham grew up splitting time between the Seven Mile neighborhood on the East side of [[Detroit|Detroit, Michigan]],<ref name="McLeod">{{cite magazine |first=Rodd |last=McLeod |title=The Wicket World of Natas |url=https://www.rollingstone.com/news/story/5923056/the_wicket_world_of_natas |magazine=[[Rolling Stone]] |date=March 2, 2000 |access-date=July 19, 2008 |archive-url = https://web.archive.org/web/20080708011214/http://www.rollingstone.com/news/story/5923056/the_wicket_world_of_natas |archive-date = July 8, 2008|url-status=dead}}</ref> where he lived with his mother. He attended [[Osborn High School]],<ref name="Birchmeier">{{cite web |url=http://www.allrovi.com/name/natas-mn0000375162 |title=music biography |access-date=July 19, 2008 |last=Birchmeier |first=Jason |publisher=Allrovi |url-status=dead |archive-url=https://archive.today/20121206040456/http://www.allrovi.com/name/natas-mn0000375162 |archive-date=December 6, 2012 }}</ref> and lived with his grandmother in New York during summers.<ref name="Ketchum"/> He studied piano, guitar, and trombone in high school, and listened to artists such as [[The Sugarhill Gang]], [[Run-DMC]], [[Ozzy Osbourne]] and [[Kiss (band)|Kiss]].<ref name="Ketchum"/><ref name="McLeod"/> Esham began to write original lyrics, and was encouraged by his older brother, James H. Smith, to seriously pursue a career in hip hop. According to Esham, "He felt like I had a dope flow, and he thought I could bring something new to the game, just coming from the city of Detroit. Back then, it wasn't really a [rap] music scene in Detroit. Everybody was just imitating what everybody else was doing."<ref name="Ketchum"/> In the second grade, Esham met [[Champtown]], who was also an aspiring rapper. The two performed together at [[open mic]] events Seafood Bay.<ref name=briansmith/> In one occurrence, Champtown and Esham were forced to rap for a drug dealer at gunpoint.<ref name=briansmith>Smith, Brian. (December 15, 2004) [http://www2.metrotimes.com/editorial/story.asp?id=7099 Rap maestro and the link to Esham, Kid and Em'] {{Webarchive|url=https://web.archive.org/web/20090102071445/http://www.metrotimes.com/editorial/story.asp?id=7099 |date=January 2, 2009 }}. metrotimes.com</ref>


At the age of 16, Smith released his debut album, ''[[Boomin' Words from Hell]]'', in 1989.<ref name="AMGHipHop"/><ref name="Discography">{{cite web |url=http://www.acidrap.com/eshamcatalog.html |title=Discography |access-date=August 18, 2008 |last=Smith |first=Esham A |publisher=[[Reel Life Productions]] |url-status=dead |archive-url=https://web.archive.org/web/20080922032350/http://www.acidrap.com/eshamcatalog.html |archive-date=September 22, 2008 }}</ref> Of the album, Smith stated, "It was the crack era, [...] and that's where all that really came from. It was all an expression about ['70s-'80s drug cartel] [[Young Boys Inc.|Young Boys Incorporated]], Mayor [[Coleman Young]], the city we lived in and just the turmoil that our city was going through at the time. We referred to the streets of Detroit as 'Hell' on that record. So that's where my ideas came from."<ref name="Ketchum"/> In 1990, Esham and James H. Smith founded the independent record label [[Reel Life Productions]],<ref name="AMGHipHop"/><ref name="McLeod"/> which reissued his debut album with an alternate track listing and artwork.<ref name="Discography"/> Esham found it difficult to develop a fanbase, because many wrote off the dark content of his lyrics and imagery as [[shock value]], while hip hop fans did not connect to Esham's albums because of his [[heavy metal music|heavy metal]] influences.<ref name="Ketchum"/>
At the age of 16, Smith released his debut album, ''[[Boomin' Words from Hell]]'', in 1989.<ref name="AMGHipHop"/><ref name="Discography">{{cite web |url=http://www.acidrap.com/eshamcatalog.html |title=Discography |access-date=August 18, 2008 |last=Smith |first=Esham A |publisher=[[Reel Life Productions]] |url-status=dead |archive-url=https://web.archive.org/web/20080922032350/http://www.acidrap.com/eshamcatalog.html |archive-date=September 22, 2008 }}</ref> Of the album, Smith stated, "It was the crack era, [...] and that's where all that really came from. It was all an expression about ['70s-'80s drug cartel] [[Young Boys Inc.|Young Boys Incorporated]], Mayor [[Coleman Young]], the city we lived in and just the turmoil that our city was going through at the time. We referred to the streets of Detroit as 'Hell' on that record. So that's where my ideas came from."<ref name="Ketchum"/> In 1990, Esham and James H. Smith founded the independent record label [[Reel Life Productions]],<ref name="AMGHipHop"/><ref name="McLeod"/> which reissued his debut album with an alternate track listing and artwork.<ref name="Discography"/> Esham found it difficult to develop a fanbase, because many wrote off the dark content of his lyrics and imagery as [[shock value]], while hip hop fans did not connect to Esham's albums because of his [[heavy metal music|heavy metal]] influences.<ref name="Ketchum"/>
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In 1991, Esham met [[Violent J|Joseph Bruce]], a member of the group [[Insane Clown Posse|Inner City Posse]], who praised Esham and [[Reel Life Productions]], and gave Esham a copy of the group's EP ''[[Dog Beats]]'', beginning the two rappers' friendship and professional relationship.<ref name="BehindthePaint164">{{cite book |last=Bruce |first=Joseph |author-link=Violent J |author2=Hobey Echlin |editor=Nathan Fostey |title=ICP: Behind the Paint|url=https://archive.org/details/icpbehindpaint00viol |url-access=registration |year=2003 |edition=second |publisher=Psychopathic Records |location=Royal Oak, Michigan |isbn=0-9741846-0-8 |pages=[https://archive.org/details/icpbehindpaint00viol/page/164 164–167] |chapter=Paying Dues }}</ref>
In 1991, Esham met [[Violent J|Joseph Bruce]], a member of the group [[Insane Clown Posse|Inner City Posse]], who praised Esham and [[Reel Life Productions]], and gave Esham a copy of the group's EP ''[[Dog Beats]]'', beginning the two rappers' friendship and professional relationship.<ref name="BehindthePaint164">{{cite book |last=Bruce |first=Joseph |author-link=Violent J |author2=Hobey Echlin |editor=Nathan Fostey |title=ICP: Behind the Paint|url=https://archive.org/details/icpbehindpaint00viol |url-access=registration |year=2003 |edition=second |publisher=Psychopathic Records |location=Royal Oak, Michigan |isbn=0-9741846-0-8 |pages=[https://archive.org/details/icpbehindpaint00viol/page/164 164–167] |chapter=Paying Dues }}</ref>


After releasing two EPs, ''[[Erotic Poetry]]'' and ''[[Homey Don't Play]]'', Esham completed the double album ''[[Judgement Day (album)|Judgement Day]]'', and its two volumes, ''Day'' and ''Night'' were released separately on April 9, 1992.<ref name="AMGHipHop"/> In ''All Music Guide to Hip-Hop'', Jason Birchmeier wrote that ''Judgement Day, Vol. 1'' "may not be his most well-crafted work, but it certainly stands as his most inspired work of the '90s", while ''Vol. 2'' "isn't quite as strong as the first volume, suffering mostly from a number of weak tracks [...] the first volume doesn't rely quite so much on cheap shock, instead focusing on evocative horror motifs, making ''Judgement Day, Vol. 2'' the less important of the two."<ref name="AMGHipHop"/>
After releasing two EPs, ''[[Erotic Poetry]]'' and ''[[Homey Don't Play]]'', Esham completed the double album ''[[Judgement Day (Esham album)|Judgement Day]]'', and its two volumes, ''Day'' and ''Night'' were released separately on April 9, 1992.<ref name="AMGHipHop"/> In ''All Music Guide to Hip-Hop'', Jason Birchmeier wrote that ''Judgement Day, Vol. 1'' "may not be his most well-crafted work, but it certainly stands as his most inspired work of the '90s", while ''Vol. 2'' "isn't quite as strong as the first volume, suffering mostly from a number of weak tracks [...] the first volume doesn't rely quite so much on cheap shock, instead focusing on evocative horror motifs, making ''Judgement Day, Vol. 2'' the less important of the two."<ref name="AMGHipHop"/>


===''KKKill the Fetus'', ''Closed Casket'' and ''Dead Flowerz''===
===''KKKill the Fetus'', ''Closed Casket'' and ''Dead Flowerz''===
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===Post-Psychopathic===
===Post-Psychopathic===


Smith released his twelfth studio album, ''[[Suspended Animation (Esham album)|Suspended Animation]]'' on August 3, 2010, followed by the album ''[[DMT Sessions]]'', and a documentary directed by Smith, ''[[Death of an Indie Label]]'' in 2011, which was originally announced as a bonus feature on a deluxe edition of ''DMT Sessions'', but was instead uploaded onto Gothom Inc.'s YouTube channel.<ref name=deathofanindielabel>{{cite video|title=deathofanindielabel 1 |url=https://www.youtube.com/watch?v=m4O8STbLqnc | archive-url=https://ghostarchive.org/varchive/youtube/20211116/m4O8STbLqnc| archive-date=2021-11-16 | url-status=live|publisher=Gothom Inc.}}{{cbignore}}</ref><ref name=PRWeb>{{cite web |url=http://www.prweb.com/releases/2011/6/prweb8588346.htm |archive-url=https://web.archive.org/web/20110929231321/http://www.prweb.com/releases/2011/6/prweb8588346.htm |url-status=dead |archive-date=September 29, 2011 |title=Controversial Detroit Artist Releases Shocking New Album |date=June 21, 2011 |publisher=PR Web |access-date=June 27, 2011}}</ref> The Documentary was released with a soundtrack entitled the same, the LP would feature Seven the General as well as Poe Whosaine. Smith was interviewed for the documentary ''The Untold Story of Detroit Hip-Hop'', which is being produced by Detroit rapper [[Champtown]].<ref name=PRWeb/><ref>{{cite web |url=http://allmusic.com/album/dmt-sessions-r2184367 |title=DMT Sessions |website=Allmusic |access-date=June 27, 2011}}</ref><ref>{{cite web |url=http://allhiphop.com/stories/features/archive/2011/07/04/22831145.aspx |title=Esham: Evolution, Victory, Independence, Leading Pt. 1 |author=Champtown |publisher=[[AllHipHop]] |access-date=July 7, 2011 |url-status=dead |archive-url=https://web.archive.org/web/20110706052811/http://allhiphop.com/stories/features/archive/2011/07/04/22831145.aspx |archive-date=July 6, 2011 }}</ref> He also attempted a run for mayor of Detroit.<ref name=metrotimes>{{cite web|url=https://www.metrotimes.com/detroit/mayor-esham-what/Content?oid=2193328|title=Mayor Esham? What?|website=Detroit Metro Times|access-date=October 18, 2017}}</ref>
In June 2010, Esham recorded "Walk Toward the Light", a collaboration with international pro-wrestling superstar and global underground artist One Man Kru (of the horrorcore group Keepaz of the Krypt). The original mix was produced by One Man Kru and hosted by Young Wicked of AMB for the UGH34 mixtape. The remix was produced by D-Rodge and released on One Man Kru's "I Will Never Quit" LP without the third verse due to a miscommunication between the producer and the audio engineer.

Smith released his twelfth studio album, ''[[Suspended Animation (Esham album)|Suspended Animation]]'' on August 3, 2010, followed by the album ''[[DMT Sessions]]'', and a documentary directed by Smith, ''[[Death of an Indie Label]]'' in 2011, which was originally announced as a bonus feature on a deluxe edition of ''DMT Sessions'', but was instead uploaded onto Gothom Inc.'s YouTube channel.<ref name=deathofanindielabel>{{cite video|title=deathofanindielabel 1 |url=https://www.youtube.com/watch?v=m4O8STbLqnc | archive-url=https://ghostarchive.org/varchive/youtube/20211116/m4O8STbLqnc| archive-date=2021-11-16 | url-status=live|publisher=Gothom Inc.}}{{cbignore}}</ref><ref name=PRWeb>{{cite web |url=http://www.prweb.com/releases/2011/6/prweb8588346.htm |title=Controversial Detroit Artist Releases Shocking New Album |date=June 21, 2011 |publisher=PR Web |access-date=June 27, 2011}}</ref> The Documentary was released with a soundtrack entitled the same, the LP would feature Seven the General as well as Poe Whosaine. Smith was interviewed for the documentary ''The Untold Story of Detroit Hip-Hop'', which is being produced by Detroit rapper [[Champtown]].<ref name=PRWeb/><ref>{{cite web |url=http://allmusic.com/album/dmt-sessions-r2184367 |title=DMT Sessions |website=Allmusic |access-date=June 27, 2011}}</ref><ref>{{cite web |url=http://allhiphop.com/stories/features/archive/2011/07/04/22831145.aspx |title=Esham: Evolution, Victory, Independence, Leading Pt. 1 |author=Champtown |publisher=[[AllHipHop]] |access-date=July 7, 2011 |url-status=dead |archive-url=https://web.archive.org/web/20110706052811/http://allhiphop.com/stories/features/archive/2011/07/04/22831145.aspx |archive-date=July 6, 2011 }}</ref> He also attempted a run for mayor of Detroit.<ref name=metrotimes>{{cite web|url=https://www.metrotimes.com/detroit/mayor-esham-what/Content?oid=2193328|title=Mayor Esham? What?|website=Detroit Metro Times|access-date=October 18, 2017}}</ref>


In 2012, [[MTV]] published a story detailing Esham's feud with [[Eminem]] and [[Insane Clown Posse]].<ref name=mtv>{{cite web|url=http://www.mtv.com/news/2696689/esham-insane-clown-posse-eminem/|title=Esham Inspired ICP and Eminem, But He Can't Get Along With Them|website=[[MTV]]|access-date=October 18, 2017}}</ref> In 2015 Esham and Insane Clown Posse reconciled their differences and Esham performed at the 2016 Juggalo Day "Ringmaster" Show.<ref>{{cite web|title=Juggalo Day Weekend 2016 Tix On Sale NOW!!|url=http://www.insaneclownposse.com/8-news/99-juggalo-day-weekend-2016-tix-on-sale-now|website=insaneclownposse.com|access-date=December 29, 2017|date=November 6, 2015}}</ref>
In 2012, [[MTV]] published a story detailing Esham's feud with [[Eminem]] and [[Insane Clown Posse]].<ref name=mtv>{{cite web|url=http://www.mtv.com/news/2696689/esham-insane-clown-posse-eminem/|archive-url=https://web.archive.org/web/20160915011118/http://www.mtv.com/news/2696689/esham-insane-clown-posse-eminem/|url-status=dead|archive-date=September 15, 2016|title=Esham Inspired ICP and Eminem, But He Can't Get Along With Them|website=[[MTV]]|access-date=October 18, 2017}}</ref> In 2015 Esham and Insane Clown Posse reconciled their differences and Esham performed at the 2016 Juggalo Day "Ringmaster" Show.<ref>{{cite web|title=Juggalo Day Weekend 2016 Tix On Sale NOW!!|url=http://www.insaneclownposse.com/8-news/99-juggalo-day-weekend-2016-tix-on-sale-now|website=insaneclownposse.com|access-date=December 29, 2017|date=November 6, 2015|archive-date=December 30, 2017|archive-url=https://web.archive.org/web/20171230114824/http://www.insaneclownposse.com/8-news/99-juggalo-day-weekend-2016-tix-on-sale-now|url-status=dead}}</ref>


==Style<!--'Acid rap' redirects here-->==
==Style==
Esham's lyrical style, which author Sara Cohen says "utilize[s] shocking (and blatantly over the top) narratives to give an over-exaggerated, almost cartoon-like version of urban deprivation in Detroit",<ref name=Cohen>{{cite book |last=Cohen |first=Sara |title=Decline, Renewal and the City in Popular Music Culture: Beyond The Beatles |year=2007 |publisher=Ashgate Publishing, Ltd. |isbn=978-0-7546-3243-6 |page=52 }}</ref> was derived from the style of the [[Geto Boys]].<ref name="BehindthePaint174"/> Smith's lyrics have focused on themes such as death, drug use, evil, paranoia and sex, and have included references to [[Satan]]. Smith refers to his performance style as "[[acid rap]]", comparing the lyrics to hallucinations induced by [[lysergic acid diethylamide|LSD]].<ref name="McLeod"/> Esham's style has also been described as [[horrorcore]] hip hop.<ref name=Cohen/>
{{Redirect|Acid rap|the album by Chance the Rapper|Acid Rap{{!}}''Acid Rap''}}
Esham's lyrical style, which author Sara Cohen says "utilize[s] shocking (and blatantly over the top) narratives to give an over-exaggerated, almost cartoon-like version of urban deprivation in Detroit",<ref name=Cohen>{{cite book |last=Cohen |first=Sara |title=Decline, Renewal and the City in Popular Music Culture: Beyond The Beatles |year=2007 |publisher=Ashgate Publishing, Ltd. |isbn=978-0-7546-3243-6 |page=52 }}</ref> was derived from the style of the [[Geto Boys]].<ref name="BehindthePaint174"/> Smith's lyrics have focused on themes such as death, drug use, evil, paranoia and sex, and have included references to [[Satan]]. Smith refers to his performance style as "'''acid rap'''<!--boldface per WP:R#PLA-->", comparing the lyrics to hallucinations induced by [[lysergic acid diethylamide|LSD]].<ref name="McLeod"/> Esham's style has also been described as [[horrorcore]] hip hop.<ref name=Cohen/>


<blockquote>People were literally scared of my records. There have been so many rumors about me and my records. People got the first album, and they would just make up stories. They'd get into an accident and be like, 'I got into an accident because I was playing that tape.' It wasn't like we helped ourselves when we described what was in people's heads. It wasn't to shock people, though, but to get people involved in what we were doing. We had to get peoples' attention. [...] We said a lot of things that people wanted to say but didn't say. We talked about a lot of political and social [issues] that people didn't want to talk about.<ref name="Ketchum"/></blockquote>
<blockquote>People were literally scared of my records. There have been so many rumors about me and my records. People got the first album, and they would just make up stories. They'd get into an accident and be like, 'I got into an accident because I was playing that tape.' It wasn't like we helped ourselves when we described what was in people's heads. It wasn't to shock people, though, but to get people involved in what we were doing. We had to get peoples' attention. [...] We said a lot of things that people wanted to say but didn't say. We talked about a lot of political and social [issues] that people didn't want to talk about.<ref name="Ketchum"/></blockquote>
Line 78: Line 77:
;Studio albums
;Studio albums
* ''[[Boomin' Words from Hell]]'' (1989)
* ''[[Boomin' Words from Hell]]'' (1989)
* ''[[Judgement Day (album)|Judgement Day]]'' (1992)
* ''[[Judgement Day (Esham album)|Judgement Day]]'' (1992)
* ''[[KKKill the Fetus]]'' (1993)
* ''[[KKKill the Fetus]]'' (1993)
* ''[[Closed Casket]]'' (1994)
* ''[[Closed Casket]]'' (1994)
Line 90: Line 89:
* ''[[Suspended Animation (Esham album)|Suspended Animation]]'' (2010)
* ''[[Suspended Animation (Esham album)|Suspended Animation]]'' (2010)
* ''[[DMT Sessions]]'' (2011)
* ''[[DMT Sessions]]'' (2011)
* ''Venus Fly Trap LP'' (2012)
* ''Venus Flytrap'' (2012)
* ''Dichotomy'' (2015)
* ''Dichotomy'' (2015)
* ''Scribble'' (2017)
* ''Scribble'' (2017)
Line 97: Line 96:
* ''She Loves Me Not'' (2020)
* ''She Loves Me Not'' (2020)
* ''Psyops'' (2021)
* ''Psyops'' (2021)
* ''Purgatory'' (2023)
* ''Amuse-Bouche '' (2024)


==References==
==References==
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[[Category:Midwest hip hop musicians]]
[[Category:Midwest hip hop musicians]]
[[Category:African-American male rappers]]
[[Category:African-American male rappers]]
[[Category:American male rappers]]
[[Category:African-American record producers]]
[[Category:African-American record producers]]
[[Category:American hip hop record producers]]
[[Category:American hip hop record producers]]
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[[Category:20th-century African-American musicians]]
[[Category:20th-century African-American musicians]]
[[Category:21st-century African-American musicians]]
[[Category:21st-century African-American musicians]]
[[Category:Rap rock musicians]]
[[Category:Soopa Villainz members]]
[[Category:Soopa Villainz members]]

Latest revision as of 05:32, 15 August 2024

Esham
Birth nameEsham Attica Smith[1]
Born (1973-09-20) September 20, 1973 (age 50)
Long Island, New York, U.S.
OriginDetroit, Michigan, U.S.
Genres
Occupations
  • Rapper
  • record producer
Years active1988–present
Labels
Websiteacidrap.com

Esham Attica Smith (born September 20, 1973), known mononymously as Esham, is an American rapper from Detroit, Michigan. Emerging as one of the first ever hip hop artists from Detroit, Esham released his debut studio album, Boomin' Words from Hell, in 1989 at the age of 16. Since then, he has gone on to release 21 studio albums in total and is best known as a representative of the hip hop subgenre horrorcore. In 1992, he co-founded the horrorcore group Natas. He and his brother James Smith founded and ran the Detroit hip hop label Reel Life Productions.

As one of the first rappers to receive attention in the city, Esham was often cited as a major influence on another Detroit horrorcore act, Insane Clown Posse. Esham is known for incorporating elements of rock music in his beats, and his lyrics cover a number of subjects, including death, drug use, evil, paranoia and sex. Esham refers to his style of music as "acid rap".

Biography

[edit]

Early career

[edit]

Born Esham Attica Smith on September 20, 1973, in Long Island, New York,[1][2][3] Esham grew up splitting time between the Seven Mile neighborhood on the East side of Detroit, Michigan,[4] where he lived with his mother. He attended Osborn High School,[5] and lived with his grandmother in New York during summers.[3] He studied piano, guitar, and trombone in high school, and listened to artists such as The Sugarhill Gang, Run-DMC, Ozzy Osbourne and Kiss.[3][4] Esham began to write original lyrics, and was encouraged by his older brother, James H. Smith, to seriously pursue a career in hip hop. According to Esham, "He felt like I had a dope flow, and he thought I could bring something new to the game, just coming from the city of Detroit. Back then, it wasn't really a [rap] music scene in Detroit. Everybody was just imitating what everybody else was doing."[3] In the second grade, Esham met Champtown, who was also an aspiring rapper. The two performed together at open mic events Seafood Bay.[6] In one occurrence, Champtown and Esham were forced to rap for a drug dealer at gunpoint.[6]

At the age of 16, Smith released his debut album, Boomin' Words from Hell, in 1989.[2][7] Of the album, Smith stated, "It was the crack era, [...] and that's where all that really came from. It was all an expression about ['70s-'80s drug cartel] Young Boys Incorporated, Mayor Coleman Young, the city we lived in and just the turmoil that our city was going through at the time. We referred to the streets of Detroit as 'Hell' on that record. So that's where my ideas came from."[3] In 1990, Esham and James H. Smith founded the independent record label Reel Life Productions,[2][4] which reissued his debut album with an alternate track listing and artwork.[7] Esham found it difficult to develop a fanbase, because many wrote off the dark content of his lyrics and imagery as shock value, while hip hop fans did not connect to Esham's albums because of his heavy metal influences.[3]

In 1991, Esham met Joseph Bruce, a member of the group Inner City Posse, who praised Esham and Reel Life Productions, and gave Esham a copy of the group's EP Dog Beats, beginning the two rappers' friendship and professional relationship.[8]

After releasing two EPs, Erotic Poetry and Homey Don't Play, Esham completed the double album Judgement Day, and its two volumes, Day and Night were released separately on April 9, 1992.[2] In All Music Guide to Hip-Hop, Jason Birchmeier wrote that Judgement Day, Vol. 1 "may not be his most well-crafted work, but it certainly stands as his most inspired work of the '90s", while Vol. 2 "isn't quite as strong as the first volume, suffering mostly from a number of weak tracks [...] the first volume doesn't rely quite so much on cheap shock, instead focusing on evocative horror motifs, making Judgement Day, Vol. 2 the less important of the two."[2]

KKKill the Fetus, Closed Casket and Dead Flowerz

[edit]

As a student at Osborn High School, Esham met Mastamind, who gave him a three-song demo tape of his music, leading the two to form the group Natas with Esham's longtime friend, TNT.[5] In 1992, Esham appeared on Carnival of Carnage, the debut album of Insane Clown Posse, released on October 18. He produced three tracks and rapped on the album's final track.[9] In November, Natas released their debut album, Life After Death.[2] Following the release of this album, Esham, Natas and Reel Life Productions were the subject of much controversy when a 17-year-old fan killed himself while smoking cannabis and playing Russian roulette while listening to Life After Death.[10] In 1993, Esham released his third solo album, KKKill the Fetus. Jason Birchmeier wrote that "At this point in his career, his rapping has already reached near-peak levels, and his production shows a continued path towards an inventiveness. [...] Never again would Esham be so gritty."[2]

On November 22, 1994, Esham released his fourth studio album, Closed Casket. Jason Birchmeier wrote that "most fans taking a chronological approach to his catalog should be fairly numb to Esham's exploitative shock attempts. Yet if this is one of your first experiences with Esham the Unholy, this album should pack a punch with its dark nature."[2] In May 1996, Esham released his fifth studio album, Dead Flowerz. It peaked at number 38 on the Billboard Top R&B/Hip-Hop Albums chart.[11]

Gothom Records (1997–2001)

[edit]

In June 1997, Esham rebranded Reel Life Productions as Gothom Records, and released the album Bruce Wayne: Gothom City 1987, which charted at number 57 on Top R&B/Hip-Hop Albums.[12] Esham later signed a distribution deal with Overcore, a subsidiary of Overture Music, which later became distributed by TVT Records.[2][13] In June 2001, Gothom released Kool Keith's Spankmaster album, which featured several contributions by Esham, as well as Smith's eighth album, Tongues, which peaked at number seven on the Top Independent Albums chart, number 46 on the Top R&B/Hip-Hop Albums chart and number 195 on the Billboard 200.[14] In August 2001, Esham and D12 were kicked off the Warped Tour after members of the group allegedly physically attacked Smith over the lyrics of his song "Chemical Imbalance", which contained a reference to the daughter of D12 member Eminem, who was not present during the tour.[15][16]

Psychopathic Records (2002–2005)

[edit]

In 2002, Esham signed to Psychopathic Records, releasing the compilation Acid Rain. It was announced that Esham would be moving away from the horror themes of his previous efforts.[13] On November 18, 2003, Esham released his ninth studio album, Repentance. It peaked at No. 9 on the Top Heatseekers chart, No. 10 on the Top Independent Albums chart, and No. 71 on the Top R&B/Hip-Hop Albums chart.[17] Jason Birchmeier wrote that "Repentance is a small step forward for Esham. He seems very confident here, comfortable with himself as an artist [...] when he pulls everything together [...] he makes some of the best music of his long, fruitful, yet largely unacknowledged career."[18]

In 2005 Esham joined forces with Insane Clown Posse and Lavel to release the Soopa Villainz album, Furious.

His follow-up album on Psychopathic A-1 Yola, saw Esham achieving his highest consecutive level of charting success, as it peaked at 176 on the Billboard 200, his highest selling album on that chart to date, as well as peaking at No. 6 on Top Heatseekers, No. 12 on the Independent Albums chart, No. 23 on the Top Rap Albums chart, and No. 48 on the Top R&B chart.[19] Allrovi wrote, "During the course of A-1 YOLA, Esham takes the form of street hustler, kingpin, vampire, and all sorts of underworld characters, injecting his undiluted personality into each three-to-four-minute sketch. His sonic backdrop remains raw but fresh, drawing an impressive amount of energy out of sparse beats."[19]

Following this release, Esham left Psychopathic in 2005 to relaunch Reel Life/Gothom.[2]

Post-Psychopathic

[edit]

Smith released his twelfth studio album, Suspended Animation on August 3, 2010, followed by the album DMT Sessions, and a documentary directed by Smith, Death of an Indie Label in 2011, which was originally announced as a bonus feature on a deluxe edition of DMT Sessions, but was instead uploaded onto Gothom Inc.'s YouTube channel.[10][20] The Documentary was released with a soundtrack entitled the same, the LP would feature Seven the General as well as Poe Whosaine. Smith was interviewed for the documentary The Untold Story of Detroit Hip-Hop, which is being produced by Detroit rapper Champtown.[20][21][22] He also attempted a run for mayor of Detroit.[23]

In 2012, MTV published a story detailing Esham's feud with Eminem and Insane Clown Posse.[24] In 2015 Esham and Insane Clown Posse reconciled their differences and Esham performed at the 2016 Juggalo Day "Ringmaster" Show.[25]

Style

[edit]

Esham's lyrical style, which author Sara Cohen says "utilize[s] shocking (and blatantly over the top) narratives to give an over-exaggerated, almost cartoon-like version of urban deprivation in Detroit",[26] was derived from the style of the Geto Boys.[9] Smith's lyrics have focused on themes such as death, drug use, evil, paranoia and sex, and have included references to Satan. Smith refers to his performance style as "acid rap", comparing the lyrics to hallucinations induced by LSD.[4] Esham's style has also been described as horrorcore hip hop.[26]

People were literally scared of my records. There have been so many rumors about me and my records. People got the first album, and they would just make up stories. They'd get into an accident and be like, 'I got into an accident because I was playing that tape.' It wasn't like we helped ourselves when we described what was in people's heads. It wasn't to shock people, though, but to get people involved in what we were doing. We had to get peoples' attention. [...] We said a lot of things that people wanted to say but didn't say. We talked about a lot of political and social [issues] that people didn't want to talk about.[3]

Following accusations of Satanism, Smith decided that Closed Casket would be the last album to feature such themes, and that he would no longer rap about the Devil.[13] According to Smith, "I've been able to entertain people for 20 years. I just try to uplift people now. The latest things I do, I'm trying to get a message out to people, while I'm entertaining them at the same time."[3]

Esham's music style has been described as a fusion of hip hop beats and death metal lyrics.[4] Esham defined his style as analogous to "modern-day blues [or] heavy metal".[27] Insane Clown Posse has frequently cited Esham as an influence on their music.[24][9][28]

Discography

[edit]
Studio albums

References

[edit]
  1. ^ a b "Esham - Biography & History - AllMusic". AllMusic. Retrieved October 18, 2017.
  2. ^ a b c d e f g h i j "Esham". All Music Guide to Hip-Hop: The Definitive Guide to Rap & Hip-hop. Backbeat Books. 2003. pp. 160–163. ISBN 0-87930-759-5.
  3. ^ a b c d e f g h Ketchum III, William E. (October 15, 2008). "Mayor Esham? What?". Metro Times. Detroit, Michigan. Retrieved October 16, 2008.
  4. ^ a b c d e McLeod, Rodd (March 2, 2000). "The Wicket World of Natas". Rolling Stone. Archived from the original on July 8, 2008. Retrieved July 19, 2008.
  5. ^ a b Birchmeier, Jason. "music biography". Allrovi. Archived from the original on December 6, 2012. Retrieved July 19, 2008.
  6. ^ a b Smith, Brian. (December 15, 2004) Rap maestro and the link to Esham, Kid and Em' Archived January 2, 2009, at the Wayback Machine. metrotimes.com
  7. ^ a b Smith, Esham A. "Discography". Reel Life Productions. Archived from the original on September 22, 2008. Retrieved August 18, 2008.
  8. ^ Bruce, Joseph; Hobey Echlin (2003). "Paying Dues". In Nathan Fostey (ed.). ICP: Behind the Paint (second ed.). Royal Oak, Michigan: Psychopathic Records. pp. 164–167. ISBN 0-9741846-0-8.
  9. ^ a b c Bruce, Joseph; Hobey Echlin (2003). "The Dark Carnival". In Nathan Fostey (ed.). ICP: Behind the Paint (second ed.). Royal Oak, Michigan: Psychopathic Records. pp. 174–185. ISBN 0-9741846-0-8.
  10. ^ a b deathofanindielabel 1. Gothom Inc. Archived from the original on November 16, 2021.
  11. ^ "Charts & Awards for Dead Flowerz". Billboard. Retrieved July 19, 2008.
  12. ^ "Charts & Awards for Bruce Wayne: Gothom City 1987". Allmusic. Retrieved July 19, 2008.
  13. ^ a b c Bruce, Joseph (June 25, 2004). "Weekly Freekly: 2". Psychopathic Records. Archived from the original on August 20, 2004. Retrieved August 17, 2008.
  14. ^ "Charts & Awards for Tongues". Billboard. Retrieved July 19, 2008.
  15. ^ Moriates, Chris (August 13, 2001). "Rappers Esham, D12 kicked off Warped Tour after alleged attack". The Daily Bruin. Archived from the original on August 19, 2012. Retrieved July 19, 2008.
  16. ^ Hasted, Nick (2005). "The Waiting Room". The Dark Story of Eminem. Omnibus Press. p. 151. ISBN 1-84449-726-7.
  17. ^ "Charts & Awards for Repentance". Billboard. Retrieved July 19, 2008.
  18. ^ Birchmeier, Jason. "Review of Repentance". Allrovi. Archived from the original on July 18, 2012. Retrieved August 17, 2008.
  19. ^ a b "Esham – A-1 Yola". Allrovi. Archived from the original on January 16, 2013. Retrieved June 30, 2011.
  20. ^ a b "Controversial Detroit Artist Releases Shocking New Album". PR Web. June 21, 2011. Archived from the original on September 29, 2011. Retrieved June 27, 2011.
  21. ^ "DMT Sessions". Allmusic. Retrieved June 27, 2011.
  22. ^ Champtown. "Esham: Evolution, Victory, Independence, Leading Pt. 1". AllHipHop. Archived from the original on July 6, 2011. Retrieved July 7, 2011.
  23. ^ "Mayor Esham? What?". Detroit Metro Times. Retrieved October 18, 2017.
  24. ^ a b "Esham Inspired ICP and Eminem, But He Can't Get Along With Them". MTV. Archived from the original on September 15, 2016. Retrieved October 18, 2017.
  25. ^ "Juggalo Day Weekend 2016 Tix On Sale NOW!!". insaneclownposse.com. November 6, 2015. Archived from the original on December 30, 2017. Retrieved December 29, 2017.
  26. ^ a b Cohen, Sara (2007). Decline, Renewal and the City in Popular Music Culture: Beyond The Beatles. Ashgate Publishing, Ltd. p. 52. ISBN 978-0-7546-3243-6.
  27. ^ Keyes, Cheryl Lynette (2002). "Blending and Shaping Styles: Rap and Other Musical Voices". Rap Music and Street Consciousness. University of Illinois Press. p. 108. ISBN 0-252-07201-4.
  28. ^ Hess, Mickey (2009). "Esham". Hip Hop in America: A Regional Guide: Volume 1: East Coast and West Coast. ABC-CLIO. pp. 411–413. ISBN 978-0-313-34323-0.
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