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{{short description|2014 film}}
{{for|the [[Nancy Drew]] computer game of the same name|Nancy Drew: Labyrinth of Lies}}
{{for|the [[Nancy Drew]] computer game of the same name|Nancy Drew: Labyrinth of Lies}}
{{Use dmy dates|date=April 2018}}
{{Use dmy dates|date=May 2020}}
{{Infobox film
{{Infobox film
| name = Labyrinth of Lies
| name = Labyrinth of Lies
Line 6: Line 7:
| caption = Film poster
| caption = Film poster
| director = [[Giulio Ricciarelli]]
| director = [[Giulio Ricciarelli]]
| producer =
| producer = Jakob Claussen<br>Ulrike Putz<br>Sabine Lamby
| writer = Giulio Ricciarelli<br>[[Elisabeth Bartel]]
| writer = Giulio Ricciarelli<br>Elisabeth Bartel
| starring = [[Alexander Fehling]]
| starring = [[Alexander Fehling]]
| music =
| music =
Line 20: Line 21:
| country = Germany
| country = Germany
| language = German
| language = German
| budget =
}}
}}


'''''Labyrinth of Lies''''' ({{lang-de|'''Im Labyrinth des Schweigens'''}}) is a 2014 German [[drama film]] directed by [[Giulio Ricciarelli]]. Based on true events, it was screened in the Contemporary World Cinema section at the [[2014 Toronto International Film Festival]].<ref name="TIFF">{{cite web |url=http://www.indiewire.com/article/toronto-international-film-festival-reveals-7-big-new-lineups-20140812 |title=TIFF Adds 'Clouds of Sils Maria' and 'Two Days, One Night,' Reveals 5 More Lineups |accessdate=28 August 2014 |work=[[IndieWire]]|publisher=[[Penske Business Media]]|date=12 August 2014|last=Cipriani|first=Casey}}</ref> The film was selected as the German submission for the [[Academy Award for Best Foreign Language Film]] at the [[88th Academy Awards]],<ref name="IndieWire">{{cite web|url=http://blogs.indiewire.com/thompsononhollywood/germany-picks-final-eight-titles-to-vie-for-oscar-submission-20150813 |title=Germany Picks Final Eight Titles to Vie for Oscar Submission |work=[[IndieWire]] |last=Thompson |first=Anne |date=13 August 2015 |accessdate=13 August 2015}}</ref><ref name="Germany">{{cite web|url=http://www.hollywoodreporter.com/news/oscars-germany-picks-labryinth-lies-818100 |title=Oscars: Germany Picks 'Labryinth of Lies' for Foreign Language Category |last=Roxborough |first=Scott |work=[[The Hollywood Reporter]] |publisher=[[Prometheus Global Media]] |date=27 August 2015 |accessdate=27 August 2015}}</ref> making the December shortlist of nine films, but it was not nominated.<ref name="Dec15Short">{{cite web|url=https://www.oscars.org/news/9-foreign-language-films-advance-oscarr-race-1 |title=9 Foreign Language Films Advance In Oscar Race |work=[[Academy Awards|Oscars.org]] |publisher=[[Academy of Motion Picture Arts and Sciences]] |date=17 December 2015 |accessdate=18 December 2015}}</ref><ref name="Dec15ShortHW">{{cite web|url=http://www.hollywoodreporter.com/news/oscars-nine-titles-advance-foreign-850070 |title=Oscars: Nine Titles Advance in Foreign Language Category |work=[[The Hollywood Reporter]] |last=Kilday |first=Gregg |date=17 December 2015 |accessdate=18 December 2015 |publisher=[[Prometheus Global Media]]}}</ref>
'''''Labyrinth of Lies''''' ({{lang-de|'''Im Labyrinth des Schweigens'''}}) is a 2014 German [[drama film]] directed by [[Giulio Ricciarelli]]. Based on true events, it was screened in the Contemporary World Cinema section at the [[2014 Toronto International Film Festival]].<ref name="TIFF">{{cite web |url=http://www.indiewire.com/article/toronto-international-film-festival-reveals-7-big-new-lineups-20140812 |title=TIFF Adds 'Clouds of Sils Maria' and 'Two Days, One Night,' Reveals 5 More Lineups |accessdate=28 August 2014 |work=[[IndieWire]]|publisher=[[Penske Business Media]]|date=12 August 2014|last=Cipriani|first=Casey}}</ref> It was selected as the German submission for the [[Academy Award for Best Foreign Language Film]] at the [[88th Academy Awards]],<ref name="IndieWire">{{cite web |url=http://blogs.indiewire.com/thompsononhollywood/germany-picks-final-eight-titles-to-vie-for-oscar-submission-20150813 |title=Germany Picks Final Eight Titles to Vie for Oscar Submission |work=[[IndieWire]] |last=Thompson |first=Anne |date=13 August 2015 |accessdate=13 August 2015 |archive-url=https://web.archive.org/web/20160303200403/http://blogs.indiewire.com/thompsononhollywood/germany-picks-final-eight-titles-to-vie-for-oscar-submission-20150813 |archive-date=3 March 2016 |url-status=dead }}</ref><ref name="Germany">{{cite web|url=http://www.hollywoodreporter.com/news/oscars-germany-picks-labryinth-lies-818100 |title=Oscars: Germany Picks 'Labryinth of Lies' for Foreign Language Category |last=Roxborough |first=Scott |work=[[The Hollywood Reporter]] |publisher=[[Prometheus Global Media]] |date=27 August 2015 |accessdate=27 August 2015}}</ref> making the December shortlist of nine films, but it was not nominated.<ref name="Dec15Short">{{cite web|url=https://www.oscars.org/news/9-foreign-language-films-advance-oscarr-race-1 |title=9 Foreign Language Films Advance In Oscar Race |work=[[Academy Awards|Oscars.org]] |publisher=[[Academy of Motion Picture Arts and Sciences]] |date=17 December 2015 |accessdate=18 December 2015}}</ref><ref name="Dec15ShortHW">{{cite web|url=http://www.hollywoodreporter.com/news/oscars-nine-titles-advance-foreign-850070 |title=Oscars: Nine Titles Advance in Foreign Language Category |work=[[The Hollywood Reporter]] |last=Kilday |first=Gregg |date=17 December 2015 |accessdate=18 December 2015 |publisher=[[Prometheus Global Media]]}}</ref>


==Plot==
==Plot==
In 1958, Johann Radmann is a young and idealistic public prosecutor who takes an interest in the case of Charles Schulz, a former [[Auschwitz]] extermination camp commander, who is now teaching at a school in [[Frankfurt am Main]]. Radmann is determined to bring Schulz to justice, but finds his efforts frustrated because of the many former Nazis serving in the government looking out for one another.
In 1958, Johann Radmann is a young and idealistic public prosecutor who takes an interest in the case of Charles Schulz, a former [[Auschwitz]] extermination camp commander who is now teaching at a school in [[Frankfurt am Main]]. Radmann is determined to bring Schulz to justice, but finds his efforts frustrated because of the many former Nazis who are serving in government and looking out for one another.


Radmann's boss, the prosecutor-general [[Fritz Bauer]], puts him in charge of investigating former workers at the Auschwitz camp. The U.S. occupation forces give him access to their files and he discovers there were 8,000 of them. He goes after [[Josef Mengele]], who lives in Argentina but flies back to West Germany at will to visit his family. After the authorities block Radmann's attempt to issue an arrest warrant, his boss warns him off and orders him to concentrate on less high profile suspects. The department invites [[Mossad]] agents to visit, and shares its information with them. As a result, [[Adolf Eichmann]] is kidnapped and spirited away to Israel where he was tried, convicted and executed for his crimes. Having pulled off this coup Israel declines to pursue Mengele.
Radmann's boss, the prosecutor-general [[Fritz Bauer]], puts him in charge of investigating former workers at the Auschwitz camp. The U.S. occupation forces give him access to their files, and he discovers there were 8,000 workers. He goes after [[Josef Mengele]], who lives in Argentina, but flies back to West Germany to visit his family. After the authorities block Radmann's attempt to issue an arrest warrant, his boss warns him off and orders him to concentrate on lower-profile suspects. The department invites [[Mossad]] agents to visit, and shares its information with them. As a result, [[Adolf Eichmann]] is kidnapped and spirited away to Israel where he is tried, convicted and executed for his crimes. Having pulled off this coup, Israel declines to pursue Mengele.


Meanwhile, Radmann allows himself to be seduced by Marlene, a seamstress who benefiting from his connections is able to start a business as a dress designer. Radmann reaches a crisis when he discovers that his own father was in the Nazi party. When he tells Marlene that her father too was in the Nazi Party, she breaks off their relationship. By the end of the film however, there is a chance she will have him back. He resigns his official post and goes to work for an industrialist. There he is again confronted with the question: do what is right; or do what the system needs and requires you to do.
Meanwhile, Radmann allows himself to be seduced by Marlene, a seamstress who, benefiting from Radmann's connections, starts a business as a dress designer. Radmann reaches a crisis when he discovers his own father was in the Nazi party. When he tells Marlene that her father too was in the party, she ends their relationship. By the end of the film, however, there is a chance she will have him back. He resigns his official post and goes to work for an industrialist. There he is again confronted with the dilemma: do what is right; or do what the system requires you to do?


When he finds this means working with a colleague who had defended a former Nazi he was investigating, he walks out, his idealism suffering from hard encounters with the real world - at every turn the "system" wants compliance, but he wants justice. He comes to understand that the only thing that can hope to confront the horror is not "justice", but attention to the lives and stories of those who suffered injustice. Growing out of the simplistic right/wrong moralizing, he comes to understand life as more complex and seeks to repair all the damage, large and small, he inflicted in his zeal.
When he finds this means working with a colleague who had defended a former Nazi he was investigating, Radmann walks out. His idealism has suffered from hard encounters with the real world; at every turn, the "system" wants compliance, but he wants justice. He comes to understand that the only thing that can ease the horror is not justice, but attention to the lives and stories of those who suffered. Growing out of the simplistic right/wrong moralizing, he comes to understand life as more complex, and seeks to repair all the damage, large and small, he inflicted in his zeal.


After going to Auschwitz to say [[kaddish]], the Jewish mourning prayer, for a friend's two daughters who were killed there, he goes back to work for the West German state prosecutor. The film ends with the opening of the [[Frankfurt Auschwitz trials|trial of several hundred former Auschwitz workers]].
After going to Auschwitz to say [[kaddish]], the Jewish mourning prayer, for a friend's two daughters who were killed there, he goes back to work for the West German state prosecutor. The film ends with the opening of the [[Frankfurt Auschwitz trials|trial of several hundred former Auschwitz perpetrators]].


==Cast==
==Cast==
Line 40: Line 40:
* [[Johannes Krisch]] as Simon Kirsch
* [[Johannes Krisch]] as Simon Kirsch
* [[Friederike Becht]] as Marlene
* [[Friederike Becht]] as Marlene
* [[Hansi Jochmann]] as Sekretärin
* [[Hansi Jochmann]] as Secretary
* [[Johann von Bülow]] as Otto Haller
* [[Johann von Bülow]] as Otto Haller
* [[Gert Voss]] as [[Fritz Bauer]]
* [[Gert Voss]] as [[Fritz Bauer]]
* [[Robert Hunger-Bühler]] as Walter Friedberg
* [[Robert Hunger-Bühler]] as Walter Friedberg
* [[André Szymanski]] as Thomas Gnielka
* [[André Szymanski]] as [[Thomas Gnielka]]
* [[Tim Williams (actor)|Tim Williams]] as Major Parker
* [[Tim Williams (actor)|Tim Williams]] as Major Parker


==Reception==
==Reception==
===Critical reception===
===Critical reception===
On [[review aggregator]] website [[Rotten Tomatoes]], the film holds an approval rating of 81%, based on 75 reviews, and an [[average rating]] of 6.6/10. The website's critical consensus reads, "''Labyrinth of Lies'' artfully blends fact with well-intentioned fiction to offer a thought-provoking look at how the lessons of history can be easily lost or forgotten."<ref>{{cite web |url=https://www.rottentomatoes.com/m/labyrinth_of_lies_2015 |title=Labyrinth of Lies (2015) |work=[[Rotten Tomatoes]] |publisher=[[Fandango (company)|Fandango Media]] |accessdate=17 April 2018}}</ref> On [[Metacritic]], the film has a weighted average score of 62 out of 100, based on 19 critics, indicating "generally favorable reviews".<ref>{{cite web |url=http://www.metacritic.com/movie/red-sparrow |title=Red Sparrow Reviews |work=[[Metacritic]] |publisher=[[CBS Interactive]] |accessdate=17 April 2018}}</ref>
On [[review aggregator]] website [[Rotten Tomatoes]], the film holds an approval rating of 82%, based on 79 reviews, and an average rating of 6.54/10. The website's critical consensus reads, "''Labyrinth of Lies'' artfully blends fact with well-intentioned fiction to offer a thought-provoking look at how the lessons of history can be easily lost or forgotten."<ref>{{cite web |url=https://www.rottentomatoes.com/m/labyrinth_of_lies_2015 |title=Labyrinth of Lies (2015) |work=[[Rotten Tomatoes]] |publisher=[[Fandango Media]] |access-date=3 May 2020}}</ref> On [[Metacritic]], the film has a weighted average score of 62 out of 100, based on 19 critics, indicating "generally favorable reviews".<ref>{{cite web |url=https://www.metacritic.com/movie/labyrinth-of-lies |title=Labyrinth of Lies Reviews |work=[[Metacritic]] |publisher=[[CBS Interactive]] |access-date=3 May 2020}}</ref>


===Accolades===
===Accolades===
At 2014's [[Les Arcs European Cinema Festival]], the film received a Special Mention from the Jury, and won the Prix du Public (audience award).<ref>{{cite web |url=http://www.ledauphine.com/savoie/2014/12/19/the-fool-de-yuriy-bykov-remporte-la-fleche-de-cristal |title="The Fool" de Yuriy Bykov remporte la Flèche de Cristal |work=[[Le Dauphiné Libéré]] |date=19 December 2014 |accessdate=6 January 2015 |author=R.M.}}</ref><ref name="Les-Arcs-awards">{{cite web |url=https://variety.com/2014/film/news/yury-bykovs-the-fool-wins-top-prize-at-les-arcs-1201383741/ |title=Yury Bykov’s ‘The Fool’ Wins Top Prize at Les Arcs |date=19 December 2014 |accessdate=5 January 2015 |first=Elsa |last=Keslassy |work=[[Variety (magazine)|Variety]] |publisher=[[Penske Business Media]]}}</ref>
At 2014's [[Les Arcs European Cinema Festival]], the film received a Special Mention from the Jury, and won the Prix du Public (audience award).<ref>{{cite web |url=http://www.ledauphine.com/savoie/2014/12/19/the-fool-de-yuriy-bykov-remporte-la-fleche-de-cristal |title="The Fool" de Yuriy Bykov remporte la Flèche de Cristal |work=[[Le Dauphiné Libéré]] |date=19 December 2014 |accessdate=6 January 2015 |author=R.M.}}</ref><ref name="Les-Arcs-awards">{{cite web |url=https://variety.com/2014/film/news/yury-bykovs-the-fool-wins-top-prize-at-les-arcs-1201383741/ |title=Yury Bykov's 'The Fool' Wins Top Prize at Les Arcs |date=19 December 2014 |accessdate=5 January 2015 |first=Elsa |last=Keslassy |work=[[Variety (magazine)|Variety]] |publisher=[[Penske Business Media]]}}</ref>


==See also==
==See also==
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==References==
==References==
{{reflist|30em}}
{{reflist}}


==External links==
==External links==
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{{DEFAULTSORT:Labyrinth Of Lies}}
{{DEFAULTSORT:Labyrinth Of Lies}}
[[Category:2014 films]]
[[Category:2014 films]]
[[Category:2010s historical films]]
[[Category:2014 drama films]]
[[Category:2010s historical drama films]]
[[Category:2010s legal films]]
[[Category:2010s legal films]]
[[Category:German films]]
[[Category:German historical drama films]]
[[Category:German historical films]]
[[Category:2010s German-language films]]
[[Category:German-language films]]
[[Category:Films set in the 1950s]]
[[Category:Films set in the 1950s]]
[[Category:Films set in the 1960s]]
[[Category:Films set in the 1960s]]
[[Category:Films set in West Germany]]
[[Category:Films about lawyers]]
[[Category:Films about lawyers]]
[[Category:Films about Nazi hunters]]
[[Category:Films about Nazi hunters]]
[[Category:Aftermath of the Holocaust]]
[[Category:Aftermath of the Holocaust]]
[[Category:2010s German films]]

Latest revision as of 00:42, 29 June 2024

Labyrinth of Lies
Film poster
Directed byGiulio Ricciarelli
Written byGiulio Ricciarelli
Elisabeth Bartel
Produced byJakob Claussen
Ulrike Putz
Sabine Lamby
StarringAlexander Fehling
Cinematography
Release dates
  • 6 September 2014 (2014-09-06) (TIFF)
  • 6 November 2014 (2014-11-06) (Germany)
Running time
122 minutes
CountryGermany
LanguageGerman

Labyrinth of Lies (German: Im Labyrinth des Schweigens) is a 2014 German drama film directed by Giulio Ricciarelli. Based on true events, it was screened in the Contemporary World Cinema section at the 2014 Toronto International Film Festival.[1] It was selected as the German submission for the Academy Award for Best Foreign Language Film at the 88th Academy Awards,[2][3] making the December shortlist of nine films, but it was not nominated.[4][5]

Plot

[edit]

In 1958, Johann Radmann is a young and idealistic public prosecutor who takes an interest in the case of Charles Schulz, a former Auschwitz extermination camp commander who is now teaching at a school in Frankfurt am Main. Radmann is determined to bring Schulz to justice, but finds his efforts frustrated because of the many former Nazis who are serving in government and looking out for one another.

Radmann's boss, the prosecutor-general Fritz Bauer, puts him in charge of investigating former workers at the Auschwitz camp. The U.S. occupation forces give him access to their files, and he discovers there were 8,000 workers. He goes after Josef Mengele, who lives in Argentina, but flies back to West Germany to visit his family. After the authorities block Radmann's attempt to issue an arrest warrant, his boss warns him off and orders him to concentrate on lower-profile suspects. The department invites Mossad agents to visit, and shares its information with them. As a result, Adolf Eichmann is kidnapped and spirited away to Israel where he is tried, convicted and executed for his crimes. Having pulled off this coup, Israel declines to pursue Mengele.

Meanwhile, Radmann allows himself to be seduced by Marlene, a seamstress who, benefiting from Radmann's connections, starts a business as a dress designer. Radmann reaches a crisis when he discovers his own father was in the Nazi party. When he tells Marlene that her father too was in the party, she ends their relationship. By the end of the film, however, there is a chance she will have him back. He resigns his official post and goes to work for an industrialist. There he is again confronted with the dilemma: do what is right; or do what the system requires you to do?

When he finds this means working with a colleague who had defended a former Nazi he was investigating, Radmann walks out. His idealism has suffered from hard encounters with the real world; at every turn, the "system" wants compliance, but he wants justice. He comes to understand that the only thing that can ease the horror is not justice, but attention to the lives and stories of those who suffered. Growing out of the simplistic right/wrong moralizing, he comes to understand life as more complex, and seeks to repair all the damage, large and small, he inflicted in his zeal.

After going to Auschwitz to say kaddish, the Jewish mourning prayer, for a friend's two daughters who were killed there, he goes back to work for the West German state prosecutor. The film ends with the opening of the trial of several hundred former Auschwitz perpetrators.

Cast

[edit]

Reception

[edit]

Critical reception

[edit]

On review aggregator website Rotten Tomatoes, the film holds an approval rating of 82%, based on 79 reviews, and an average rating of 6.54/10. The website's critical consensus reads, "Labyrinth of Lies artfully blends fact with well-intentioned fiction to offer a thought-provoking look at how the lessons of history can be easily lost or forgotten."[6] On Metacritic, the film has a weighted average score of 62 out of 100, based on 19 critics, indicating "generally favorable reviews".[7]

Accolades

[edit]

At 2014's Les Arcs European Cinema Festival, the film received a Special Mention from the Jury, and won the Prix du Public (audience award).[8][9]

See also

[edit]

References

[edit]
  1. ^ Cipriani, Casey (12 August 2014). "TIFF Adds 'Clouds of Sils Maria' and 'Two Days, One Night,' Reveals 5 More Lineups". IndieWire. Penske Business Media. Retrieved 28 August 2014.
  2. ^ Thompson, Anne (13 August 2015). "Germany Picks Final Eight Titles to Vie for Oscar Submission". IndieWire. Archived from the original on 3 March 2016. Retrieved 13 August 2015.
  3. ^ Roxborough, Scott (27 August 2015). "Oscars: Germany Picks 'Labryinth of Lies' for Foreign Language Category". The Hollywood Reporter. Prometheus Global Media. Retrieved 27 August 2015.
  4. ^ "9 Foreign Language Films Advance In Oscar Race". Oscars.org. Academy of Motion Picture Arts and Sciences. 17 December 2015. Retrieved 18 December 2015.
  5. ^ Kilday, Gregg (17 December 2015). "Oscars: Nine Titles Advance in Foreign Language Category". The Hollywood Reporter. Prometheus Global Media. Retrieved 18 December 2015.
  6. ^ "Labyrinth of Lies (2015)". Rotten Tomatoes. Fandango Media. Retrieved 3 May 2020.
  7. ^ "Labyrinth of Lies Reviews". Metacritic. CBS Interactive. Retrieved 3 May 2020.
  8. ^ R.M. (19 December 2014). ""The Fool" de Yuriy Bykov remporte la Flèche de Cristal". Le Dauphiné Libéré. Retrieved 6 January 2015.
  9. ^ Keslassy, Elsa (19 December 2014). "Yury Bykov's 'The Fool' Wins Top Prize at Les Arcs". Variety. Penske Business Media. Retrieved 5 January 2015.
[edit]