Wakin on a Pretty Daze: Difference between revisions
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| released = April 9, 2013 |
| released = April 9, 2013 |
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| recorded = February 2012 & May–November 2012 |
| recorded = February 2012 & May–November 2012 |
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| studio = New York City, California and Philadelphia |
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| venue = |
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| studio = |
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| length = 69:03 |
| length = 69:03 |
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| label = [[Matador Records|Matador]] |
| label = [[Matador Records|Matador]] |
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| producer = |
| producer = John Agnello, [[Kurt Vile]] & the Violators |
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| prev_title = [[So Outta Reach]] |
| prev_title = [[So Outta Reach]] |
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| prev_year = 2011 |
| prev_year = 2011 |
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'''''Wakin on a Pretty Daze''''' is the fifth studio album by American [[indie rock]] musician [[Kurt Vile]], released on April 9, 2013 on [[Matador Records]]. Produced by both |
'''''Wakin on a Pretty Daze''''' is the fifth studio album by American [[indie rock]] musician [[Kurt Vile]], released on April 9, 2013, on [[Matador Records]]. Produced by both John Agnello and Kurt Vile & the Violators, the album is the first not to feature contributions from long-time collaborator and former bandmate [[Adam Granduciel]]. |
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Regarding the album's thematic and lyrical content, Vile stated, " |
Regarding the album's thematic and lyrical content, Vile stated, "It's just about my life, without thinking too much about it. I feel comfortable with the lyrics. I think myself and my bandmates, my close bandmates, [[Rob Laakso]] and Jesse Trbovich, they're right there with me. We all live it."<ref name="mtvhive.com">{{cite web|url=http://www.mtv.com/news/2698164/kurt-vile-wakin-on-a-pretty-daze-interview/|archive-url=https://web.archive.org/web/20160222135814/http://www.mtv.com/news/2698164/kurt-vile-wakin-on-a-pretty-daze-interview/|url-status=dead|archive-date=February 22, 2016|title=Kurt Vile on His New Album 'Wakin on a Pretty Daze'|first=Mike|last=Ayers|website=MTV News|accessdate=8 July 2017}}</ref> The album reached number forty-seven on the [[Billboard 200|''Billboard'' 200]] and forty-one on the [[UK Albums Chart]]. |
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A deluxe edition of the album, entitled '''''Wakin on a Pretty Daze: Deluxe Daze (Post Haze)''''', was released on November 13, 2013. The re-release included a new EP, ''[[It's a Big World Out There (And I Am Scared)]]'',<ref>{{cite web|url=http://www.stillinrock.com/2013/11/new-kurt-vile-its-big-world-out-there.html|title=New : Kurt Vile – It's a Big World Out There (And I Am Scared) (Dream Folk)|website=stillinrock.com|accessdate=8 July 2017}}</ref> and new artwork by [[Steve Powers (artist)|Steve Powers]]. |
A deluxe edition of the album, entitled '''''Wakin on a Pretty Daze: Deluxe Daze (Post Haze)''''', was released on November 13, 2013. The re-release included a new EP, ''[[It's a Big World Out There (And I Am Scared)]]'',<ref>{{cite web|url=http://www.stillinrock.com/2013/11/new-kurt-vile-its-big-world-out-there.html|title=New : Kurt Vile – It's a Big World Out There (And I Am Scared) (Dream Folk)|website=stillinrock.com|date=21 November 2013 |accessdate=8 July 2017}}</ref> and new artwork by [[Steve Powers (artist)|Steve Powers]]. |
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==Background and recording== |
==Background and recording== |
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In 2011, Kurt Vile's fourth studio album, ''[[Smoke Ring for My Halo]]'', was met with critical acclaim and its release significantly expanded his fan base. Reflecting on the extensive touring schedule which accompanied the album, Vile noted, "Things were going good and people were coming to our shows, which is nice, but it's also draining. And I have a family, so there are all kinds of psychological things weighing you down. So it's not like a cushy lifestyle — there's struggle and urgency in there in its own right. Ultimately you want some kind of struggle."<ref>{{cite web|url=https://www.npr.org/blogs/therecord/2013/04/09/176724280/talking-21st-century-songwriting-with-kurt-vile|title=Talking 21st Century Songwriting With Kurt Vile|website=npr.org|accessdate=8 July 2017}}</ref> Vile began writing tracks for his fifth studio album whilst on tour, practicing them during soundchecks: "The record was written all over the place, on tour,"<ref name="thelineofbestfit.com">{{cite web|url=http://www.thelineofbestfit.com/features/interviews/kurt-vile-121109|title=Kurt Vile: " |
In 2011, Kurt Vile's fourth studio album, ''[[Smoke Ring for My Halo]]'', was met with critical acclaim and its release significantly expanded his fan base. Reflecting on the extensive touring schedule which accompanied the album, Vile noted, "Things were going good and people were coming to our shows, which is nice, but it's also draining. And I have a family, so there are all kinds of psychological things weighing you down. So it's not like a cushy lifestyle — there's struggle and urgency in there in its own right. Ultimately you want some kind of struggle."<ref>{{cite web|url=https://www.npr.org/blogs/therecord/2013/04/09/176724280/talking-21st-century-songwriting-with-kurt-vile|title=Talking 21st Century Songwriting With Kurt Vile|website=npr.org|accessdate=8 July 2017}}</ref> Vile began writing tracks for his fifth studio album whilst on tour, practicing them during soundchecks: "The record was written all over the place, on tour,"<ref name="thelineofbestfit.com">{{cite web|url=http://www.thelineofbestfit.com/features/interviews/kurt-vile-121109|title=Kurt Vile: "Everything's an influence"|website=thelineofbestfit.com|accessdate=8 July 2017}}</ref> Vile elaborated "I was playing more gigs and more soundchecks and I was creating these sort of more epic tunes."<ref>{{cite web|url=http://www.thebeatjuice.com/read/2012/12/18/644/kurt-vile-interview/|title=Interviews Archives – Beat Magazine|website=Beat Magazine|accessdate=8 July 2017|archive-date=28 March 2016|archive-url=https://web.archive.org/web/20160328081525/http://www.thebeatjuice.com/read/2012/12/18/644/kurt-vile-interview/|url-status=dead}}</ref> |
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Following the album's release longtime collaborator and guitarist [[Adam Granduciel]] departed from The Violators to focus on his own musical project, [[The War on Drugs (band)|The War on Drugs]], with sometime studio collaborator [[Rob Laakso]] joining in his place. Vile stated, "My newest steady bandmate [is] Rob Laakso, I’ve known him longer than I’ve known other members of my band. He joined the band right after ''Smoke Ring'' came out. He’s like a wiz-kid with [[synthesizers]] and engineering in general and guitar. He can sync things up with sequences and all that kind of stuff that I like, but am too [[ADD]] to figure it out."<ref name="mtvhive.com" /> At the close of the tour, drummer Mike Zanghi quietly departed from the band. |
Following the album's release longtime collaborator and guitarist [[Adam Granduciel]] departed from The Violators to focus on his own musical project, [[The War on Drugs (band)|The War on Drugs]], with sometime studio collaborator [[Rob Laakso]] joining in his place. Vile stated, "My newest steady bandmate [is] Rob Laakso, I’ve known him longer than I’ve known other members of my band. He joined the band right after ''Smoke Ring'' came out. He’s like a wiz-kid with [[synthesizers]] and engineering in general and guitar. He can sync things up with sequences and all that kind of stuff that I like, but am too [[ADD]] to figure it out."<ref name="mtvhive.com" /> At the close of the tour, drummer Mike Zanghi quietly departed from the band. |
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Vile and the remaining Violators, Laakso and Jesse Trbovich, entered the studio with producer |
Vile and the remaining Violators, Laakso and Jesse Trbovich, entered the studio with producer John Agnello, who had previously produced ''Smoke Ring for My Halo''. Using three studio drummers – including [[Warpaint (band)|Warpaint]]'s [[Stella Mozgawa]], Vince Nudo of [[Priestess (band)|Priestess]] and former Violator, Michael Johnson – the band worked on songs with longer, more experimental arrangements, with Vile initially comparing the album to [[Fleetwood Mac]]'s 1979 album, ''[[Tusk (album)|Tusk]]'', stating "It's so many hours of sessions. It's totally our ''Tusk'', but no cheese. Just rock."<ref>{{cite web|url=https://www.spin.com/2012/12/kurt-vile-new-album-2013-interview/|title=Inside Kurt Vile's All-Rock, No-Cheese Spring 2013 Album|date=4 December 2012|website=spin.com|accessdate=8 July 2017}}</ref> |
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Vile noted that The Violators involvement with the recording process was more prominent than on previous releases, noting, "One day I’d like to make a record that is credited to ‘Kurt Vile and the Violators’, but so far in my career all my albums have felt like solo albums that we then take on tour with the band, but [...] on this one I think everyone contributed a bit more."<ref name="thelineofbestfit.com" /> |
Vile noted that The Violators involvement with the recording process was more prominent than on previous releases, noting, "One day I’d like to make a record that is credited to ‘Kurt Vile and the Violators’, but so far in my career all my albums have felt like solo albums that we then take on tour with the band, but [...] on this one I think everyone contributed a bit more."<ref name="thelineofbestfit.com" /> |
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Regarding his musical influences on ''Wakin on a Pretty Daze'', Vile stated, "I was listening to some really disparate stuff while writing it, like there was this one [[Gary Numan]] song, "[[Are Friends Electric?]]", and some other weird early-80s stuff, that I think worked its way in there."<ref name="thelineofbestfit.com" /> |
Regarding his musical influences on ''Wakin on a Pretty Daze'', Vile stated, "I was listening to some really disparate stuff while writing it, like there was this one [[Gary Numan]] song, "[[Are Friends Electric?]]", and some other weird early-80s stuff, that I think worked its way in there."<ref name="thelineofbestfit.com" /> |
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Vile was also influenced by music critic [[Barney Hoskyns]]' 2005 book, ''Hotel California: Singer-Songwriters & Cocaine Cowboys In The L.A. Canyons'', stating: "You know, just getting deep into that world of artists that I like, I find exciting, but this was like the first time [I had read something] that was about the whole scene. You see the whole thing grow. It's tailor-made for my mind. [...] Influence is all osmosis, but that book influenced me a gigantic way, and it also influenced me in a subconscious way. I mean, obviously, it influenced me enough to want to go to [[California]] and work with [lap-steel guitarist] [[Beachwood Sparks|Farmer Dave]]."<ref>{{cite |
Vile was also influenced by music critic [[Barney Hoskyns]]' 2005 book, ''Hotel California: Singer-Songwriters & Cocaine Cowboys In The L.A. Canyons'', stating: "You know, just getting deep into that world of artists that I like, I find exciting, but this was like the first time [I had read something] that was about the whole scene. You see the whole thing grow. It's tailor-made for my mind. [...] Influence is all osmosis, but that book influenced me a gigantic way, and it also influenced me in a subconscious way. I mean, obviously, it influenced me enough to want to go to [[California]] and work with [lap-steel guitarist] [[Beachwood Sparks|Farmer Dave]]."<ref>{{cite news|url=https://www.theguardian.com/music/2013/mar/29/kurt-vile-wakin-pretty-daze|title=Kurt Vile: from Boston forklift driver to the Hotel California|first=Laura|last=Barton|date=29 March 2013|publisher=|accessdate=8 July 2017|newspaper=The Guardian}}</ref> |
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==Title== |
==Title== |
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Regarding the album's title, which is a [[pun]] on the album's first track, "Wakin on a Pretty Day |
Regarding the album's title, which is a [[pun]] on the album's first track, "Wakin on a Pretty Day", Vile noted, "It's probably the most simple title that I ever had. It's like the simplest pun ever. It rolls off the tongue, but also it's the kind of thing, once you have the record, you'll understand. The first song on the record is called "Wakin on a Pretty Day," which is like the tone setter. It's not just an album you name after one of the songs, that you just morph it a little bit. The whole general thing is one long daze, and that's waking up."<ref name="mtvhive.com" /> |
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==Artwork== |
==Artwork== |
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The album's cover photograph features a mural by [[Philadelphia]]-based street artist [[Steve Powers (artist)|Steve Powers]], with Vile noting, "Everybody who rides the 'EL' [elevated train line] sees it. It's so colourful. It's so cool to have my own mural, let alone [one] by a great artist." The mural features images and words based on the album's eleven tracks. The mural is located on the side of |
The album's cover photograph features a mural by [[Philadelphia]]-based street artist [[Steve Powers (artist)|Steve Powers]], with Vile noting, "Everybody who rides the 'EL' [elevated train line] sees it. It's so colourful. It's so cool to have my own mural, let alone [one] by a great artist." The mural features images and words based on the album's eleven tracks. The mural is located on the side of W.M. Mulherin's Sons restaurant on Front Street in the Fishtown neighborhood of Philadelphia. |
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In the Violators band photograph, which appears on the back cover, Vile is wearing a T-shirt featuring record label, Richie Records, which had previously released the band's ''[[The Hunchback EP]]'' (2009). Vile also holds a [[Red Delicious|red apple]], alluding to the tracks, "Red Apples" and "Runner Ups |
In the Violators band photograph, which appears on the back cover, Vile is wearing a T-shirt featuring record label, Richie Records, which had previously released the band's ''[[The Hunchback EP]]'' (2009). Vile also holds a [[Red Delicious|red apple]], alluding to the tracks, "Red Apples" and "Runner Ups", from ''[[God Is Saying This to You...]]'' (2009) and ''[[Smoke Ring for My Halo]]'' (2011), respectively. The graffiti which reads "th' violators" on the back cover was by Vile himself: "I made sure that it says 'The Violators' on the back of the cover art, I did the graffiti for that myself."<ref name="thelineofbestfit.com" /> |
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==Reception== |
==Reception== |
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| rev1score = {{Rating|5|5}}<ref name=allmusic>{{cite web|url=https://www.allmusic.com/album/wakin-on-a-pretty-daze-mw0002504021 |title=Wakin on a Pretty Daze – Kurt Vile|publisher=[[AllMusic]]|accessdate=November 16, 2019|last=Thomas|first=Fred}}</ref> |
| rev1score = {{Rating|5|5}}<ref name=allmusic>{{cite web|url=https://www.allmusic.com/album/wakin-on-a-pretty-daze-mw0002504021 |title=Wakin on a Pretty Daze – Kurt Vile|publisher=[[AllMusic]]|accessdate=November 16, 2019|last=Thomas|first=Fred}}</ref> |
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| rev2 = ''[[Entertainment Weekly]]'' |
| rev2 = ''[[Entertainment Weekly]]'' |
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| rev2score = B+<ref>{{cite |
| rev2score = B+<ref>{{cite magazine|url=https://www.ew.com/article/2013/04/05/singles-and-albums-april-12-2013|title=Singles and Albums: April 12, 2013|magazine=[[Entertainment Weekly]]|date=April 5, 2013|accessdate=April 17, 2013|last1=Smith|first1=Grady|last2=Markovitz|first2=Adam|last3=Stransky|first3=Tanner|last4=Anderson|first4=Kyle|last5=Maerz|first5=Melissa}}</ref> |
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| rev3 = ''[[The Guardian]]'' |
| rev3 = ''[[The Guardian]]'' |
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| rev3score = {{Rating|4|5}}<ref name=guardian>{{cite news|url=https://www.theguardian.com/music/2013/apr/04/wakin-on-pretty-daze-review|title=Kurt Vile: Wakin on a Pretty Daze – review|work=[[The Guardian]]|date=April 4, 2013|accessdate=April 17, 2013|last=Simpson|first=Dave}}</ref> |
| rev3score = {{Rating|4|5}}<ref name=guardian>{{cite news|url=https://www.theguardian.com/music/2013/apr/04/wakin-on-pretty-daze-review|title=Kurt Vile: Wakin on a Pretty Daze – review|work=[[The Guardian]]|date=April 4, 2013|accessdate=April 17, 2013|last=Simpson|first=Dave}}</ref> |
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| rev4 = ''[[Mojo (magazine)|Mojo]]'' |
| rev4 = ''[[Mojo (magazine)|Mojo]]'' |
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| rev4score = {{Rating|4|5}}<ref>{{cite journal|title=Kurt Vile: Wakin on a Pretty Daze| |
| rev4score = {{Rating|4|5}}<ref>{{cite journal|title=Kurt Vile: Wakin on a Pretty Daze|journal=[[Mojo (magazine)|Mojo]]|issue=234|date=May 2013|page=86}}</ref> |
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| rev5 = ''[[NME]]'' |
| rev5 = ''[[NME]]'' |
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| rev5score = 8/10<ref name=NME>{{cite journal|url=https://www.nme.com/reviews/kurt-vile/14278|title=Kurt Vile – 'Wakin On A Pretty Daze'| |
| rev5score = 8/10<ref name=NME>{{cite journal|url=https://www.nme.com/reviews/kurt-vile/14278|title=Kurt Vile – 'Wakin On A Pretty Daze'|journal=[[NME]]|date=April 8, 2013|accessdate=April 17, 2013|last=Sheffield|first=Hazel|archiveurl=https://web.archive.org/web/20160304122227/http://www.nme.com/reviews/kurt-vile/14278|archivedate=March 4, 2016}}</ref> |
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| rev6 = ''[[The Observer]]'' |
| rev6 = ''[[The Observer]]'' |
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| rev6score = {{Rating|4|5}}<ref>{{cite news|url=https://www.theguardian.com/music/2013/apr/07/kurt-vile-pretty-daze-review|title=Kurt Vile: Wakin' on a Pretty Daze – review|work=[[The Observer]]|date=April 7, 2013|accessdate=April 17, 2013|last=Fox|first=Killian}}</ref> |
| rev6score = {{Rating|4|5}}<ref>{{cite news|url=https://www.theguardian.com/music/2013/apr/07/kurt-vile-pretty-daze-review|title=Kurt Vile: Wakin' on a Pretty Daze – review|work=[[The Observer]]|date=April 7, 2013|accessdate=April 17, 2013|last=Fox|first=Killian}}</ref> |
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| rev7score = 8.5/10<ref name=pitchfork>{{cite web|url=https://pitchfork.com/reviews/albums/17851-kurt-vile-wakin-on-a-pretty-daze/|title=Kurt Vile: Wakin on a Pretty Daze|work=[[Pitchfork (website)|Pitchfork]]|date=April 10, 2013|accessdate=April 17, 2013|last=Greene|first=Jayson}}</ref> |
| rev7score = 8.5/10<ref name=pitchfork>{{cite web|url=https://pitchfork.com/reviews/albums/17851-kurt-vile-wakin-on-a-pretty-daze/|title=Kurt Vile: Wakin on a Pretty Daze|work=[[Pitchfork (website)|Pitchfork]]|date=April 10, 2013|accessdate=April 17, 2013|last=Greene|first=Jayson}}</ref> |
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| rev8 = ''[[Q (magazine)|Q]]'' |
| rev8 = ''[[Q (magazine)|Q]]'' |
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| rev8score = {{Rating|4|5}}<ref>{{cite journal|title=Kurt Vile: Wakin on a Pretty Daze| |
| rev8score = {{Rating|4|5}}<ref>{{cite journal|title=Kurt Vile: Wakin on a Pretty Daze|journal=[[Q (magazine)|Q]]|issue=322|date=May 2013|page=112}}</ref> |
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| rev9 = ''[[Rolling Stone]]'' |
| rev9 = ''[[Rolling Stone]]'' |
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| rev9score = {{Rating|3|5}}<ref name=RollingStone>{{cite |
| rev9score = {{Rating|3|5}}<ref name=RollingStone>{{cite magazine|url=https://www.rollingstone.com/music/music-album-reviews/wakin-on-a-pretty-daze-94540/|title=Wakin on a Pretty Daze|magazine=[[Rolling Stone]]|date=April 15, 2013|accessdate=April 17, 2013|last=Catucci|first=Nick}}</ref> |
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| rev10 = ''[[Spin (magazine)|Spin]]'' |
| rev10 = ''[[Spin (magazine)|Spin]]'' |
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| rev10score = 9/10<ref>{{cite journal|url=http://www.spin.com/2013/04/kurt-vile-wakin-on-a-pretty-daze-matador/|title=Kurt Vile, |
| rev10score = 9/10<ref>{{cite journal|url=http://www.spin.com/2013/04/kurt-vile-wakin-on-a-pretty-daze-matador/|title=Kurt Vile, 'Wakin on a Pretty Daze' (Matador)|journal=[[Spin (magazine)|Spin]]|date=April 9, 2013|accessdate=April 17, 2013|last=Powell|first=Mike}}</ref> |
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}} |
}} |
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''Wakin on a Pretty Daze'' received critical acclaim upon its release. At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream critics, the album has received an [[weighted mean|average]] score of 82, based on 32 reviews.<ref name=metacritic /> [[Pitchfork (website)|''Pitchfork'']]{{'}}s Jayson Greene gave the album a "Best New Music" designation, writing "''Wakin on a Pretty Daze'' is Vile's most spacious, becalmed record yet, and it contains some of his best-ever brand of cosmic [[stand-up]] [...] [The album] feels like the culmination of Vile's quest to get away from people, noises, civilization and find somewhere to sit and whistle his own tune."<ref name=pitchfork /> In another positive review, [[AllMusic]]'s Fred Thomas wrote: "It becomes clear that Kurt Vile isn't aiming to ape or even update the canon of classic guitar-based songwriters, but is very much his generation's chapter of the evolution of [[rock (music)|rock]]. Easily his most focused and accessible work, ''Pretty Daze'' is the strongest so far in a chain of releases that seem to suggest there are even greater heights to be reached."<ref name=allmusic /> ''[[NME]]''{{'}}s Hazel Sheffield wrote, "[On] ''Wakin On A Pretty Daze'', [Vile] turns his attention to writing proper songs. The album is bookended by two monster tracks that each hover around the 10-minute mark. Neither track loses direction."<ref name=NME /> Russell Warfield, of ''[[Drowned in Sound]]'' described ''Wakin on a Pretty Daze'' as: "one of those rare examples of an artist’s uninhibited self-indulgence resulting in an LP which plays firmly to their strengths. Undoubtedly, it’s an album which moves away from the tighter verse-chorus structures of breakthrough, ''[[Smoke Ring for My Halo]]'', but one which takes the dive into looser structure with the best of faith."<ref name=DIS>{{cite web|url=http://drownedinsound.com/releases/17576/reviews/4146277|title=Album Review: Kurt Vile – Wakin on a Pretty Daze|work=[[Drowned in Sound]]|date=April 9, 2013|accessdate=April 17, 2013|last=Warfield|first=Russell}}</ref> |
''Wakin on a Pretty Daze'' received critical acclaim upon its release. At [[Metacritic]], which assigns a [[Standard score|normalized]] rating out of 100 to reviews from mainstream critics, the album has received an [[weighted mean|average]] score of 82, based on 32 reviews.<ref name=metacritic /> [[Pitchfork (website)|''Pitchfork'']]{{'}}s Jayson Greene gave the album a "Best New Music" designation, writing "''Wakin on a Pretty Daze'' is Vile's most spacious, becalmed record yet, and it contains some of his best-ever brand of cosmic [[stand-up]] [...] [The album] feels like the culmination of Vile's quest to get away from people, noises, civilization and find somewhere to sit and whistle his own tune."<ref name=pitchfork /> In another positive review, [[AllMusic]]'s Fred Thomas wrote: "It becomes clear that Kurt Vile isn't aiming to ape or even update the canon of classic guitar-based songwriters, but is very much his generation's chapter of the evolution of [[rock (music)|rock]]. Easily his most focused and accessible work, ''Pretty Daze'' is the strongest so far in a chain of releases that seem to suggest there are even greater heights to be reached."<ref name=allmusic /> ''[[NME]]''{{'}}s Hazel Sheffield wrote, "[On] ''Wakin On A Pretty Daze'', [Vile] turns his attention to writing proper songs. The album is bookended by two monster tracks that each hover around the 10-minute mark. Neither track loses direction."<ref name=NME /> Russell Warfield, of ''[[Drowned in Sound]]'' described ''Wakin on a Pretty Daze'' as: "one of those rare examples of an artist’s uninhibited self-indulgence resulting in an LP which plays firmly to their strengths. Undoubtedly, it’s an album which moves away from the tighter verse-chorus structures of breakthrough, ''[[Smoke Ring for My Halo]]'', but one which takes the dive into looser structure with the best of faith."<ref name=DIS>{{cite web|url=http://drownedinsound.com/releases/17576/reviews/4146277|title=Album Review: Kurt Vile – Wakin on a Pretty Daze|work=[[Drowned in Sound]]|date=April 9, 2013|accessdate=April 17, 2013|last=Warfield|first=Russell|archive-date=April 12, 2013|archive-url=https://web.archive.org/web/20130412092731/http://drownedinsound.com/releases/17576/reviews/4146277|url-status=dead}}</ref> |
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Nick Catucci of ''[[Rolling Stone (magazine)|Rolling Stone]]'', on the other hand, gave the album a mixed review. Referring to the album track, "Air Bud", he wrote, "A guitar-obsessed longhair who got his start self-distributing his music, Vile has let the outside in – even if [[Air Bud|a basketball-playing dog from an old DVD]] still proves to be his best inspiration."<ref name=NME /> Similarly, ''[[PopMatters]]''{{'}}s Robin Smith stated, "This isn’t his clearest work, nor is it his most pretty, but it’s easy to identify him as he looks inward, to see the songwriter who wants to make five different types of music. [...] It’s not that he couldn’t care less. It’s just hard to know how, sometimes."<ref name=popmatters>{{cite web|url=https://www.popmatters.com/pm/review/170198-kurt-vile-wakin-on-a-pretty-daze/|title=Kurt Vile: Wakin on a Pretty Daze|work=[[PopMatters]]|date=April 10, 2013|accessdate=April 17, 2013|last=Smith|first=Robin}}</ref> |
Nick Catucci of ''[[Rolling Stone (magazine)|Rolling Stone]]'', on the other hand, gave the album a mixed review. Referring to the album track, "Air Bud", he wrote, "A guitar-obsessed longhair who got his start self-distributing his music, Vile has let the outside in – even if [[Air Bud|a basketball-playing dog from an old DVD]] still proves to be his best inspiration."<ref name=NME /> Similarly, ''[[PopMatters]]''{{'}}s Robin Smith stated, "This isn’t his clearest work, nor is it his most pretty, but it’s easy to identify him as he looks inward, to see the songwriter who wants to make five different types of music. [...] It’s not that he couldn’t care less. It’s just hard to know how, sometimes."<ref name=popmatters>{{cite web|url=https://www.popmatters.com/pm/review/170198-kurt-vile-wakin-on-a-pretty-daze/|title=Kurt Vile: Wakin on a Pretty Daze|work=[[PopMatters]]|date=April 10, 2013|accessdate=April 17, 2013|last=Smith|first=Robin}}</ref> |
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On May 28, 2013, ''[[Spin (magazine)|Spin]]'' listed the track, "KV Crimes", at number twelve on their "The 40 Best Songs of 2013 So Far" list, stating: "A shaggy-dog exploration of a riff that could've howled or seared or gotten increasingly heavier as Vile declares, "I think I'm ready to claim what's mine." But instead, it wanders around and around lost in a mood until he starts a verse with "crestfallennnnnnnn," like he might fall asleep before the end of the song, and you realize this whole claiming-what's-mine business is, well, not exactly what it's all cracked up to be."<ref name="Spin40">{{cite web|last=|first=|date=May 28, 2013|url=https://www.spin.com/2013/05/best-songs-tracks-2013-so-far-list/61hg6hji5hc0ckiack4me40ceca/|title=Kurt Vile - "KV Crimes" - The 40 Best Songs of 2013 So Far|publisher=[[Spin (magazine)|Spin]]|accessdate=2013-05-29}}</ref> |
On May 28, 2013, ''[[Spin (magazine)|Spin]]'' listed the track, "KV Crimes", at number twelve on their "The 40 Best Songs of 2013 So Far" list, stating: "A shaggy-dog exploration of a riff that could've howled or seared or gotten increasingly heavier as Vile declares, "I think I'm ready to claim what's mine." But instead, it wanders around and around lost in a mood until he starts a verse with "crestfallennnnnnnn," like he might fall asleep before the end of the song, and you realize this whole claiming-what's-mine business is, well, not exactly what it's all cracked up to be."<ref name="Spin40">{{cite web|last=|first=|date=May 28, 2013|url=https://www.spin.com/2013/05/best-songs-tracks-2013-so-far-list/61hg6hji5hc0ckiack4me40ceca/|title=Kurt Vile - "KV Crimes" - The 40 Best Songs of 2013 So Far|publisher=[[Spin (magazine)|Spin]]|accessdate=2013-05-29}}</ref> |
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[[Stereogum]]'s ranked ''Wakin on a Pretty Daze'' at number thirteen on their "The 50 Best Albums of 2013" list, stating: "Vile has grown more and more confident with his gifts since we first met him a few years ago, and here, he's achieved a meandering, zoned-out, thoughtful nirvana state."<ref name="stereogum.com">{{cite web|url=https://www.stereogum.com/1567541/the-50-best-albums-of-2013/list/attachment/kurtvile_walkin/|title=Kurt Vile – Wakin On A Pretty Daze (Matador) Stereogum|website=www.stereogum.com|accessdate=8 July 2017}}</ref> ''[[NME]]'' listed the album at number thirty-seven on its "50 Best Albums Of 2013", writing: "This album, bookended by two monstrous tracks ("Wakin’ On A Pretty Day" and "Goldtone") that hovered around the 10-minute mark, distilled his ability to take a single, simple musical idea and stretch it into hypnotic mega-jams."<ref name="nme.com">{{cite web|url=https://www.nme.com/photos/nme-s-50-best-albums-of-2013/326689/1/1#14|title=International Velvet – NME|website=NME|accessdate=8 July 2017}}</ref> Despite initially giving the album a mixed review, ''[[Rolling Stone (magazine)|Rolling Stone]]'' ranked the album at number thirty-eight on their "50 Best Albums of 2013" list, stating: "The fifth LP from the resplendently mellow Vile is a beautiful sinkhole of meditative guitar mysticism."<ref name="rollingstone.com">{{cite |
[[Stereogum]]'s ranked ''Wakin on a Pretty Daze'' at number thirteen on their "The 50 Best Albums of 2013" list, stating: "Vile has grown more and more confident with his gifts since we first met him a few years ago, and here, he's achieved a meandering, zoned-out, thoughtful nirvana state."<ref name="stereogum.com">{{cite web|url=https://www.stereogum.com/1567541/the-50-best-albums-of-2013/list/attachment/kurtvile_walkin/|title=Kurt Vile – Wakin On A Pretty Daze (Matador) Stereogum|website=www.stereogum.com|date=15 November 2013 |accessdate=8 July 2017}}</ref> ''[[NME]]'' listed the album at number thirty-seven on its "50 Best Albums Of 2013", writing: "This album, bookended by two monstrous tracks ("Wakin’ On A Pretty Day" and "Goldtone") that hovered around the 10-minute mark, distilled his ability to take a single, simple musical idea and stretch it into hypnotic mega-jams."<ref name="nme.com">{{cite web|url=https://www.nme.com/photos/nme-s-50-best-albums-of-2013/326689/1/1#14|title=International Velvet – NME|website=NME|date=26 November 2013 |accessdate=8 July 2017}}</ref> Despite initially giving the album a mixed review, ''[[Rolling Stone (magazine)|Rolling Stone]]'' ranked the album at number thirty-eight on their "50 Best Albums of 2013" list, stating: "The fifth LP from the resplendently mellow Vile is a beautiful sinkhole of meditative guitar mysticism."<ref name="rollingstone.com">{{cite magazine|url=https://www.rollingstone.com/music/lists/50-best-albums-of-2013-20131202/kurt-vile-wakin-on-a-pretty-daze-19691231|title=50 Best Albums of 2013|magazine=Rolling Stone|date=2 December 2013 |accessdate=8 July 2017}}</ref> |
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| [[Consequence of Sound]] |
| ''[[Consequence of Sound]]'' |
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| Top 50 Albums of 2013<ref name=cos50>{{cite web|url=http://consequenceofsound.net/2013/12/albums-of-the-year-2013/|title=Top 50 Albums of 2013|last=Flynn|first=Katherine|date=December 13, 2013|publisher=Consequence of Sound|accessdate=December 14, 2013}}</ref> |
| Top 50 Albums of 2013<ref name=cos50>{{cite web|url=http://consequenceofsound.net/2013/12/albums-of-the-year-2013/|title=Top 50 Albums of 2013|last=Flynn|first=Katherine|date=December 13, 2013|publisher=Consequence of Sound|accessdate=December 14, 2013}}</ref> |
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| [[Drowned in Sound]] |
| ''[[Drowned in Sound]]'' |
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| DiS Albums of the Year<ref>{{cite web|url=http://drownedinsound.com/community/boards/music/4440516|title=DiS Albums Of The Year: 100 51|website=drownedinsound.com|accessdate=8 July 2017}}</ref> |
| DiS Albums of the Year<ref>{{cite web|url=http://drownedinsound.com/community/boards/music/4440516|title=DiS Albums Of The Year: 100 51|website=drownedinsound.com|accessdate=8 July 2017|archive-date=14 December 2013|archive-url=https://web.archive.org/web/20131214004315/http://drownedinsound.com/community/boards/music/4440516|url-status=dead}}</ref> |
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| ''[[Magnet (magazine)|Magnet]]'' |
| ''[[Magnet (magazine)|Magnet]]'' |
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| 50 Best Albums of 2013<ref>{{cite web|url=https://pitchfork.com/features/staff-lists/9293-the-top-50-albums-of-2013/4/|title=The Top 50 Albums of 2013 – Pitchfork|website=pitchfork.com|accessdate=8 July 2017}}</ref> |
| 50 Best Albums of 2013<ref>{{cite web|url=https://pitchfork.com/features/staff-lists/9293-the-top-50-albums-of-2013/4/|title=The Top 50 Albums of 2013 – Pitchfork|website=pitchfork.com|accessdate=8 July 2017|archive-date=29 February 2016|archive-url=https://web.archive.org/web/20160229020944/http://pitchfork.com/features/staff-lists/9293-the-top-50-albums-of-2013/4/|url-status=dead}}</ref> |
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| [[Slant Magazine]] |
| ''[[Slant Magazine]]'' |
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| align=center| 13 |
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| The 25 Best Albums of 2013<ref name=Slant25>{{cite web|url=https://www.slantmagazine.com/features/article/the-25-best-albums-of-2013/P3|title=The 25 Best Albums of 2013|last=LeChevallier|first=Mike|date=December 12, 2013|publisher=Slant Magazine|accessdate=December 12, 2013}}</ref> |
| The 25 Best Albums of 2013<ref name=Slant25>{{cite web|url=https://www.slantmagazine.com/features/article/the-25-best-albums-of-2013/P3|title=The 25 Best Albums of 2013|last=LeChevallier|first=Mike|date=December 12, 2013|publisher=Slant Magazine|accessdate=December 12, 2013}}</ref> |
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| SPIN's 50 Best Albums of 2013<ref name=spin50>{{cite web|url=https://www.spin.com/2013/12/best-albums-2013/haim-2/|title=SPIN's 50 Best Albums of 2013: Kurt Vile – Wakin on a Pretty Daze|last=Sherburne|first=Philip|date=December 3, 2013|work=Spin|accessdate=December 4, 2013}}</ref> |
| SPIN's 50 Best Albums of 2013<ref name=spin50>{{cite web|url=https://www.spin.com/2013/12/best-albums-2013/haim-2/|title=SPIN's 50 Best Albums of 2013: Kurt Vile – Wakin on a Pretty Daze|last=Sherburne|first=Philip|date=December 3, 2013|work=Spin|accessdate=December 4, 2013}}</ref> |
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| The 50 Best Albums of 2013<ref name="stereogum.com" /> |
| The 50 Best Albums of 2013<ref name="stereogum.com" /> |
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| ''[[Time Out (magazine)|Time Out]]'' |
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| 50 Best Albums of 2013<ref name=rs50>{{cite web|url=https://www.timeout.com/london/music/the-40-best-albums-of-2013|title=The 40 best albums of 2013 |
| 50 Best Albums of 2013<ref name=rs50>{{cite web|url=https://www.timeout.com/london/music/the-40-best-albums-of-2013|title=The 40 best albums of 2013|last=Manning|first=James|date=December 6, 2013|work=Time Out|accessdate=December 12, 2013|archive-date=December 14, 2013|archive-url=https://web.archive.org/web/20131214001008/http://www.timeout.com/london/music/the-40-best-albums-of-2013|url-status=dead}}</ref> |
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| ''[[Uncut (magazine)|Uncut]]'' |
| ''[[Uncut (magazine)|Uncut]]'' |
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| Uncut's Top 50 Albums of 2013<ref name=uncut50>{{cite web|url=http://www.albumoftheyear.org/list/226-uncuts-top-50-albums-of-2013.php|title=Uncut's Top 50 Albums of 2013|author=Uncut|date=December 12, 2013|publisher=Album of the Year|accessdate=December 12, 2013}}</ref> |
| Uncut's Top 50 Albums of 2013<ref name=uncut50>{{cite web|url=http://www.albumoftheyear.org/list/226-uncuts-top-50-albums-of-2013.php|title=Uncut's Top 50 Albums of 2013|author=Uncut|date=December 12, 2013|publisher=Album of the Year|accessdate=December 12, 2013}}</ref> |
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==Track listing== |
==Track listing== |
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{{Track |
{{Track listing |
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|all_writing = Kurt Vile |
|all_writing = Kurt Vile |
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|title1 = Wakin on a Pretty Day |
|title1 = Wakin on a Pretty Day |
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===Recording=== |
===Recording=== |
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* |
*John Agnello – producer, engineer, mixing |
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*Kurt Vile & the Violators – producer |
*Kurt Vile & the Violators – producer |
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*[[Rob Laakso]] – producer and engineer {{small|(2, 10)}} |
*[[Rob Laakso]] – producer and engineer {{small|(2, 10)}} |
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*Nick Kulp – layout |
*Nick Kulp – layout |
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{{col-end}} |
{{col-end}} |
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==Charts== |
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{| class="wikitable sortable plainrowheaders" |
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|+ Chart performance for ''Wakin on a Pretty Daze'' |
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! scope="col"| Chart (2013) |
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! scope="col"| Peak<br />position |
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{{album chart|Flanders|23|artist=Kurt Vile|album=Wakin on a Pretty Daze|rowheader=true|accessdate=March 7, 2021}} |
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{{album chart|Wallonia|81|artist=Kurt Vile|album=Wakin on a Pretty Daze|rowheader=true|accessdate=March 7, 2021}} |
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{{album chart|Denmark|33|artist=Kurt Vile|album=Wakin on a Pretty Daze|rowheader=true|accessdate=March 7, 2021}} |
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{{album chart|Netherlands|53|artist=Kurt Vile|album=Wakin on a Pretty Daze|rowheader=true|accessdate=March 7, 2021}} |
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{{album chart|Finland|40|artist=Kurt Vile|album=Wakin on a Pretty Daze|rowheader=true|accessdate=March 7, 2021}} |
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{{album chart|Ireland2|33|artist=Kurt Vile|rowheader=true|accessdate=March 7, 2021}} |
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{{album chart|Norway|21|artist=Kurt Vile|album=Wakin on a Pretty Daze|rowheader=true|accessdate=March 7, 2021}} |
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{{album chart|Sweden|25|artist=Kurt Vile|album=Wakin on a Pretty Daze|rowheader=true|accessdate=March 7, 2021}} |
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{{album chart|Switzerland|64|artist=Kurt Vile|album=Wakin on a Pretty Daze|rowheader=true|accessdate=March 7, 2021}} |
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{{album chart|UK2|41|date=20130414|rowheader=true|accessdate=March 7, 2021}} |
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{{album chart|Billboard200|47|artist=Kurt Vile|rowheader=true|accessdate=March 7, 2021}} |
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{{album chart|BillboardIndependent|8|artist=Kurt Vile|rowheader=true|accessdate=March 7, 2021}} |
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{{album chart|BillboardAlternative|8|artist=Kurt Vile|rowheader=true|accessdate=March 7, 2021}} |
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{{album chart|BillboardRock|13|artist=Kurt Vile|rowheader=true|accessdate=March 7, 2021}} |
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==References== |
==References== |
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{{Reflist |
{{Reflist}} |
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{{Kurt Vile}} |
{{Kurt Vile}} |
Revision as of 22:31, 27 June 2024
Wakin on a Pretty Daze | ||||
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![]() | ||||
Studio album by | ||||
Released | April 9, 2013 | |||
Recorded | February 2012 & May–November 2012 | |||
Studio | New York City, California and Philadelphia | |||
Genre | ||||
Length | 69:03 | |||
Label | Matador | |||
Producer | John Agnello, Kurt Vile & the Violators | |||
Kurt Vile chronology | ||||
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Alternate cover | ||||
![]() Deluxe Daze (Post Haze) cover art |
Wakin on a Pretty Daze is the fifth studio album by American indie rock musician Kurt Vile, released on April 9, 2013, on Matador Records. Produced by both John Agnello and Kurt Vile & the Violators, the album is the first not to feature contributions from long-time collaborator and former bandmate Adam Granduciel.
Regarding the album's thematic and lyrical content, Vile stated, "It's just about my life, without thinking too much about it. I feel comfortable with the lyrics. I think myself and my bandmates, my close bandmates, Rob Laakso and Jesse Trbovich, they're right there with me. We all live it."[1] The album reached number forty-seven on the Billboard 200 and forty-one on the UK Albums Chart.
A deluxe edition of the album, entitled Wakin on a Pretty Daze: Deluxe Daze (Post Haze), was released on November 13, 2013. The re-release included a new EP, It's a Big World Out There (And I Am Scared),[2] and new artwork by Steve Powers.
Background and recording
In 2011, Kurt Vile's fourth studio album, Smoke Ring for My Halo, was met with critical acclaim and its release significantly expanded his fan base. Reflecting on the extensive touring schedule which accompanied the album, Vile noted, "Things were going good and people were coming to our shows, which is nice, but it's also draining. And I have a family, so there are all kinds of psychological things weighing you down. So it's not like a cushy lifestyle — there's struggle and urgency in there in its own right. Ultimately you want some kind of struggle."[3] Vile began writing tracks for his fifth studio album whilst on tour, practicing them during soundchecks: "The record was written all over the place, on tour,"[4] Vile elaborated "I was playing more gigs and more soundchecks and I was creating these sort of more epic tunes."[5]
Following the album's release longtime collaborator and guitarist Adam Granduciel departed from The Violators to focus on his own musical project, The War on Drugs, with sometime studio collaborator Rob Laakso joining in his place. Vile stated, "My newest steady bandmate [is] Rob Laakso, I’ve known him longer than I’ve known other members of my band. He joined the band right after Smoke Ring came out. He’s like a wiz-kid with synthesizers and engineering in general and guitar. He can sync things up with sequences and all that kind of stuff that I like, but am too ADD to figure it out."[1] At the close of the tour, drummer Mike Zanghi quietly departed from the band.
Vile and the remaining Violators, Laakso and Jesse Trbovich, entered the studio with producer John Agnello, who had previously produced Smoke Ring for My Halo. Using three studio drummers – including Warpaint's Stella Mozgawa, Vince Nudo of Priestess and former Violator, Michael Johnson – the band worked on songs with longer, more experimental arrangements, with Vile initially comparing the album to Fleetwood Mac's 1979 album, Tusk, stating "It's so many hours of sessions. It's totally our Tusk, but no cheese. Just rock."[6]
Vile noted that The Violators involvement with the recording process was more prominent than on previous releases, noting, "One day I’d like to make a record that is credited to ‘Kurt Vile and the Violators’, but so far in my career all my albums have felt like solo albums that we then take on tour with the band, but [...] on this one I think everyone contributed a bit more."[4]
Writing and composition
Wakin on a Pretty Daze features songs with longer tracks lengths than on previous releases, with Vile noting, "It was just the next logical step from making succinct pop songs. What do you do after that? You make pop songs that are longer and more epic, that push the envelope. Imagine your favourite song, or something that you play over and over in the car, except that you don't have to start it over as much."[7]
Regarding his musical influences on Wakin on a Pretty Daze, Vile stated, "I was listening to some really disparate stuff while writing it, like there was this one Gary Numan song, "Are Friends Electric?", and some other weird early-80s stuff, that I think worked its way in there."[4]
Vile was also influenced by music critic Barney Hoskyns' 2005 book, Hotel California: Singer-Songwriters & Cocaine Cowboys In The L.A. Canyons, stating: "You know, just getting deep into that world of artists that I like, I find exciting, but this was like the first time [I had read something] that was about the whole scene. You see the whole thing grow. It's tailor-made for my mind. [...] Influence is all osmosis, but that book influenced me a gigantic way, and it also influenced me in a subconscious way. I mean, obviously, it influenced me enough to want to go to California and work with [lap-steel guitarist] Farmer Dave."[8]
Title
Regarding the album's title, which is a pun on the album's first track, "Wakin on a Pretty Day", Vile noted, "It's probably the most simple title that I ever had. It's like the simplest pun ever. It rolls off the tongue, but also it's the kind of thing, once you have the record, you'll understand. The first song on the record is called "Wakin on a Pretty Day," which is like the tone setter. It's not just an album you name after one of the songs, that you just morph it a little bit. The whole general thing is one long daze, and that's waking up."[1]
Artwork
The album's cover photograph features a mural by Philadelphia-based street artist Steve Powers, with Vile noting, "Everybody who rides the 'EL' [elevated train line] sees it. It's so colourful. It's so cool to have my own mural, let alone [one] by a great artist." The mural features images and words based on the album's eleven tracks. The mural is located on the side of W.M. Mulherin's Sons restaurant on Front Street in the Fishtown neighborhood of Philadelphia.
In the Violators band photograph, which appears on the back cover, Vile is wearing a T-shirt featuring record label, Richie Records, which had previously released the band's The Hunchback EP (2009). Vile also holds a red apple, alluding to the tracks, "Red Apples" and "Runner Ups", from God Is Saying This to You... (2009) and Smoke Ring for My Halo (2011), respectively. The graffiti which reads "th' violators" on the back cover was by Vile himself: "I made sure that it says 'The Violators' on the back of the cover art, I did the graffiti for that myself."[4]
Reception
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 8.0/10[9] |
Metacritic | 82/100[10] |
Review scores | |
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Entertainment Weekly | B+[12] |
The Guardian | ![]() ![]() ![]() ![]() ![]() |
Mojo | ![]() ![]() ![]() ![]() ![]() |
NME | 8/10[15] |
The Observer | ![]() ![]() ![]() ![]() ![]() |
Pitchfork | 8.5/10[17] |
Q | ![]() ![]() ![]() ![]() ![]() |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
Spin | 9/10[20] |
Wakin on a Pretty Daze received critical acclaim upon its release. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album has received an average score of 82, based on 32 reviews.[10] Pitchfork's Jayson Greene gave the album a "Best New Music" designation, writing "Wakin on a Pretty Daze is Vile's most spacious, becalmed record yet, and it contains some of his best-ever brand of cosmic stand-up [...] [The album] feels like the culmination of Vile's quest to get away from people, noises, civilization and find somewhere to sit and whistle his own tune."[17] In another positive review, AllMusic's Fred Thomas wrote: "It becomes clear that Kurt Vile isn't aiming to ape or even update the canon of classic guitar-based songwriters, but is very much his generation's chapter of the evolution of rock. Easily his most focused and accessible work, Pretty Daze is the strongest so far in a chain of releases that seem to suggest there are even greater heights to be reached."[11] NME's Hazel Sheffield wrote, "[On] Wakin On A Pretty Daze, [Vile] turns his attention to writing proper songs. The album is bookended by two monster tracks that each hover around the 10-minute mark. Neither track loses direction."[15] Russell Warfield, of Drowned in Sound described Wakin on a Pretty Daze as: "one of those rare examples of an artist’s uninhibited self-indulgence resulting in an LP which plays firmly to their strengths. Undoubtedly, it’s an album which moves away from the tighter verse-chorus structures of breakthrough, Smoke Ring for My Halo, but one which takes the dive into looser structure with the best of faith."[21]
Nick Catucci of Rolling Stone, on the other hand, gave the album a mixed review. Referring to the album track, "Air Bud", he wrote, "A guitar-obsessed longhair who got his start self-distributing his music, Vile has let the outside in – even if a basketball-playing dog from an old DVD still proves to be his best inspiration."[15] Similarly, PopMatters's Robin Smith stated, "This isn’t his clearest work, nor is it his most pretty, but it’s easy to identify him as he looks inward, to see the songwriter who wants to make five different types of music. [...] It’s not that he couldn’t care less. It’s just hard to know how, sometimes."[22]
Accolades
On May 28, 2013, Spin listed the track, "KV Crimes", at number twelve on their "The 40 Best Songs of 2013 So Far" list, stating: "A shaggy-dog exploration of a riff that could've howled or seared or gotten increasingly heavier as Vile declares, "I think I'm ready to claim what's mine." But instead, it wanders around and around lost in a mood until he starts a verse with "crestfallennnnnnnn," like he might fall asleep before the end of the song, and you realize this whole claiming-what's-mine business is, well, not exactly what it's all cracked up to be."[23]
Stereogum's ranked Wakin on a Pretty Daze at number thirteen on their "The 50 Best Albums of 2013" list, stating: "Vile has grown more and more confident with his gifts since we first met him a few years ago, and here, he's achieved a meandering, zoned-out, thoughtful nirvana state."[24] NME listed the album at number thirty-seven on its "50 Best Albums Of 2013", writing: "This album, bookended by two monstrous tracks ("Wakin’ On A Pretty Day" and "Goldtone") that hovered around the 10-minute mark, distilled his ability to take a single, simple musical idea and stretch it into hypnotic mega-jams."[25] Despite initially giving the album a mixed review, Rolling Stone ranked the album at number thirty-eight on their "50 Best Albums of 2013" list, stating: "The fifth LP from the resplendently mellow Vile is a beautiful sinkhole of meditative guitar mysticism."[26]
Publication | Rank | List |
---|---|---|
Consequence of Sound | 5 | Top 50 Albums of 2013[27] |
Drowned in Sound | 52 | DiS Albums of the Year[28] |
Magnet | 16 | MAGNET's Top 25 Albums of 2013[29] |
NME | 37 | NME's 50 Best Albums Of 2013[25] |
Pitchfork | 13 | Top 50 Albums of 2013[26] |
Q | 36 | Q's 50 Albums of the Year[30] |
Rolling Stone | 38 | 50 Best Albums of 2013[31] |
Slant Magazine | 13 | The 25 Best Albums of 2013[32] |
Spin | 10 | SPIN's 50 Best Albums of 2013[33] |
Still in Rock | 9 | 20 Best Albums of 2013[34] |
Stereogum | 13 | The 50 Best Albums of 2013[24] |
Time Out | 31 | 50 Best Albums of 2013[35] |
Uncut | 8 | Uncut's Top 50 Albums of 2013[36] |
Publication | Rank | List |
---|---|---|
Spin | 12 | The 40 Best Songs of 2013 So Far[23] |
Track listing
All tracks are written by Kurt Vile
No. | Title | Length |
---|---|---|
1. | "Wakin on a Pretty Day" | 9:31 |
2. | "KV Crimes" | 3:57 |
3. | "Was All Talk" | 7:42 |
4. | "Girl Called Alex" | 6:20 |
5. | "Never Run Away" | 3:25 |
6. | "Pure Pain" | 5:09 |
7. | "Too Hard" | 8:04 |
8. | "Shame Chamber" | 4:47 |
9. | "Snowflakes Are Dancing" | 3:23 |
10. | "Air Bud" | 6:30 |
11. | "Goldtone" | 10:26 |
Personnel
Kurt Vile & the Violators
Additional musicians
|
Recording
Artwork
|
Charts
Chart (2013) | Peak position |
---|---|
Belgian Albums (Ultratop Flanders)[37] | 23 |
Belgian Albums (Ultratop Wallonia)[38] | 81 |
Danish Albums (Hitlisten)[39] | 33 |
Dutch Albums (Album Top 100)[40] | 53 |
Finnish Albums (Suomen virallinen lista)[41] | 40 |
Irish Albums (IRMA)[42] | 33 |
Norwegian Albums (VG-lista)[43] | 21 |
Swedish Albums (Sverigetopplistan)[44] | 25 |
Swiss Albums (Schweizer Hitparade)[45] | 64 |
UK Albums (OCC)[46] | 41 |
US Billboard 200[47] | 47 |
US Independent Albums (Billboard)[48] | 8 |
US Top Alternative Albums (Billboard)[49] | 8 |
US Top Rock Albums (Billboard)[50] | 13 |
References
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- ^ "New : Kurt Vile – It's a Big World Out There (And I Am Scared) (Dream Folk)". stillinrock.com. 21 November 2013. Retrieved 8 July 2017.
- ^ "Talking 21st Century Songwriting With Kurt Vile". npr.org. Retrieved 8 July 2017.
- ^ a b c d "Kurt Vile: "Everything's an influence"". thelineofbestfit.com. Retrieved 8 July 2017.
- ^ "Interviews Archives – Beat Magazine". Beat Magazine. Archived from the original on 28 March 2016. Retrieved 8 July 2017.
- ^ "Inside Kurt Vile's All-Rock, No-Cheese Spring 2013 Album". spin.com. 4 December 2012. Retrieved 8 July 2017.
- ^ "Kurt Vile Discusses the Epic Easiness of 'Wakin on a Pretty Daze,' Streams the Album on Exclaim.ca". exclaim.ca. Retrieved 8 July 2017.
- ^ Barton, Laura (29 March 2013). "Kurt Vile: from Boston forklift driver to the Hotel California". The Guardian. Retrieved 8 July 2017.
- ^ "Wakin On A Pretty Daze by Kurt Vile reviews". AnyDecentMusic?. Retrieved December 30, 2019.
- ^ a b "Reviews for Wakin on a Pretty Daze by Kurt Vile". Metacritic. Retrieved April 17, 2013.
- ^ a b Thomas, Fred. "Wakin on a Pretty Daze – Kurt Vile". AllMusic. Retrieved November 16, 2019.
- ^ Smith, Grady; Markovitz, Adam; Stransky, Tanner; Anderson, Kyle; Maerz, Melissa (April 5, 2013). "Singles and Albums: April 12, 2013". Entertainment Weekly. Retrieved April 17, 2013.
- ^ Simpson, Dave (April 4, 2013). "Kurt Vile: Wakin on a Pretty Daze – review". The Guardian. Retrieved April 17, 2013.
- ^ "Kurt Vile: Wakin on a Pretty Daze". Mojo (234): 86. May 2013.
- ^ a b c Sheffield, Hazel (April 8, 2013). "Kurt Vile – 'Wakin On A Pretty Daze'". NME. Archived from the original on March 4, 2016. Retrieved April 17, 2013.
- ^ Fox, Killian (April 7, 2013). "Kurt Vile: Wakin' on a Pretty Daze – review". The Observer. Retrieved April 17, 2013.
- ^ a b Greene, Jayson (April 10, 2013). "Kurt Vile: Wakin on a Pretty Daze". Pitchfork. Retrieved April 17, 2013.
- ^ "Kurt Vile: Wakin on a Pretty Daze". Q (322): 112. May 2013.
- ^ Catucci, Nick (April 15, 2013). "Wakin on a Pretty Daze". Rolling Stone. Retrieved April 17, 2013.
- ^ Powell, Mike (April 9, 2013). "Kurt Vile, 'Wakin on a Pretty Daze' (Matador)". Spin. Retrieved April 17, 2013.
- ^ Warfield, Russell (April 9, 2013). "Album Review: Kurt Vile – Wakin on a Pretty Daze". Drowned in Sound. Archived from the original on April 12, 2013. Retrieved April 17, 2013.
- ^ Smith, Robin (April 10, 2013). "Kurt Vile: Wakin on a Pretty Daze". PopMatters. Retrieved April 17, 2013.
- ^ a b "Kurt Vile - "KV Crimes" - The 40 Best Songs of 2013 So Far". Spin. May 28, 2013. Retrieved 2013-05-29.
- ^ a b "Kurt Vile – Wakin On A Pretty Daze (Matador) Stereogum". www.stereogum.com. 15 November 2013. Retrieved 8 July 2017.
- ^ a b "International Velvet – NME". NME. 26 November 2013. Retrieved 8 July 2017.
- ^ a b "50 Best Albums of 2013". Rolling Stone. 2 December 2013. Retrieved 8 July 2017.
- ^ Flynn, Katherine (December 13, 2013). "Top 50 Albums of 2013". Consequence of Sound. Retrieved December 14, 2013.
- ^ "DiS Albums Of The Year: 100 51". drownedinsound.com. Archived from the original on 14 December 2013. Retrieved 8 July 2017.
- ^ Vettese, John (December 1, 2013). "Magnet's Top 25 Albums of 2013". Magnet. Alex Mulcahy. Retrieved December 10, 2013.
- ^ Q (November 29, 2013). "Q Magazine's Top 50 Albums of 2013". Album of the Year. Retrieved December 12, 2013.
- ^ "The Top 50 Albums of 2013 – Pitchfork". pitchfork.com. Archived from the original on 29 February 2016. Retrieved 8 July 2017.
- ^ LeChevallier, Mike (December 12, 2013). "The 25 Best Albums of 2013". Slant Magazine. Retrieved December 12, 2013.
- ^ Sherburne, Philip (December 3, 2013). "SPIN's 50 Best Albums of 2013: Kurt Vile – Wakin on a Pretty Daze". Spin. Retrieved December 4, 2013.
- ^ "The 20 best albums of 2013". 25 December 2013.
- ^ Manning, James (December 6, 2013). "The 40 best albums of 2013". Time Out. Archived from the original on December 14, 2013. Retrieved December 12, 2013.
- ^ Uncut (December 12, 2013). "Uncut's Top 50 Albums of 2013". Album of the Year. Retrieved December 12, 2013.
- ^ "Ultratop.be – Kurt Vile – Wakin on a Pretty Daze" (in Dutch). Hung Medien. Retrieved March 7, 2021.
- ^ "Ultratop.be – Kurt Vile – Wakin on a Pretty Daze" (in French). Hung Medien. Retrieved March 7, 2021.
- ^ "Danishcharts.dk – Kurt Vile – Wakin on a Pretty Daze". Hung Medien. Retrieved March 7, 2021.
- ^ "Dutchcharts.nl – Kurt Vile – Wakin on a Pretty Daze" (in Dutch). Hung Medien. Retrieved March 7, 2021.
- ^ "Kurt Vile: Wakin on a Pretty Daze" (in Finnish). Musiikkituottajat – IFPI Finland. Retrieved March 7, 2021.
- ^ "Irish-charts.com – Discography Kurt Vile". Hung Medien. Retrieved March 7, 2021.
- ^ "Norwegiancharts.com – Kurt Vile – Wakin on a Pretty Daze". Hung Medien. Retrieved March 7, 2021.
- ^ "Swedishcharts.com – Kurt Vile – Wakin on a Pretty Daze". Hung Medien. Retrieved March 7, 2021.
- ^ "Swisscharts.com – Kurt Vile – Wakin on a Pretty Daze". Hung Medien. Retrieved March 7, 2021.
- ^ "Official Albums Chart Top 100". Official Charts Company. Retrieved March 7, 2021.
- ^ "Kurt Vile Chart History (Billboard 200)". Billboard. Retrieved March 7, 2021.
- ^ "Kurt Vile Chart History (Independent Albums)". Billboard. Retrieved March 7, 2021.
- ^ "Kurt Vile Chart History (Top Alternative Albums)". Billboard. Retrieved March 7, 2021.
- ^ "Kurt Vile Chart History (Top Rock Albums)". Billboard. Retrieved March 7, 2021.