The Porpoise: Difference between revisions
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{{short description|2019 novel by Mark Haddon}} |
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{{Use dmy dates|date=April 2022}} |
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{{infobox book | <!-- See [[Wikipedia:WikiProject Novels]] or [[Wikipedia:WikiProject Books]] --> |
{{infobox book | <!-- See [[Wikipedia:WikiProject Novels]] or [[Wikipedia:WikiProject Books]] --> |
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| name = The Porpoise |
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==Plot introduction== |
==Plot introduction== |
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The story begins when the unborn baby's mother is killed when a light-aircraft crashes, triggering her birth. Born into "part of a global aristocracy" since Hellenistic times her father Philippe treats his daughter Angelica as a sexual plaything. An art dealer Darius opens her eyes on her dependency on her father. The [[Shakespeare]] play ''[[Pericles, Prince of Tyre|Pericles]]'' morphs Darius into Pericles, as the challenger to an incestuous father.<ref name=Guardian>[https://www.theguardian.com/books/2019/may/18/the-porpoise-mark-haddon-review ''The Porpoise'' by Mark Haddon review – a fantastical voyage] Retrieved 27/03/2021.</ref> The novel has glimpses into Angelica's life but the bulk of the narrative is based around Pericles, his wife and his daughter Marina |
The story begins when the unborn baby's mother is killed when a light-aircraft crashes, triggering her birth. Born into "part of a global aristocracy" since [[Hellenistic period|Hellenistic times]], her father Philippe treats his daughter Angelica as a sexual plaything. An art dealer Darius opens her eyes on her dependency on her father. The [[Shakespeare]] play ''[[Pericles, Prince of Tyre|Pericles]]'' morphs Darius into Pericles, as the challenger to an incestuous father.<ref name=Guardian>[https://www.theguardian.com/books/2019/may/18/the-porpoise-mark-haddon-review ''The Porpoise'' by Mark Haddon review – a fantastical voyage] Retrieved 27/03/2021.</ref> The novel has glimpses into Angelica's life but the bulk of the narrative is based around Pericles, his wife and his daughter Marina with asides to Jacobean London with Shakespeare and the co-author [[George Wilkins]]. |
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==Reception== |
==Reception== |
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* Justine Jordan in ''[[The Guardian]]'' praises the novel as it "shimmers and shifts direction, slipping into a classical past where the historical references of the early sections become vivid reality. We sail with Pericles, prince of Tyre; through feasts and famines, plagues and mutinies, the stories – and after-stories – of his lost wife and child unroll...The different worlds sometimes jut into each other as the narrative dances on the threshold between reality and imagination. Lonely, myth-obsessed Angelica 'is both teller and listener. She forgets, sometimes, where the page ends and her mind begins'. But the extraordinary force and vividness of Haddon’s prose ensure that The Porpoise reads not as a metatextual game but as a continually unfolding demonstration of the transporting power of stories."<ref name=Guardian/> |
* Justine Jordan in ''[[The Guardian]]'' praises the novel as it "shimmers and shifts direction, slipping into a classical past where the historical references of the early sections become vivid reality. We sail with Pericles, prince of Tyre; through feasts and famines, plagues and mutinies, the stories – and after-stories – of his lost wife and child unroll...The different worlds sometimes jut into each other as the narrative dances on the threshold between reality and imagination. Lonely, myth-obsessed Angelica 'is both teller and listener. She forgets, sometimes, where the page ends and her mind begins'. But the extraordinary force and vividness of Haddon’s prose ensure that The Porpoise reads not as a metatextual game but as a continually unfolding demonstration of the transporting power of stories."<ref name=Guardian/> |
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* In ''[[The Observer]]'', Anthony Cummins is also exuberant, "Line by line, Haddon throws everything at making it a transcendent, transporting experience – which is part of the point, given that The Porpoise turns on the consolations of storytelling, which aren’t just a cliche in a book that is essentially about a girl seeking to escape her ravaged body. A helix, a mirror ball, a literary box of tricks... take your pick: this is a full-spectrum pleasure, mixing metafictional razzmatazz with pulse-racing action and a prose style to die for. I’ll be staggered if it’s not spoken of whenever prizes are mentioned this year.<ref>[https://www.theguardian.com/books/2019/may/13/the-porpoise-mark-haddon-review Adrenaline-fuelled adventure meets Shakespeare in a serious contender for novel of the year] Retrieved 27/3/2021.</ref> |
* In ''[[The Observer]]'', Anthony Cummins is also exuberant, saying that "Line by line, Haddon throws everything at making it a transcendent, transporting experience – which is part of the point, given that The Porpoise turns on the consolations of storytelling, which aren’t just a cliche in a book that is essentially about a girl seeking to escape her ravaged body. A helix, a mirror ball, a literary box of tricks... take your pick: this is a full-spectrum pleasure, mixing metafictional razzmatazz with pulse-racing action and a prose style to die for. I’ll be staggered if it’s not spoken of whenever prizes are mentioned this year.<ref>[https://www.theguardian.com/books/2019/may/13/the-porpoise-mark-haddon-review Adrenaline-fuelled adventure meets Shakespeare in a serious contender for novel of the year] Retrieved 27/3/2021.</ref> |
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* Gabido Inglelsius |
* Gabido Inglelsius, writing for [[NPR]], had some reservations and summarizes "The Porpoise is a rich, beautiful read. Its shortcomings are masked by Haddon's dazzling use of language and talent for describing action and feelings. It's a rough, bizarre, magical journey, and readers will not come out of it untouched."<ref>[https://www.npr.org/2019/06/19/733439741/the-porpoise-is-a-rich-but-wandering-read?t=1616812321924 'The Porpoise' Is A Rich — But Wandering — Read] Retrieved 27/03/2021.</ref> |
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* [[Ron Charles (critic)|Ron Charles]] in |
* [[Ron Charles (critic)|Ron Charles]] in ''[[The Washington Post]]'' praises the "way Haddon has streamlined this ramshackle tale into a sleek voyage of gripping tribulation is fantastic. But what’s especially remarkable is that the modern-day scenes interwoven with Pericles’ ancient adventures feel no less electrifying. The contemporary events have been polished to an antique patina and endowed with classical weight. While the prince is twisting away from murderers and surviving ship-crushing storms, young Angelica remains stock still in her father’s mansion. Barred from fight or flight, she has nonetheless devised a method of defying her father’s sexual assaults — a method as ingenious as it is self-destructive. In scenes of frozen agony, Haddon explores the insidious ways that class silences suspicion and camouflages Philippe’s abuse, requiring his daughter to exercise power in the only way left to her."<ref>[https://www.washingtonpost.com/entertainment/books/mark-haddons-the-porpoise-sounds-like-homework-its-actually-fantastic/2019/06/10/5c351184-8b1c-11e9-b08e-cfd89bd36d4e_story.html Mark Haddon’s ‘The Porpoise’ sounds like homework. It’s actually fantastic.] Retrieved 27/3/2021.</ref> |
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==References== |
==References== |
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[[Category:Novels based on works by William Shakespeare]] |
[[Category:Novels based on works by William Shakespeare]] |
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[[Category:Chatto & Windus books]] |
[[Category:Chatto & Windus books]] |
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[[Category: |
[[Category:Fiction about incest]] |
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[[Category:Novels set in ancient Greece]] |
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[[Category:Novels set in Hampshire]] |
Latest revision as of 14:19, 5 June 2024
Author | Mark Haddon |
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Language | English |
Publisher | Chatto & Windus |
Publication date | 2019 |
Publication place | United Kingdom |
Media type |
The Porpoise is a novel by English author Mark Haddon published in 2019, best known for his first novel The Curious Incident of the Dog in the Night-Time. It was shortlisted for the Goldsmiths Prize.[1]
Plot introduction
[edit]The story begins when the unborn baby's mother is killed when a light-aircraft crashes, triggering her birth. Born into "part of a global aristocracy" since Hellenistic times, her father Philippe treats his daughter Angelica as a sexual plaything. An art dealer Darius opens her eyes on her dependency on her father. The Shakespeare play Pericles morphs Darius into Pericles, as the challenger to an incestuous father.[2] The novel has glimpses into Angelica's life but the bulk of the narrative is based around Pericles, his wife and his daughter Marina with asides to Jacobean London with Shakespeare and the co-author George Wilkins.
Reception
[edit]- Justine Jordan in The Guardian praises the novel as it "shimmers and shifts direction, slipping into a classical past where the historical references of the early sections become vivid reality. We sail with Pericles, prince of Tyre; through feasts and famines, plagues and mutinies, the stories – and after-stories – of his lost wife and child unroll...The different worlds sometimes jut into each other as the narrative dances on the threshold between reality and imagination. Lonely, myth-obsessed Angelica 'is both teller and listener. She forgets, sometimes, where the page ends and her mind begins'. But the extraordinary force and vividness of Haddon’s prose ensure that The Porpoise reads not as a metatextual game but as a continually unfolding demonstration of the transporting power of stories."[2]
- In The Observer, Anthony Cummins is also exuberant, saying that "Line by line, Haddon throws everything at making it a transcendent, transporting experience – which is part of the point, given that The Porpoise turns on the consolations of storytelling, which aren’t just a cliche in a book that is essentially about a girl seeking to escape her ravaged body. A helix, a mirror ball, a literary box of tricks... take your pick: this is a full-spectrum pleasure, mixing metafictional razzmatazz with pulse-racing action and a prose style to die for. I’ll be staggered if it’s not spoken of whenever prizes are mentioned this year.[3]
- Gabido Inglelsius, writing for NPR, had some reservations and summarizes "The Porpoise is a rich, beautiful read. Its shortcomings are masked by Haddon's dazzling use of language and talent for describing action and feelings. It's a rough, bizarre, magical journey, and readers will not come out of it untouched."[4]
- Ron Charles in The Washington Post praises the "way Haddon has streamlined this ramshackle tale into a sleek voyage of gripping tribulation is fantastic. But what’s especially remarkable is that the modern-day scenes interwoven with Pericles’ ancient adventures feel no less electrifying. The contemporary events have been polished to an antique patina and endowed with classical weight. While the prince is twisting away from murderers and surviving ship-crushing storms, young Angelica remains stock still in her father’s mansion. Barred from fight or flight, she has nonetheless devised a method of defying her father’s sexual assaults — a method as ingenious as it is self-destructive. In scenes of frozen agony, Haddon explores the insidious ways that class silences suspicion and camouflages Philippe’s abuse, requiring his daughter to exercise power in the only way left to her."[5]
References
[edit]- ^ Mark Haddon’s Goldsmiths Prize-shortlisted novel draws on stories from the ancient world, medieval literature and Shakespeare and makes a wild scramble of them. Retrieved 27/3/2021.
- ^ a b The Porpoise by Mark Haddon review – a fantastical voyage Retrieved 27/03/2021.
- ^ Adrenaline-fuelled adventure meets Shakespeare in a serious contender for novel of the year Retrieved 27/3/2021.
- ^ 'The Porpoise' Is A Rich — But Wandering — Read Retrieved 27/03/2021.
- ^ Mark Haddon’s ‘The Porpoise’ sounds like homework. It’s actually fantastic. Retrieved 27/3/2021.