Friedrich Wilhelm Mengelberg: Difference between revisions
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{{short description|German sculptor}} |
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{{Infobox person |
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| name = Friedrich Wilhelm Mengelberg |
| name = Friedrich Wilhelm Mengelberg |
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| image = Friedrich Wilhelm Mengelberg, circa 1900.jpg |
| image = Friedrich Wilhelm Mengelberg, circa 1900.jpg |
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| caption = c. 1900 |
| caption = c. 1900 |
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| resting_place = [[Utrecht]] |
| resting_place = [[Utrecht]] |
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| residence = [[Utrecht]] |
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| known_for = architect of church interiors |
| known_for = architect of church interiors |
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| employer = St. Bemulphus guild |
| employer = St. Bemulphus guild |
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| occupation = |
| occupation = sculptor |
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| religion = Catholic |
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| spouse = Wilhelmina Helen |
| spouse = Wilhelmina Helen |
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'''Friedrich Wilhelm Mengelberg''' (1837–1919) was a German-Dutch sculptor, architect of church interiors, and art collector.<ref name="BWN">BWN, pp. 389–391</ref> His work promoted the [[Gothic Revival architecture|Gothic Revival architectural-style]] in churches throughout Germany and the Netherlands.<ref name="BWN"/> The [[Mengelberg |
'''Friedrich Wilhelm Mengelberg''' (1837–1919) was a German-Dutch sculptor, architect of church interiors, and art collector.<ref name="BWN">BWN, pp. 389–391</ref> His work promoted the [[Gothic Revival architecture|Gothic Revival architectural-style]] in churches throughout Germany and the Netherlands.<ref name="BWN"/> The [[Mengelberg]] family has a long history of various artists and professionals.<ref name="bios">{{Cite web |url=http://www.dutchdivas.net/conductors/mengelberg02.html |title=Biography of Mengelbergs |access-date=1 May 2011 |archive-url=https://web.archive.org/web/20100623132532/http://www.dutchdivas.net/conductors/mengelberg02.html |archive-date=23 June 2010 |url-status=dead }}</ref> |
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== Family members and early life == |
== Family members and early life == |
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Mengelberg's parents were Johann Egidius Mengelberg and Catharina Wilhelmina Leiniger. His grandfather Egidius Mengelberg (1770–1849) was a well-known painter, as was his uncle, Otto |
Mengelberg's parents were Johann Egidius Mengelberg and Catharina Wilhelmina Leiniger. His grandfather [[Egidius Mengelberg]] (1770–1849) was a well-known painter, as was his uncle, [[Otto Mengelberg]] (1817–1890). On 18 October 1866 Mengelberg married Wilhelmina Helen Schrattenholz, and together they had sixteen children – eight sons and eight daughters – including the conductor [[Willem Mengelberg]] (1871–1951); some of their children died young.<ref name="bios"/> Mengelberg's parents were [[Protestant]], but when he turned eighteen he converted to [[Catholicism]], probably influenced by his interest in [[medieval art]].<ref name="ingHistory">[http://www.inghist.nl/Onderzoek/Projecten/BWN/lemmata/bwn2/mengelbergfw Huygens Institute for Dutch History ]</ref><ref name="Vitus">[http://www.vitus.nl/index.php?id=139&template=01 Sculptor Mengelberg]</ref> |
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== Career == |
== Career == |
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Mengelberg came from a family of artists. He began his [[Neoclassical architecture]] training in [[Cologne]] under the sculptor Christoph Stephann (1797–1864). Friedrich (von) Schmidt subsequently instructed him in [[medieval art]], especially [[Gothic art]]. He set up a studio in Cologne, managed by his younger brother Otto,<ref name="BWN"/> but he left the studio to his brother Otto and moved to [[Aachen]] in about 1865. Mengelberg then became acquainted with the theologian and historian of ancient art |
Mengelberg came from a family of artists. He began his [[Neoclassical architecture]] training in [[Cologne]] under the sculptor Christoph Stephann (1797–1864). Friedrich (von) Schmidt subsequently instructed him in [[medieval art]], especially [[Gothic art]]. He set up a studio in Cologne, managed by his younger brother Otto,<ref name="BWN"/> but he left the studio to his brother Otto and moved to [[Aachen]] in about 1865. Mengelberg then became acquainted with the theologian and historian of ancient art Franz Johann Joseph Bock (1823–1899), who took him under his wing and further educated him in medieval art.<ref name="ingHistory"/> |
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Through Bock's mediation, Mengelberg received a commission in 1868 to construct a [[Cathedra|bishop's throne]] for the [[St. Catherine's Cathedral, Utrecht|Roman Catholic Saint Catherine's Cathedral in Utrecht]]. It was so well received by the church authorities that Mengelberg was invited to settle in [[Utrecht]] to build church furniture. He moved there in 1872, and became interested in the neo-Gothic art of the Netherlands. Mengelberg helped finish the interiors of Saint Catherine's Cathedral and Willibrord Church.<ref name="ingHistory"/> |
Through Bock's mediation, Mengelberg received a commission in 1868 to construct a [[Cathedra|bishop's throne]] for the [[St. Catherine's Cathedral, Utrecht|Roman Catholic Saint Catherine's Cathedral in Utrecht]]. It was so well received by the church authorities that Mengelberg was invited to settle in [[Utrecht]] to build church furniture. He moved there in 1872, and became interested in the neo-Gothic art of the Netherlands. Mengelberg helped finish the interiors of Saint Catherine's Cathedral and Willibrord Church.<ref name="ingHistory"/> |
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Mengelberg worked closely with Dutch architects [[Pierre Cuypers]] and |
Mengelberg worked closely with Dutch architects [[Pierre Cuypers]] and Alfred Tepe, from whom he learnt more about artistic techniques. In 1869 he became a member of the [[Guild of St. Bernulphus|St. Bemulphus guild]] founded by Gerardus Wilhelminus van Heukelum, a Utrecht group of Catholic clergy and artists working to bring back the traditions and craftmanship in religious art and architecture.<ref>{{Cite web |url=http://vangorkom.net/gen-X-johannes-anthonius.html |title=Generation X – The Legacy of Johannes Anthonius |access-date=1 May 2011 |archive-date=1 September 2011 |archive-url=https://web.archive.org/web/20110901033216/http://vangorkom.net/gen-X-johannes-anthonius.html |url-status=dead }}</ref> Mengelberg became the most prominent member of the guild and set up a workshop studio, a closed society of specialized artists employing Gothic principles and techniques to produce items sold to the clergy. By the late 19th century Mengelberg's studio was employing more than 30 artists, designing and building items for church interiors such as organ fronts, [[Pew|communion pews]], [[pulpit]]s, [[altar]]s, [[confessional]]s, and [[Stations of the Cross]].<ref name="Vitus"/> |
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By the end of the 19th century there were many workshops producing church art, and competition between them was often intense. But Mengelberg was confident that his studio could always produce quality items equal to or better than his competitors, supported by a fairly clear artistic doctrine in his studio and the artists' dedication. After his death the studio continued under the control of two of his sons, Joseph and Hans.<ref name="Vitus"/> |
By the end of the 19th century there were many workshops producing church art, and competition between them was often intense. But Mengelberg was confident that his studio could always produce quality items equal to or better than his competitors, supported by a fairly clear artistic doctrine in his studio and the artists' dedication. After his death the studio continued under the control of two of his sons, Joseph and Hans.<ref name="Vitus"/> |
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==Church interiors from Mengelberg studios== |
==Church interiors from Mengelberg studios== |
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[[File:Koelner Dom Innenraum.jpg|thumb|left| |
[[File:Koelner Dom Innenraum.jpg|thumb|left|{{center|Cologne Cathedral interior}}]] |
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[[File:Willibrordkerk interieur.JPG|thumb|right| |
[[File:Willibrordkerk interieur.JPG|thumb|right|{{center|St. Willibrord Church interior, Utrecht}}]] |
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[[File:Ijsselsteinnicolaasinterieur.jpg|thumb| |
[[File:Ijsselsteinnicolaasinterieur.jpg|thumb|{{center|St. Nicholas Basilica, IJsselstein}}]] |
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Mengelberg built church furniture and other interior items for the following churches.<ref name="bios"/> |
Mengelberg built church furniture and other interior items for the following churches.<ref name="bios"/> |
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*[[Cologne Cathedral]], Cologne, Germany |
*[[Cologne Cathedral]], Cologne, Germany |
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*Saint Willibrord Church in Utrecht |
*Saint Willibrord's Church in Utrecht |
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*St. Nicholas Basilica in IJsselstein |
*St. Nicholas' Basilica in IJsselstein |
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*The Chalk Mountain in Amsterdam |
*The Chalk Mountain in Amsterdam |
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*St. Joseph Cathedral in Groningen |
*St. Joseph's Cathedral in Groningen |
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*H. Exaltation to Raalte |
*H. Exaltation to Raalte |
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*St. Michael Church in Schalkwijk |
*St. Michael's Church in Schalkwijk |
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*St. Joseph Church in Enschede |
*St. Joseph's Church in Enschede |
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*St. Mary's in Apeldoorn |
*St. Mary's Church in Apeldoorn |
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*St. Vitus Church in Hilversum |
*St. Vitus' Church in Hilversum |
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*St. Ludgeruskerk |
*St. Ludgeruskerk in Balk |
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*St. Michael Church in Harlingen |
*St. Michael's Church in Harlingen |
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*St. Werenfridus Church in Workum |
*St. [[Werenfridus]]' Church in Workum |
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*Basilica of Our Lady of the Assumption in Zwolle |
*Basilica of Our Lady of the Assumption in Zwolle |
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*St. Nicholas Church in Jutphaas |
*St. Nicholas' Church in Jutphaas |
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*Pancratiuskerk in 's-Heerenberg |
*Pancratiuskerk in 's-Heerenberg |
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*St.Mariä Rosenkranz(Moenchengladbach-Eicken/Germany) |
*St.Mariä Rosenkranz(Moenchengladbach-Eicken/Germany) |
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::Newberry Library call number: Ref CT 1143 .B56 [http://www.newberry.org/ The Newberry Library, Chicago, Il 60610] |
::Newberry Library call number: Ref CT 1143 .B56 [http://www.newberry.org/ The Newberry Library, Chicago, Il 60610] |
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{{Authority control}} |
{{Authority control (arts)}} |
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{{DEFAULTSORT:Mengelberg, Friedrich Wilhelm}} |
{{DEFAULTSORT:Mengelberg, Friedrich Wilhelm}} |
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[[Category:Dutch sculptors]] |
[[Category:Dutch sculptors]] |
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[[Category:Dutch male sculptors]] |
[[Category:Dutch male sculptors]] |
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[[Category: |
[[Category:Artists from Cologne]] |
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[[Category: |
[[Category:Catholic decorative artists]] |
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[[Category:20th-century German sculptors]] |
[[Category:20th-century German sculptors]] |
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[[Category:20th-century German male artists]] |
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[[Category:19th-century German sculptors]] |
[[Category:19th-century German sculptors]] |
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[[Category:German male sculptors]] |
[[Category:German male sculptors]] |
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[[Category:Mengelberg family|Friedrich Wilhelm]] |
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[[Category:Architects from Cologne]] |
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[[Category:Catholic sculptors]] |
Latest revision as of 18:20, 12 May 2024
Friedrich Wilhelm Mengelberg | |
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Born | 18 October 1837 |
Died | 6 February 1919 |
Resting place | Utrecht |
Nationality | German-Dutch |
Occupation | sculptor |
Employer | St. Bemulphus guild |
Known for | architect of church interiors |
Spouse | Wilhelmina Helen |
Children | 16 |
Parent(s) | father: Johann Egidius Mengelberg mother: Catharina Wilhelmina Leiniger |
Relatives | grandfather: Egidius Mengelberg (1770–1849) uncle: Otto Heinrich (1817–1890) |
Friedrich Wilhelm Mengelberg (1837–1919) was a German-Dutch sculptor, architect of church interiors, and art collector.[1] His work promoted the Gothic Revival architectural-style in churches throughout Germany and the Netherlands.[1] The Mengelberg family has a long history of various artists and professionals.[2]
Family members and early life
[edit]Mengelberg's parents were Johann Egidius Mengelberg and Catharina Wilhelmina Leiniger. His grandfather Egidius Mengelberg (1770–1849) was a well-known painter, as was his uncle, Otto Mengelberg (1817–1890). On 18 October 1866 Mengelberg married Wilhelmina Helen Schrattenholz, and together they had sixteen children – eight sons and eight daughters – including the conductor Willem Mengelberg (1871–1951); some of their children died young.[2] Mengelberg's parents were Protestant, but when he turned eighteen he converted to Catholicism, probably influenced by his interest in medieval art.[3][4]
Career
[edit]Mengelberg came from a family of artists. He began his Neoclassical architecture training in Cologne under the sculptor Christoph Stephann (1797–1864). Friedrich (von) Schmidt subsequently instructed him in medieval art, especially Gothic art. He set up a studio in Cologne, managed by his younger brother Otto,[1] but he left the studio to his brother Otto and moved to Aachen in about 1865. Mengelberg then became acquainted with the theologian and historian of ancient art Franz Johann Joseph Bock (1823–1899), who took him under his wing and further educated him in medieval art.[3]
Through Bock's mediation, Mengelberg received a commission in 1868 to construct a bishop's throne for the Roman Catholic Saint Catherine's Cathedral in Utrecht. It was so well received by the church authorities that Mengelberg was invited to settle in Utrecht to build church furniture. He moved there in 1872, and became interested in the neo-Gothic art of the Netherlands. Mengelberg helped finish the interiors of Saint Catherine's Cathedral and Willibrord Church.[3]
Mengelberg worked closely with Dutch architects Pierre Cuypers and Alfred Tepe, from whom he learnt more about artistic techniques. In 1869 he became a member of the St. Bemulphus guild founded by Gerardus Wilhelminus van Heukelum, a Utrecht group of Catholic clergy and artists working to bring back the traditions and craftmanship in religious art and architecture.[5] Mengelberg became the most prominent member of the guild and set up a workshop studio, a closed society of specialized artists employing Gothic principles and techniques to produce items sold to the clergy. By the late 19th century Mengelberg's studio was employing more than 30 artists, designing and building items for church interiors such as organ fronts, communion pews, pulpits, altars, confessionals, and Stations of the Cross.[4]
By the end of the 19th century there were many workshops producing church art, and competition between them was often intense. But Mengelberg was confident that his studio could always produce quality items equal to or better than his competitors, supported by a fairly clear artistic doctrine in his studio and the artists' dedication. After his death the studio continued under the control of two of his sons, Joseph and Hans.[4]
Mengelberg's collection of art works was sold after his death by Jan Herman van Heek, a descendant of the well-known van Heek textile family. It formed the core of the Huis Bergh's art collection.[3]
Church interiors from Mengelberg studios
[edit]Mengelberg built church furniture and other interior items for the following churches.[2]
- Cologne Cathedral, Cologne, Germany
- Saint Willibrord's Church in Utrecht
- St. Nicholas' Basilica in IJsselstein
- The Chalk Mountain in Amsterdam
- St. Joseph's Cathedral in Groningen
- H. Exaltation to Raalte
- St. Michael's Church in Schalkwijk
- St. Joseph's Church in Enschede
- St. Mary's Church in Apeldoorn
- St. Vitus' Church in Hilversum
- St. Ludgeruskerk in Balk
- St. Michael's Church in Harlingen
- St. Werenfridus' Church in Workum
- Basilica of Our Lady of the Assumption in Zwolle
- St. Nicholas' Church in Jutphaas
- Pancratiuskerk in 's-Heerenberg
- St.Mariä Rosenkranz(Moenchengladbach-Eicken/Germany)
References
[edit]- ^ a b c BWN, pp. 389–391
- ^ a b c "Biography of Mengelbergs". Archived from the original on 23 June 2010. Retrieved 1 May 2011.
- ^ a b c d Huygens Institute for Dutch History
- ^ a b c Sculptor Mengelberg
- ^ "Generation X – The Legacy of Johannes Anthonius". Archived from the original on 1 September 2011. Retrieved 1 May 2011.
Sources
[edit]- BWN, Biographical Dictionary of the Netherlands, second version, The Hague, 1985, publisher: ’s-Gravenhage : Nijhoff, ISBN 90-10-05501-9 (Dutch)
- Charité, J., and Ivo Schöffer. Biografisch woordenboek van Nederland. 's-Gravenhage: Nijhoff, 1979.
- Newberry Library call number: Ref CT 1143 .B56 The Newberry Library, Chicago, Il 60610