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{{short description|Way to humanize medical staff wearing PPE}}
{{Orphan|date=June 2020}}
{{Use dmy dates|date=August 2014}}
{{Use dmy dates|date=August 2014}}
{{Infobox project
{{Infobox project
| name = ''PPE Portrait project''
| name = PPE Portrait project
| logo =
| logo =
| image = File:Ruth Johnson, RN, wearing PPE Portrait, ELWA 2 Ebola Treatment Unit, Paynesville, Liberia, March 6, 2015.jpg
| image = File:Ruth Johnson, RN, wearing PPE Portrait, ELWA 2 Ebola Treatment Unit, Paynesville, Liberia, March 6, 2015.jpg
| caption = RN Ruth Johnson Ebola Treatment Unit, 2015
| caption = RN Ruth Johnson, Ebola Treatment Unit, 2015
| mission_statement =
| mission_statement =
| commercial =
| commercial =
| type =
| type =
| products =
| products =
| location =
| location =
| country =
| country = [[Liberia]]
| owner =
| owner =
| founder = Mary Beth Heffernan
| founder = Mary Beth Heffernan
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| established = 2014 <!-- {{Start date|YY|MM|DD|df=y}} -->
| established = 2014 <!-- {{Start date|YY|MM|DD|df=y}} -->
| disestablished = <!-- {{End date|YYYY|MM|DD|df=y}} -->
| disestablished = <!-- {{End date|YYYY|MM|DD|df=y}} -->
| current_status =
| current_status =
| website ={{url|www.ppeportrait.org}}
| website ={{url|www.ppeportrait.org}}
}}
}}


The '''PPE Portrait project''' started during the 2014/2015 [[Ebola]] outbreak in [[Liberia]] by artist Mary Beth Heffernan as a way to humanize medical staff wearing full [[Personal protective equipment]] (PPE). Patients experiencing one of the most terrifying times of their lives are unable to see the faces of their medical staff, but having a photo sticker on the staff's PPE gown allows the patient to better relate to their caregiver. This project was revived in 2020 by Stanford social scientist Cati Brown-Johnson and featured on the [[Rachel Maddow Show]], [[NPR]], ''[[Smithsonian Magazine]],'' [[KQED]] and more.
The '''PPE Portrait project''' started during the 2014–2015 [[Ebola]] outbreak in [[Liberia]] by artist Mary Beth Heffernan as a way to humanize physicians, nurses and other medical professionals wearing full [[personal protective equipment]] (PPE). Patients experiencing one of the most terrifying times of their lives are unable to see the faces of their medical staff, but having a photo sticker on the staff member's PPE gown allows the patient to better relate to their caregiver. This project was revived in 2020 by Stanford social scientist Cati Brown-Johnson and featured on [[The Rachel Maddow Show]], [[NPR]], ''[[Smithsonian (magazine)|Smithsonian]]'' magazine and [[KQED Inc.|KQED]].{{cn|date=December 2021}}


==2014–2015 Ebola outbreak==
==History==


The idea came from the 2014/2015 [[Ebola]] outbreak in [[Liberia]]. American artist Mary Beth Heffernan, who is a professor of art and art history at [[Occidental College]],<ref name="Tranquada Oxy"/> saw the full suits the Ebola health workers were wearing and created the PPE Portrait Project. Heffernan called it "An art intervention designed to improve Ebola care." The grant funded project focused on isolation of patients—the benefits of "puncturing that isolation" by allowing patients to better connect with their providers. Liberian Dr. J. Soka Moses and Dr. Moses Massaquoi invited Heffernan to visit with the Ebola doctors and staff.<ref name="KQED 2020"/> Massaquoi said that he was receiving emails from people "pitching some untested scheme ... it was getting to be kind of a pain. But the proposal to put photos on the suits made so much sense he responded to Heffernan immediately.<ref name="NPR 2015"/> Heffernan told Maddow staff that she "had hoped the PPE portraits would become standard best medical practice for all kinds of patients who have to experience isolation of never seeing people outside of PPE - only masked faces for days at a time."<ref name="Maddow05082020"/>
The idea came from the 2014–2015 [[Ebola]] outbreak in [[Liberia]]. American artist Mary Beth Heffernan, who is a professor of art and art history at [[Occidental College]],<ref name="Tranquada Oxy"/> saw the full suits the Ebola health workers were wearing and she created the PPE Portrait Project. Heffernan called it "an art intervention designed to improve Ebola care". Regarding cultural sensitivity, Heffernan said that developing the project "involved close readings of Ebola survivors’ stories, in particular the first-person narratives of doctors who became infected and lived to write about it. Their stories were electrifying, and the words they chose to describe their experience—of being sick, isolated, and the trauma of not seeing a human face in their caregivers—are seared in my mind."<ref name="artjournal">{{cite web |authorlink=Julia Bryan-Wilson|last1=Bryan-Wilson |first1=Julia |title=Facing Social Practice: Mary Beth Heffernan in conversation with Julia Bryan-Wilson |url=http://artjournal.collegeart.org/?p=13808&fbclid=IwAR3Zdfxq9F8b0692iR8ZpTclhPs8F2Q59ann_5XQttfvdi-q-_HG-3W0RcU |website=Art Journal Open |date=30 June 2020 |publisher=College Art Association |accessdate=13 July 2020}}</ref> The grant funded project focused on isolation of patients—the benefits of "puncturing that isolation" by allowing patients to better connect with their providers. Liberian doctors J. Soka Moses and Moses Massaquoi invited Heffernan to visit with the Ebola doctors and staff.<ref name="KQED 2020"/> Massaquoi said that he was receiving emails from people "pitching some untested scheme ... it was getting to be kind of a pain". But the proposal to put photos on the suits made so much sense he responded to Heffernan immediately.<ref name="NPR 2015"/> Heffernan told Maddow staff that she "had hoped the PPE portraits would become standard best medical practice for all kinds of patients who have to experience isolation of never seeing people outside of PPE—only masked faces for days at a time."<ref name="Maddow05082020"/>


The Gold Foundation funded Heffernan to travel to Liberia with ink, cameras, printer, stickers "and a plan". Heffernan had received $5000 she was using for this project, but she ran into many different issues including that the power adapters she intended to use for the printers in Liberia were not correct. Three of the printers blew up, and medical staff liked the photo stickers so much they were taking them home and giving them to their children.<ref name="NPR 2015"/> Health care staff "reported feeling more human".<ref name="Gold Foundation"/> She spent three-weeks training the staff and left all the supplies for them to use.<ref name="KQED 2020"/>
The Gold Foundation funded Heffernan to travel to Liberia. Heffernan had received $5,000 that she was using for this project.<ref name="NPR 2015"/> Health care staff there "reported feeling more human".<ref name="Gold Foundation"/> She spent three weeks training the staff and left supplies for them to use.<ref name="KQED 2020"/> Heffernan wanted the project to be "sustainable and achievable with local means."<ref name="artjournal"/>


The project was featured in the ''Being Human'' exhibition at the [[Wellcome Collection]] in London in September 2019. The exhibit featured mannequins dressed in PPE with PPE Portrait labels. Heffernan provided first-person narratives from the healthcare workers featured to accompany the exhibit. Those featured received an honorarium for the use of their image and story.<ref name="artjournal"/>
In the five years since Ebola, Heffernan approached many hospitals but found that they were uninterested. Medical staff wearing full PPE during the [[COVID-19 pandemic]] has changed that attitude with many hospitals.<ref name="Gold Foundation"/>


In the five years since the Ebola outbreak, Heffernan approached many hospitals but found that they were uninterested. Medical staff wearing full [[personal protective equipment|PPE]] during the [[COVID-19 pandemic]] has changed that attitude with many hospitals.<ref name="Gold Foundation"/> However, many of the providers involved in the original project have reported that they are not currently using PPE Portrait labels, as they are instead focused on the challenges of "sourcing and rigorously using the PPE itself."<ref name="artjournal"/>
==The PPE Portrait project==


==COVID-19 pandemic==
{{quote|So your terrified patients who can't actually see really any of your face, at least have some idea of who you are and what you really look like - Rachel Maddow - May 8th, 2020<ref name="Maddow05082020"/>}}


{{quote|So your terrified patients who can't actually see really any of your face, at least have some idea of who you are and what you really look like|author=Rachel Maddow, May 8, 2020<ref name="Maddow05082020"/>}}
Cati Brown-Johnson from the [[Stanford University School of Medicine]] revived the project for [[Coronavirus disease 2019|COVID‑19]]. She says she is a social scientist that is interested in human connections. Brown-Johnson says the research behind this idea shows that "A warm and competent provider connects with the healing mechanisms within a person's own body. And PPE, obviously it's straight up and down ... competence. It tells you competence right away, the only warmth you might get would be a PPE portrait, that is some of the basis of the research that has us interested in pursuing this." Brown-Johnson further said that they are seeing an improvement in the moral of the medical staff as it makes them feel more humanized.<ref name="Maddow05082020"/> Brown-Johnson first tried out the revived program at a drive-thru testing site at Stanford.<ref name="Gold Foundation"/>


Cati Brown-Johnson from [[Stanford University School of Medicine]] revived the project for the COVID-19 pandemic. She says she is a social scientist who is interested in human connections. Brown-Johnson says the research behind this idea shows that "a warm and competent provider connects with the healing mechanisms within a person's own body. And PPE, obviously it's straight up and down ... competence. It tells you competence right away, the only warmth you might get would be a PPE portrait, that is some of the basis of the research that has us interested in pursuing this." Brown-Johnson further said that they are seeing an improvement in the morale of the medical staff, as it makes them feel more humanized.<ref name="Maddow05082020"/> Brown-Johnson first tried out the revived program at a drive-thru testing site at Stanford.<ref name="Gold Foundation"/>
Staff during one of the trial tests for the project said that right away they noticed better interactions with patients. One nurse, Anna Chico who worked in the drive-up COVID‑19 testing site, said she introduced herself by pointing to her portrait and saying "this is me under all this". Doctors reported that it felt like they were working with people on the team, "instead of inanimate objects".<ref name="Smithsonian Wu"/><ref name="Hyperallergic2020"/>


Staff during one of the trial tests for the project said that right away they noticed better interactions with patients. One nurse, Anna Chico, who worked in the drive-up COVID-19 testing site, said she introduced herself by pointing to her portrait and saying "this is me under all this". Doctors reported that it felt like they were working with people on the team, "instead of inanimate objects".<ref name="Smithsonian Wu"/><ref name="Hyperallergic2020"/>
The [[Rachel Maddow show]] learned about this project when they noticed that Dr. Ernest Patti from [[St. Barnabas]] whom they had interviewed several times on the show about his experiences working with COVID‑19 patients appeared in full PPE but with a smiling photo of himself on the outside of his PPE gown. The Maddow staff inquired with Patti and learned that a woman had seen him on previous Maddow shows and mailed him a set of stickers of his own face for use on his gown. The woman was Dr. Lori Justice Shocket who is an artist and holds a medical degree. She is also married to an [[Emergency department|ER]] doctor and has a child and step child who are also ER doctors. Shocket asks people to email her photos of their faces, she prints stickers and mails them back.<ref name="Maddow05082020"/>


[[The Rachel Maddow Show]] learned about this project when they noticed that doctor Ernest Patti from [[St. Barnabas Hospital (Bronx)|St. Barnabas Hospital]], whom they had interviewed several times on the show about his experiences working with COVID-19 patients, appeared in full PPE but with a smiling photo of himself on the outside of his PPE gown. The Maddow staff inquired with Patti and learned that a woman had seen him on previous Maddow shows and mailed him a set of stickers of his own face for use on his gown. The woman was Dr. Lori Justice Shocket who is an artist and holds a medical degree. She is also married to an [[Emergency department|ER]] doctor and has a child and step-child who are also ER doctors. Shocket asks people to email her photos of their faces; she prints stickers and mails them back.<ref name="Maddow05082020"/>
The goal of the project according to Heffernan is to give hospitals the tools and training so they can independently run the project. She hopes that all medical staff will use PPE portraits irrespective of if they are in full PPE or not. In situations where medical staff are wearing a mask, seeing a smiling photo would be beneficial for the patient.<ref name="Hyperallergic2020"/> Maddow further said of the PPE Portrait project that seeing a photo of their caregiver helps create a genuine connection instead of a "alien connection, even when they are doing the best to save your life."<ref name="Maddow05082020"/> ''[[Smithsonian Magazine]]'' states the feeling of seeing someone in full PPE is like "anonymizing these individuals as masked, expressionless staff in space suits."<ref name="Smithsonian Wu"/> In Liberia, Heffernan said that the medical workers "found themselves perceived as ‘scary ninjas’—are isolating, dehumanizing and compound patient fear."<ref name="Tranquada Oxy"/>


The goal of the project according to Heffernan is to give hospitals the tools and training so they can independently run the project. She hopes that all medical professionals will use PPE portraits whenever they wear masks irrespective of if they are in full PPE or not. In situations where medical staff are wearing a mask, seeing a smiling photo would be beneficial for the patient.<ref name="Hyperallergic2020"/> Maddow further said of the PPE Portrait project that seeing a photo of their caregiver helps create a genuine connection instead of an "alien connection, even when they are doing the best to save your life".<ref name="Maddow05082020"/> ''[[Smithsonian (magazine)|Smithsonian]]'' magazine states the feeling of seeing someone in full PPE is like "anonymizing these individuals as masked, expressionless staff members in space suits".<ref name="Smithsonian Wu"/> In Liberia, Heffernan said that the medical workers "found themselves perceived as 'scary ninjas'—are isolating, dehumanizing and compound patient fear".<ref name="Tranquada Oxy"/>
Collaborators for the project include the Arnold P. Gold Foundation, [[Occidental College]], [[Stanford University Medical Center|Stanford Health Care]] and Paige K. Parsons Photography.<ref name="Stanford PPE"/> Other hospitals starting to use PPE portraits as of April 2020 are the [[University of Massachusetts Medical School]], [[Keck School of Medicine of USC|USC Keck School of Medicine]] and [[Boston Children’s Hospital]].<ref name="Tranquada Oxy"/>


{{quote|Attaching photos to PPE is such a simple, low-tech tool – yet it can transform those precious moments of care at a time when patients are sick, scared, and feeling alone. We were so glad to support Mary Beth Heffernan and her brilliant idea in her initial PPE Portrait Project work. We urge all hospitals to adopt this practice, so that both patients and healthcare teams can benefit. - Dr. Richard I. Levin - President and CEO of the Gold Foundation<ref name="Gold Foundation"/>}}
Other hospitals starting to use PPE portraits as of April 2020 are the [[University of Massachusetts Medical School]], [[Keck School of Medicine of USC|USC Keck School of Medicine]] and [[Boston Children's Hospital]].<ref name="Tranquada Oxy"/>
{{quote|Attaching photos to PPE is such a simple, low-tech tool—yet it can transform those precious moments of care at a time when patients are sick, scared, and feeling alone. We were so glad to support Mary Beth Heffernan and her brilliant idea in her initial PPE Portrait Project work. We urge all hospitals to adopt this practice, so that both patients and healthcare teams can benefit.|author=Dr. Richard I. Levin, President and CEO of the Gold Foundation<ref name="Gold Foundation"/>}}


==Practicalities==
==Practicalities==
Stanford medicine offers a how-to make and apply your own PPE sticker on its website. It suggests that in high risk settings the photo will be discarded with the disposal of the gown. In lower risk settings where the gown will be reused, the photo sticker will need to be disinfected before using the gown, much in the same way a name badge would be. Stanford suggests that if you are creating the portrait of yourself you should use the portrait setting on your smartphone, look directly into the camera lens and "offer the smile you want your patients to see".<ref name="Stanford PPE"/> Heffernan recommends using 8.5"x11" matte surface sticky labels that are not reusable. Laminating, disinfecting and reusing was first discussed but there were concerns that the hard edge of the plastic might damage the PPE gown and become a source for contamination. Medical staff can keep a supply of photo labels in the donning area.<ref name="Gold Foundation"/> It is suggested that the photo be worn at "heart level, 'because your care is coming from your heart'".<ref name="Smithsonian Wu"/>
[[Stanford Medicine]]'s website suggests that in high-risk settings the photo will be discarded with the disposal of the gown. In lower risk settings where the gown will be reused, the photo sticker will need to be disinfected before using the gown, much in the same way a name badge would be. Stanford suggests that if someone is creating the portrait of themself, they should use the portrait setting on their smartphone, look directly into the camera lens and "offer the smile you want your patients to see".<ref name="Stanford PPE"/> Heffernan recommends using 8.5"×11" matte surface sticky labels that are not reusable. Laminating, disinfecting and reusing was first discussed but there were concerns that the hard edge of the plastic might damage the PPE gown and become a source for contamination. Medical staff can keep a supply of photo labels in the donning area.<ref name="Gold Foundation"/> It is suggested that the photo be worn at "heart level, because your care is coming from your heart".<ref name="Smithsonian Wu"/>


== References ==
== References ==
{{Reflist|30em|refs=
{{Reflist|30em|refs=



<ref name="Maddow05082020">{{cite web |last1=Maddow |first1=Rachel |authorlink=Rachel Maddow|title=PPE Portraits |url=https://www.youtube.com/watch?v=q6fjjRWN5Qw |website=YouTube |publisher=MSNBC |accessdate=1 June 2020 |date=May 8, 2020}}</ref>
<ref name="Maddow05082020">{{cite web |last1=Maddow |first1=Rachel |authorlink=Rachel Maddow|title=PPE Portraits |url=https://www.youtube.com/watch?v=q6fjjRWN5Qw |website=YouTube |publisher=MSNBC |accessdate=1 June 2020 |date=May 8, 2020}}</ref>
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<ref name="Stanford PPE">{{cite web |title=PPE Portrait Project |url=https://med.stanford.edu/pcph/research/ppe-project.html |website=med.stanford.edu |publisher=Stanford Medicine |accessdate=1 June 2020 |archiveurl=https://web.archive.org/web/20200601033504/https://med.stanford.edu/pcph/research/ppe-project.html |archivedate=1 June 2020}}</ref>
<ref name="Stanford PPE">{{cite web |title=PPE Portrait Project |url=https://med.stanford.edu/pcph/research/ppe-project.html |website=med.stanford.edu |publisher=Stanford Medicine |accessdate=1 June 2020 |archiveurl=https://web.archive.org/web/20200601033504/https://med.stanford.edu/pcph/research/ppe-project.html |archivedate=1 June 2020}}</ref>


<ref name="Gold Foundation">{{cite web |title=Reactivated PPE Portrait Project strengthens human connections in the COVID-19 crisis |url=https://www.gold-foundation.org/newsroom/news/reactivated-ppe-portrait-project-strengthens-human-connections-in-the-covid-19-crisis/ |website=gold-foundation.org |publisher=Gold Foundation |accessdate=1 June 2020 |archiveurl=https://web.archive.org/web/20200601040233/https://www.gold-foundation.org/newsroom/news/reactivated-ppe-portrait-project-strengthens-human-connections-in-the-covid-19-crisis/ |archivedate=1 June 2020}}</ref>
<ref name="Gold Foundation">{{cite web |title=Reactivated PPE Portrait Project strengthens human connections in the COVID-19 crisis |url=https://www.gold-foundation.org/newsroom/news/reactivated-ppe-portrait-project-strengthens-human-connections-in-the-covid-19-crisis/ |website=gold-foundation.org |date=29 April 2020 |publisher=Gold Foundation |accessdate=1 June 2020 |archiveurl=https://web.archive.org/web/20200601040233/https://www.gold-foundation.org/newsroom/news/reactivated-ppe-portrait-project-strengthens-human-connections-in-the-covid-19-crisis/ |archivedate=1 June 2020}}</ref>


<ref name="Smithsonian Wu">{{cite web |last1=Wu |first1=Katherine J. |title=Portrait Project Reveals the Faces Behind Health Care Workers’ Protective Gear |url=https://www.smithsonianmag.com/smart-news/health-worker-portraits-buoy-spirits-covid-19-patients-180974681/ |website=smithsonianmag.com |publisher=Smithsonian Magazine |accessdate=1 June 2020 |archiveurl=https://web.archive.org/web/20200601042623/https://www.smithsonianmag.com/smart-news/health-worker-portraits-buoy-spirits-covid-19-patients-180974681/ |archivedate=1 June 2020}}</ref>
<ref name="Smithsonian Wu">{{cite web |last1=Wu |first1=Katherine J. |title=Portrait Project Reveals the Faces Behind Health Care Workers' Protective Gear |url=https://www.smithsonianmag.com/smart-news/health-worker-portraits-buoy-spirits-covid-19-patients-180974681/ |website=smithsonianmag.com |publisher=Smithsonian Magazine |accessdate=1 June 2020 |archiveurl=https://web.archive.org/web/20200601042623/https://www.smithsonianmag.com/smart-news/health-worker-portraits-buoy-spirits-covid-19-patients-180974681/ |archivedate=1 June 2020}}</ref>


<ref name="Hyperallergic2020">{{cite web |last1=Almino |first1=Elisa Wouk |title=A Photo Project Helps Mitigate Patient Loneliness During COVID-19 Pandemic |url=https://hyperallergic.com/554107/ppe-portrait-project-covid-19-mary-beth-heffernan/ |website=hyperallergic.com |accessdate=1 June 2020 |archiveurl=https://web.archive.org/web/20200601044039/https://hyperallergic.com/554107/ppe-portrait-project-covid-19-mary-beth-heffernan/ |archivedate=1 June 2020}}</ref>
<ref name="Hyperallergic2020">{{cite web |last1=Almino |first1=Elisa Wouk |title=A Photo Project Helps Mitigate Patient Loneliness During COVID-19 Pandemic |url=https://hyperallergic.com/554107/ppe-portrait-project-covid-19-mary-beth-heffernan/ |website=hyperallergic.com |date=14 April 2020 |accessdate=1 June 2020 |archiveurl=https://web.archive.org/web/20200601044039/https://hyperallergic.com/554107/ppe-portrait-project-covid-19-mary-beth-heffernan/ |archivedate=1 June 2020}}</ref>


<ref name="Tranquada Oxy">{{cite web |last1=Tranquada |first1=Jim |title=Photo Project Builds Connections Between Patients, Doctors in Pandemic |url=https://www.oxy.edu/news/photo-project-builds-connections-between-patients-doctors-pandemic |website=oxy.edu |publisher=Occidental College |accessdate=1 June 2020 |archiveurl=https://web.archive.org/web/20200519043641/https://www.oxy.edu/news/photo-project-builds-connections-between-patients-doctors-pandemic |archivedate=1 June 2020}}</ref>
<ref name="Tranquada Oxy">{{cite web |last1=Tranquada |first1=Jim |title=Photo Project Builds Connections Between Patients, Doctors in Pandemic |url=https://www.oxy.edu/news/photo-project-builds-connections-between-patients-doctors-pandemic |website=oxy.edu |date=15 April 2020 |publisher=Occidental College |accessdate=1 June 2020 |archiveurl=https://web.archive.org/web/20200519043641/https://www.oxy.edu/news/photo-project-builds-connections-between-patients-doctors-pandemic |archivedate=19 May 2020}}</ref>


<ref name="KQED 2020">{{cite web |last1=Sarah |first1=Lakshmi |title=From Ebola to Coronavirus — A Simple Practice of Sticker-Photo Portraits for Health Care Workers |url=https://www.kqed.org/news/11817046/from-ebola-to-coronavirus-a-simple-practice-of-sticker-photo-portraits-for-doctors |website=kqed.org |publisher=KQED |accessdate=1 June 2020 |archiveurl=https://web.archive.org/web/20200601051430/https://www.kqed.org/news/11817046/from-ebola-to-coronavirus-a-simple-practice-of-sticker-photo-portraits-for-doctors |archivedate=1 June 2020}}</ref>
<ref name="KQED 2020">{{cite web |last1=Sarah |first1=Lakshmi |title=From Ebola to Coronavirus — A Simple Practice of Sticker-Photo Portraits for Health Care Workers |url=https://www.kqed.org/news/11817046/from-ebola-to-coronavirus-a-simple-practice-of-sticker-photo-portraits-for-doctors |website=kqed.org |date=8 May 2020 |publisher=KQED |accessdate=1 June 2020 |archiveurl=https://web.archive.org/web/20200512231620/https://www.kqed.org/news/11817046/from-ebola-to-coronavirus-a-simple-practice-of-sticker-photo-portraits-for-doctors |archivedate=12 May 2020}}</ref>


<ref name="NPR 2015">{{cite web |last1=Aizenman |first1=Nurity |title=An Artist's Brainstorm: Put Photos On Those Faceless Ebola Suits |url=https://www.npr.org/sections/goatsandsoda/2015/04/09/397853271/an-artists-brainstorm-put-photos-on-those-faceless-ebola-suits |website=npr.org |accessdate=1 June 2020 |ref=NPR |archiveurl=https://web.archive.org/web/20200601052418/https://www.npr.org/sections/goatsandsoda/2015/04/09/397853271/an-artists-brainstorm-put-photos-on-those-faceless-ebola-suits |archivedate=1 June 2020}}</ref>
<ref name="NPR 2015">{{cite web |last1=Aizenman |first1=Nurith |title=An Artist's Brainstorm: Put Photos On Those Faceless Ebola Suits |url=https://www.npr.org/sections/goatsandsoda/2015/04/09/397853271/an-artists-brainstorm-put-photos-on-those-faceless-ebola-suits |website=npr.org |accessdate=1 June 2020 |ref=NPR |archiveurl=https://web.archive.org/web/20200601052418/https://www.npr.org/sections/goatsandsoda/2015/04/09/397853271/an-artists-brainstorm-put-photos-on-those-faceless-ebola-suits |archivedate=1 June 2020}}</ref>


}}
}}


==External links==
* [https://med.stanford.edu/pcph/research/ppe-project.html How to make and apply PPE Portraits]
* [https://docs.google.com/document/d/1BY7EiSgf7vHRXteEjOWRdOuO7QLcHp6H7H3w0Rh7z4o/edit Gooogle doc showing PPE Portraits How-to]
* [https://www.youtube.com/watch?v=my1lCz5xGk8 PPE Portrait Project - April 9, 2020 - YouTube]
* [https://www.youtube.com/watch?v=ra50vT3QNH4 The PPE Portrait Project connects doctors with patients - Brut America - May 15, 2020 - YouTube]



[[Category:COVID-19]]
{{DEFAULTSORT:PPE Portrait Project}}
[[Category:Responses to the COVID-19 pandemic]]
[[Category:Personal protective equipment]]
[[Category:Personal protective equipment]]
[[Category:2014 in Liberia]]
[[Category:2014 in Liberia]]

Latest revision as of 06:21, 20 April 2024

PPE Portrait project
RN Ruth Johnson, Ebola Treatment Unit, 2015
FounderMary Beth Heffernan
CountryLiberia
Key peopleCati Brown-Johnson
Established2014
Websitewww.ppeportrait.org

The PPE Portrait project started during the 2014–2015 Ebola outbreak in Liberia by artist Mary Beth Heffernan as a way to humanize physicians, nurses and other medical professionals wearing full personal protective equipment (PPE). Patients experiencing one of the most terrifying times of their lives are unable to see the faces of their medical staff, but having a photo sticker on the staff member's PPE gown allows the patient to better relate to their caregiver. This project was revived in 2020 by Stanford social scientist Cati Brown-Johnson and featured on The Rachel Maddow Show, NPR, Smithsonian magazine and KQED.[citation needed]

2014–2015 Ebola outbreak

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The idea came from the 2014–2015 Ebola outbreak in Liberia. American artist Mary Beth Heffernan, who is a professor of art and art history at Occidental College,[1] saw the full suits the Ebola health workers were wearing and she created the PPE Portrait Project. Heffernan called it "an art intervention designed to improve Ebola care". Regarding cultural sensitivity, Heffernan said that developing the project "involved close readings of Ebola survivors’ stories, in particular the first-person narratives of doctors who became infected and lived to write about it. Their stories were electrifying, and the words they chose to describe their experience—of being sick, isolated, and the trauma of not seeing a human face in their caregivers—are seared in my mind."[2] The grant funded project focused on isolation of patients—the benefits of "puncturing that isolation" by allowing patients to better connect with their providers. Liberian doctors J. Soka Moses and Moses Massaquoi invited Heffernan to visit with the Ebola doctors and staff.[3] Massaquoi said that he was receiving emails from people "pitching some untested scheme ... it was getting to be kind of a pain". But the proposal to put photos on the suits made so much sense he responded to Heffernan immediately.[4] Heffernan told Maddow staff that she "had hoped the PPE portraits would become standard best medical practice for all kinds of patients who have to experience isolation of never seeing people outside of PPE—only masked faces for days at a time."[5]

The Gold Foundation funded Heffernan to travel to Liberia. Heffernan had received $5,000 that she was using for this project.[4] Health care staff there "reported feeling more human".[6] She spent three weeks training the staff and left supplies for them to use.[3] Heffernan wanted the project to be "sustainable and achievable with local means."[2]

The project was featured in the Being Human exhibition at the Wellcome Collection in London in September 2019. The exhibit featured mannequins dressed in PPE with PPE Portrait labels. Heffernan provided first-person narratives from the healthcare workers featured to accompany the exhibit. Those featured received an honorarium for the use of their image and story.[2]

In the five years since the Ebola outbreak, Heffernan approached many hospitals but found that they were uninterested. Medical staff wearing full PPE during the COVID-19 pandemic has changed that attitude with many hospitals.[6] However, many of the providers involved in the original project have reported that they are not currently using PPE Portrait labels, as they are instead focused on the challenges of "sourcing and rigorously using the PPE itself."[2]

COVID-19 pandemic

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So your terrified patients who can't actually see really any of your face, at least have some idea of who you are and what you really look like

— Rachel Maddow, May 8, 2020[5]

Cati Brown-Johnson from Stanford University School of Medicine revived the project for the COVID-19 pandemic. She says she is a social scientist who is interested in human connections. Brown-Johnson says the research behind this idea shows that "a warm and competent provider connects with the healing mechanisms within a person's own body. And PPE, obviously it's straight up and down ... competence. It tells you competence right away, the only warmth you might get would be a PPE portrait, that is some of the basis of the research that has us interested in pursuing this." Brown-Johnson further said that they are seeing an improvement in the morale of the medical staff, as it makes them feel more humanized.[5] Brown-Johnson first tried out the revived program at a drive-thru testing site at Stanford.[6]

Staff during one of the trial tests for the project said that right away they noticed better interactions with patients. One nurse, Anna Chico, who worked in the drive-up COVID-19 testing site, said she introduced herself by pointing to her portrait and saying "this is me under all this". Doctors reported that it felt like they were working with people on the team, "instead of inanimate objects".[7][8]

The Rachel Maddow Show learned about this project when they noticed that doctor Ernest Patti from St. Barnabas Hospital, whom they had interviewed several times on the show about his experiences working with COVID-19 patients, appeared in full PPE but with a smiling photo of himself on the outside of his PPE gown. The Maddow staff inquired with Patti and learned that a woman had seen him on previous Maddow shows and mailed him a set of stickers of his own face for use on his gown. The woman was Dr. Lori Justice Shocket who is an artist and holds a medical degree. She is also married to an ER doctor and has a child and step-child who are also ER doctors. Shocket asks people to email her photos of their faces; she prints stickers and mails them back.[5]

The goal of the project according to Heffernan is to give hospitals the tools and training so they can independently run the project. She hopes that all medical professionals will use PPE portraits whenever they wear masks irrespective of if they are in full PPE or not. In situations where medical staff are wearing a mask, seeing a smiling photo would be beneficial for the patient.[8] Maddow further said of the PPE Portrait project that seeing a photo of their caregiver helps create a genuine connection instead of an "alien connection, even when they are doing the best to save your life".[5] Smithsonian magazine states the feeling of seeing someone in full PPE is like "anonymizing these individuals as masked, expressionless staff members in space suits".[7] In Liberia, Heffernan said that the medical workers "found themselves perceived as 'scary ninjas'—are isolating, dehumanizing and compound patient fear".[1]

Other hospitals starting to use PPE portraits as of April 2020 are the University of Massachusetts Medical School, USC Keck School of Medicine and Boston Children's Hospital.[1]

Attaching photos to PPE is such a simple, low-tech tool—yet it can transform those precious moments of care at a time when patients are sick, scared, and feeling alone. We were so glad to support Mary Beth Heffernan and her brilliant idea in her initial PPE Portrait Project work. We urge all hospitals to adopt this practice, so that both patients and healthcare teams can benefit.

— Dr. Richard I. Levin, President and CEO of the Gold Foundation[6]

Practicalities

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Stanford Medicine's website suggests that in high-risk settings the photo will be discarded with the disposal of the gown. In lower risk settings where the gown will be reused, the photo sticker will need to be disinfected before using the gown, much in the same way a name badge would be. Stanford suggests that if someone is creating the portrait of themself, they should use the portrait setting on their smartphone, look directly into the camera lens and "offer the smile you want your patients to see".[9] Heffernan recommends using 8.5"×11" matte surface sticky labels that are not reusable. Laminating, disinfecting and reusing was first discussed but there were concerns that the hard edge of the plastic might damage the PPE gown and become a source for contamination. Medical staff can keep a supply of photo labels in the donning area.[6] It is suggested that the photo be worn at "heart level, because your care is coming from your heart".[7]

References

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  1. ^ a b c Tranquada, Jim (15 April 2020). "Photo Project Builds Connections Between Patients, Doctors in Pandemic". oxy.edu. Occidental College. Archived from the original on 19 May 2020. Retrieved 1 June 2020.
  2. ^ a b c d Bryan-Wilson, Julia (30 June 2020). "Facing Social Practice: Mary Beth Heffernan in conversation with Julia Bryan-Wilson". Art Journal Open. College Art Association. Retrieved 13 July 2020.
  3. ^ a b Sarah, Lakshmi (8 May 2020). "From Ebola to Coronavirus — A Simple Practice of Sticker-Photo Portraits for Health Care Workers". kqed.org. KQED. Archived from the original on 12 May 2020. Retrieved 1 June 2020.
  4. ^ a b Aizenman, Nurith. "An Artist's Brainstorm: Put Photos On Those Faceless Ebola Suits". npr.org. Archived from the original on 1 June 2020. Retrieved 1 June 2020.
  5. ^ a b c d e Maddow, Rachel (8 May 2020). "PPE Portraits". YouTube. MSNBC. Retrieved 1 June 2020.
  6. ^ a b c d e "Reactivated PPE Portrait Project strengthens human connections in the COVID-19 crisis". gold-foundation.org. Gold Foundation. 29 April 2020. Archived from the original on 1 June 2020. Retrieved 1 June 2020.
  7. ^ a b c Wu, Katherine J. "Portrait Project Reveals the Faces Behind Health Care Workers' Protective Gear". smithsonianmag.com. Smithsonian Magazine. Archived from the original on 1 June 2020. Retrieved 1 June 2020.
  8. ^ a b Almino, Elisa Wouk (14 April 2020). "A Photo Project Helps Mitigate Patient Loneliness During COVID-19 Pandemic". hyperallergic.com. Archived from the original on 1 June 2020. Retrieved 1 June 2020.
  9. ^ "PPE Portrait Project". med.stanford.edu. Stanford Medicine. Archived from the original on 1 June 2020. Retrieved 1 June 2020.