Love Makes Sweet Music: Difference between revisions
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Wyatt is credited on the original B side under his birth name, Ellidge |
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{{Infobox song |
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{{Infobox Single <!-- See Wikipedia:WikiProject_Songs --> |
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| name = Love Makes Sweet Music |
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| image = Love Makes Sweet Music by the Soft Machine UK single side-A.png |
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| alt = Side-A label by Polydor Records |
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| caption = Side A of the UK single |
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| type = single |
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| artist = [[Soft Machine]] |
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| B-side =Feelin’ Reelin’ Squeelin’ |
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| B-side = Feelin' Reelin' Squeelin' |
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| released = February 17, 1967 |
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| Format =7" single, 45 rpm |
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| recorded = January 1967, Advision Studios |
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| studio = |
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| venue = |
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| genre = |
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| length = |
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| label = [[Polydor]] 56 151 (UK) |
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| writer = Kevin Ayers |
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| Certification = |
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| producer = [[Chas Chandler]] (A-side)<br>[[Kim Fowley]] (B-side) |
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| Chart position = |
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| prev_title = |
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| Last single = -- |
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| prev_year = |
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| This single ="Love Makes Sweet Music"<br>(1967) |
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| next_title = [[Joy of a Toy (song)|Joy of a Toy]] |
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| next_year = 1968 |
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"'''Love Makes Sweet Music'''" was the first single released by the [[ |
"'''Love Makes Sweet Music'''" was the first single released by the [[psychedelic rock]] group [[Soft Machine]]. It is one of the first British psychedelic releases, predating [[Pink Floyd]]'s "[[Arnold Layne]]" by a month.<ref>[http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/article2350710.ece The Sunday Times, Sept 2, 2007]</ref> The [[A-side]] is more pop-oriented, featuring [[Robert Wyatt]] on lead vocals. The other side, "Feelin’ Reelin Squeelin" is a disturbing tour de force with [[Kevin Ayers]] handling the lead vocal for the verses, while Wyatt sings the chorus; there is an elliptical series of strange noises and flute in the solo. |
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The A-Side is more pop orientated, featuring [[Robert Wyatt]] on lead vocals. The other side, ‘Feelin’ Reelin Squeelin’ is a disturbing tour de force with [[Kevin Ayers]] handling the lead vocal for the verses, while [[Robert Wyatt]] sings the chorus; there is an elliptical series of strange noises and flute in the solo. |
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The single was a commercial flop.<ref>{{cite book |last=Stump |first=Paul |title=The Music's All that Matters: A History of Progressive Rock |date=1997 |publisher=Quartet Books Limited |isbn=0-7043-8036-6 |pages=27–28}}</ref> |
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⚫ | The tracks from the single have been reissued on the Soft Machine compilations ''Triple Echo'' and ''Out-Bloody-Rageous - An Anthology 1967 -1973'' (Sony), |
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⚫ | The tracks from the single have been reissued on the Soft Machine compilations ''Triple Echo'' and ''Out-Bloody-Rageous - An Anthology 1967 -1973'' (Sony), on the 1972 Polydor compilation LP ''Rare Tracks'', and on the 2009 CD edition of the album ''[[The Soft Machine (Soft Machine album)|The Soft Machine]]''. A cover of "Love Makes Sweet Music" was recorded by [[The Valentines (rock band)|The Valentines]], an early band of [[AC/DC]] frontman [[Bon Scott]], as a B-side for their cover of "[[Peculiar Hole in the Sky]]". |
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The original copy of the single commands very high prices when it turns up for auction. |
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==Track listing== |
==Track listing== |
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#"Love Makes Sweet Music" (Kevin Ayers) |
#"Love Makes Sweet Music" (Kevin Ayers) |
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#"Feelin’ Reelin' Squeelin’" ( |
#"Feelin’ Reelin' Squeelin’" (Robert Wyatt) |
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== Personnel == |
== Personnel == |
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*[[Kevin Ayers]] - |
*[[Kevin Ayers]] - guitar ("Love Makes Sweet Music"), bass ("Feelin..."), vocals |
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*[[Daevid Allen]] - |
*[[Daevid Allen]] - bass ("Love Makes Sweet Music"), guitar ("Feelin...") |
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*[[Robert Wyatt]] – |
*[[Robert Wyatt]] – drums, vocals |
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*[[Mike Ratledge]] - |
*[[Mike Ratledge]] - keyboards |
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==References== |
==References== |
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{{Reflist}} |
{{Reflist}} |
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==External links== |
==External links== |
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*http://www.headheritage.co.uk/unsung/review/1790 Review |
*http://www.headheritage.co.uk/unsung/review/1790 Review |
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{{Soft Machine}} |
{{Soft Machine}} |
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{{authority control}} |
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[[Category:Kevin Ayers songs]] |
[[Category:Kevin Ayers songs]] |
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[[Category:1967 singles]] |
[[Category:1967 debut singles]] |
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[[Category:Songs written by Kevin Ayers]] |
[[Category:Songs written by Kevin Ayers]] |
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[[Category: |
[[Category:Song recordings produced by Chas Chandler]] |
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[[Category:1967 songs]] |
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[[it:Love Makes Sweet Music]] |
Revision as of 17:46, 20 January 2024
"Love Makes Sweet Music" | ||||
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Single by Soft Machine | ||||
B-side | "Feelin' Reelin' Squeelin'" | |||
Released | February 17, 1967 | |||
Recorded | January 1967, Advision Studios | |||
Label | Polydor 56 151 (UK) | |||
Songwriter(s) | Kevin Ayers | |||
Producer(s) | Chas Chandler (A-side) Kim Fowley (B-side) | |||
Soft Machine singles chronology | ||||
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"Love Makes Sweet Music" was the first single released by the psychedelic rock group Soft Machine. It is one of the first British psychedelic releases, predating Pink Floyd's "Arnold Layne" by a month.[1] The A-side is more pop-oriented, featuring Robert Wyatt on lead vocals. The other side, "Feelin’ Reelin Squeelin" is a disturbing tour de force with Kevin Ayers handling the lead vocal for the verses, while Wyatt sings the chorus; there is an elliptical series of strange noises and flute in the solo.
The single was a commercial flop.[2]
The tracks from the single have been reissued on the Soft Machine compilations Triple Echo and Out-Bloody-Rageous - An Anthology 1967 -1973 (Sony), on the 1972 Polydor compilation LP Rare Tracks, and on the 2009 CD edition of the album The Soft Machine. A cover of "Love Makes Sweet Music" was recorded by The Valentines, an early band of AC/DC frontman Bon Scott, as a B-side for their cover of "Peculiar Hole in the Sky".
Track listing
- "Love Makes Sweet Music" (Kevin Ayers)
- "Feelin’ Reelin' Squeelin’" (Robert Wyatt)
Personnel
- Kevin Ayers - guitar ("Love Makes Sweet Music"), bass ("Feelin..."), vocals
- Daevid Allen - bass ("Love Makes Sweet Music"), guitar ("Feelin...")
- Robert Wyatt – drums, vocals
- Mike Ratledge - keyboards
References
- ^ The Sunday Times, Sept 2, 2007
- ^ Stump, Paul (1997). The Music's All that Matters: A History of Progressive Rock. Quartet Books Limited. pp. 27–28. ISBN 0-7043-8036-6.