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{{Short description|Mexican director and editor}}
{{Infobox person
{{Infobox person
| name = David Pablos Sánchez
| name = David Pablos Sánchez
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==Film career==
==Film career==
{{quote box|width=30%|quote=The type of films I like are the ones on which the filmmakers have their own voice and take risks, using the camera as an expansive tool, I think the camera should take the intent of the scene and I like to put a camera where it can tell you more about what happens and is not limited to display it. I am very attached to the composition, with the [[Film frame|frames]], I'm very obsessive on that part, because to me everything has to do with emotion, because it is what dictates the planes and everything.|source=David Pablos, ''Encuadres''.<ref name=PablosEncuadres/>}} Pablos earned his academic degree from the CCC with the short film ''La Canción de los Niños Muertos'' in 2008.<ref name="Elegidas-FICM"/> The film about five teenagers who lose their mother, starring [[Sebastián Aguirre (actor)|Sebastián Aguirre]] and Rodrigo Azuela, won for Best Fiction Short Film at the [[Morelia International Film Festival]] and was screened during the [[International Critics' Week]] of the [[2009 Cannes Film Festival]].<ref name=LaCancion>{{cite news|url=http://moreliafilmfest.com/peliculas/la-cancion-de-los-ninos-muertos/|title=La Canción de los Niños Muertos|year=2008|accessdate=May 11, 2016|work=Morelia International Film Festival|publisher=FICM|language=Spanish}}</ref><ref name=LaCancionCannes>{{cite news|url=http://archivo.eluniversal.com.mx/notas/598999.html|title=Cortos mexicanos se proyectan en Cannes|date=May 19, 2009|accessdate=May 11, 2016|work=El Universal|publisher=Compañía Periodística Nacional|language=Spanish}}</ref> For this work, Pablos earned the [[Ariel Award]] for Best Live Action Short and also the [[SIGNIS]] Award during the 4th International Short Film Festival (FICMEX), being the SIGNIS jury's verdict that "the film narrative takes us into the complexity of disparate feelings as violence and tenderness, anger and forgiveness, rebellion and reconciliation."<ref name=PablosEncuadres>{{cite news|url=http://www.encuadres.com.mx/especiales/la-entrevista/item/645-david-pablos-el-cine-sobre-los-riesgos-y-las-emociones.html|title=David Pablos: El cine sobre los riesgos y las emociones|date=October 22, 2015|accessdate=May 11, 2016|work=Revista Encuadres|language=Spanish|last=Castañeda|first=Ulises|archive-url=https://web.archive.org/web/20160604050404/http://www.encuadres.com.mx/especiales/la-entrevista/item/645-david-pablos-el-cine-sobre-los-riesgos-y-las-emociones.html|archive-date=June 4, 2016|url-status=dead}}</ref><ref name=PablosSIGNIS>{{cite news|url=http://www.signis.net/spip.php?article3459|title=Short Shorts 2009: SIGNIS de México premió a La canción de los niños muertos|date=September 11, 2009|accessdate=May 12, 2016|work=SIGNIS|publisher=Asociación Católica Mundial para la Comunicación|language=Spanish|archive-url=https://web.archive.org/web/20160604100956/http://www.signis.net/spip.php?article3459|archive-date=June 4, 2016|url-status=dead}}</ref> After directing the documentaries ''La Escritura en la Pared'' and ''Una Frontera, Todas las Fronteras'' (2010), Pablos premiered in 2013 his first feature film, ''La Vida Después'', also starring Azuela, Américo Hollander and María Renée Prudencio.<ref name="LasElegidas-SanSebastian">{{cite news|url=http://www.sansebastianfestival.com/2015/sailak_eta_filmak/horizontes_latinos/7/632902/es|title=Las Elegidas&nbsp;– Horizontes Latinos|year=2015|accessdate=May 11, 2016|work=San Sebastian Film Festival|language=Spanish}}</ref> The film, about two brothers searching for their stranged mother, received the Klic Award granted by the Mexican movie theater chain [[Cinépolis]] during the Morelia Film Festival.<ref name="LaVidaDespues-FICM">{{cite news|url=http://moreliafilmfest.com/peliculas/la-vida-despues/|title=La Vida Después|year=2013|accessdate=May 11, 2016|work=Morelia International Film Festival|publisher=FICM|language=Spanish}}</ref> ''La Vida Después'' was the only Mexican film screened during the [[70th Venice International Film Festival]] and according to Pablos is about "living in the same roof with a complete stranger, although that is your family... it has to do with the lack of communication".<ref>{{Cite news|url=https://www.theguardian.com/film/2013/jul/25/venice-film-festival-2013-line-up/|title=Venice film festival 2013: the full line-up|work=The Guardian|publisher=Guardian Media Group|accessdate=May 11, 2016|location=London|date=July 25, 2013}}</ref><ref>{{Cite news|url=http://www.jornada.unam.mx/ultimas/2015/10/25/la-vida-despues-un-filme-pausado-contado-con-silencios-david-pablos-3346.html|title=La vida después, un filme pausado, contado con silencios: David Pablos|work=La Jornada|publisher=Desarrollo de Medios|accessdate=May 11, 2016|first=Joan José|last=Olivares|date=October 25, 2015|language=Spanish|archive-url=https://web.archive.org/web/20160821002632/http://www.jornada.unam.mx/ultimas/2015/10/25/la-vida-despues-un-filme-pausado-contado-con-silencios-david-pablos-3346.html|archive-date=August 21, 2016|url-status=dead}}</ref><ref>{{Cite news|url=http://archivo.eluniversal.com.mx/espectaculos/2013/la-mostra-david-pablos-la-vida-despues--947861.html|title=La Vida Después, único filme mexicano en La Mostra|work=El Universal|publisher=Compañía Periodística Nacional|accessdate=May 12, 2016|date=September 4, 2013|language=Spanish}}</ref> About the thematic similarities between his first short film and his first feature film, Pablos stated to magazine ''Encuadres'':<blockquote>"I knew that I was interested in keep talking about family, namely, about brotherhood, but in the process I discovered what was the true essence of this film [''La Vida Después''], which is about family heritage emotionally more than physically and how your children refuse to follow the footsteps of their parents because often there is a kind of chain that is impossible to break and this generates feelings of frustration and rejection. My question was whether the chain can be broken or not, and what the consequences are and what involves the separation of the family that ["the mother"] loves." —''David Pablos''<ref name=PablosEncuadres/></blockquote>
{{quote box|width=30%|quote=The type of films I like are the ones on which the filmmakers have their own voice and take risks, using the camera as an expansive tool, I think the camera should take the intent of the scene and I like to put a camera where it can tell you more about what happens and is not limited to display it. I am very attached to the composition, with the [[Film frame|frames]], I'm very obsessive on that part, because to me everything has to do with emotion, because it is what dictates the planes and everything.|source=David Pablos, ''Encuadres''.<ref name=PablosEncuadres/>}} Pablos earned his academic degree from the CCC with the short film ''La Canción de los Niños Muertos'' in 2008.<ref name="Elegidas-FICM"/> The film about five teenagers who lose their mother, starring [[Sebastián Aguirre (actor)|Sebastián Aguirre]] and Rodrigo Azuela, won for Best Fiction Short Film at the [[Morelia International Film Festival]] and was screened during the [[Critics' Week]] of the [[2009 Cannes Film Festival]].<ref name=LaCancion>{{cite news|url=http://moreliafilmfest.com/peliculas/la-cancion-de-los-ninos-muertos/|title=La Canción de los Niños Muertos|year=2008|accessdate=May 11, 2016|work=Morelia International Film Festival|publisher=FICM|language=Spanish}}</ref><ref name=LaCancionCannes>{{cite news|url=http://archivo.eluniversal.com.mx/notas/598999.html|title=Cortos mexicanos se proyectan en Cannes|date=May 19, 2009|accessdate=May 11, 2016|work=El Universal|publisher=Compañía Periodística Nacional|language=Spanish}}</ref> For this work, Pablos earned the [[Ariel Award]] for Best Live Action Short and also the [[SIGNIS]] Award during the 4th International Short Film Festival (FICMEX), being the SIGNIS jury's verdict that "the film narrative takes us into the complexity of disparate feelings as violence and tenderness, anger and forgiveness, rebellion and reconciliation."<ref name=PablosEncuadres>{{cite news|url=http://www.encuadres.com.mx/especiales/la-entrevista/item/645-david-pablos-el-cine-sobre-los-riesgos-y-las-emociones.html|title=David Pablos: El cine sobre los riesgos y las emociones|date=October 22, 2015|accessdate=May 11, 2016|work=Revista Encuadres|language=Spanish|last=Castañeda|first=Ulises|archive-url=https://web.archive.org/web/20160604050404/http://www.encuadres.com.mx/especiales/la-entrevista/item/645-david-pablos-el-cine-sobre-los-riesgos-y-las-emociones.html|archive-date=June 4, 2016|url-status=dead}}</ref><ref name=PablosSIGNIS>{{cite news|url=http://www.signis.net/spip.php?article3459|title=Short Shorts 2009: SIGNIS de México premió a La canción de los niños muertos|date=September 11, 2009|accessdate=May 12, 2016|work=SIGNIS|publisher=Asociación Católica Mundial para la Comunicación|language=Spanish|archive-url=https://web.archive.org/web/20160604100956/http://www.signis.net/spip.php?article3459|archive-date=June 4, 2016|url-status=dead}}</ref> After directing the documentaries ''La Escritura en la Pared'' and ''Una Frontera, Todas las Fronteras'' (2010), Pablos premiered in 2013 his first feature film, ''La Vida Después'', also starring Azuela, Américo Hollander and María Renée Prudencio.<ref name="LasElegidas-SanSebastian">{{cite news|url=http://www.sansebastianfestival.com/2015/sailak_eta_filmak/horizontes_latinos/7/632902/es|title=Las Elegidas&nbsp;– Horizontes Latinos|year=2015|accessdate=May 11, 2016|work=San Sebastian Film Festival|language=Spanish}}</ref> The film, about two brothers searching for their stranged mother, received the Klic Award granted by the Mexican movie theater chain [[Cinépolis]] during the Morelia Film Festival.<ref name="LaVidaDespues-FICM">{{cite news|url=http://moreliafilmfest.com/peliculas/la-vida-despues/|title=La Vida Después|year=2013|accessdate=May 11, 2016|work=Morelia International Film Festival|publisher=FICM|language=Spanish}}</ref> ''La Vida Después'' was the only Mexican film screened during the [[70th Venice International Film Festival]] and according to Pablos is about "living in the same roof with a complete stranger, although that is your family... it has to do with the lack of communication".<ref>{{Cite news|url=https://www.theguardian.com/film/2013/jul/25/venice-film-festival-2013-line-up/|title=Venice film festival 2013: the full line-up|work=The Guardian|accessdate=May 11, 2016|location=London|date=July 25, 2013}}</ref><ref>{{Cite news|url=http://www.jornada.unam.mx/ultimas/2015/10/25/la-vida-despues-un-filme-pausado-contado-con-silencios-david-pablos-3346.html|title=La vida después, un filme pausado, contado con silencios: David Pablos|work=La Jornada|publisher=Desarrollo de Medios|accessdate=May 11, 2016|first=Joan José|last=Olivares|date=October 25, 2015|language=Spanish|archive-url=https://web.archive.org/web/20160821002632/http://www.jornada.unam.mx/ultimas/2015/10/25/la-vida-despues-un-filme-pausado-contado-con-silencios-david-pablos-3346.html|archive-date=August 21, 2016|url-status=dead}}</ref><ref>{{Cite news|url=http://archivo.eluniversal.com.mx/espectaculos/2013/la-mostra-david-pablos-la-vida-despues--947861.html|title=La Vida Después, único filme mexicano en La Mostra|work=El Universal|publisher=Compañía Periodística Nacional|accessdate=May 12, 2016|date=September 4, 2013|language=Spanish}}</ref> About the thematic similarities between his first short film and his first feature film, Pablos stated to magazine ''Encuadres'':<blockquote>"I knew that I was interested in keep talking about family, namely, about brotherhood, but in the process I discovered what was the true essence of this film [''La Vida Después''], which is about family heritage emotionally more than physically and how your children refuse to follow the footsteps of their parents because often there is a kind of chain that is impossible to break and this generates feelings of frustration and rejection. My question was whether the chain can be broken or not, and what the consequences are and what involves the separation of the family that ["the mother"] loves." —''David Pablos''<ref name=PablosEncuadres/></blockquote>


Pablos directed ''20 y Más por el Arte'', a TV series created to celebrate [[XEIMT-TDT|Canal 22]]'s 20th Anniversary in 2013. The series followed 20 FONCA beneficiaries through their daily life and creative processes.<ref>{{Cite news|url=http://www.cultura.gob.mx/noticias/television/28714-inicia-transmisiones-20-y-mas-por-el-arte-en-canal-22.html|title=Inicia transmisiones 20 y más por el arte en Canal 22|publisher=Secretaría de Cultura|accessdate=May 11, 2016|date=August 21, 2013|language=Spanish}}</ref> In 2014, the film ''Las Tinieblas'', co-written by Pablos and director Daniel Castro Zimbrón, was shown included on the [[Cinéfondation]] official selection during the [[2014 Cannes Film Festival]].<ref name=BecaFonca/><ref>{{Cite news|url=http://latempestad.mx/cannes-2014-las-tinieblas-daniel-castro-zimbron-seleccion-oficial-cinefondation-entrevista-jurado-abbas-kiarostami-director-mexicano|title=Las Tinieblas en Cannes|work=La Tempestad|publisher=Periscopio Media|accessdate=May 11, 2016|language=Spanish|date=March 13, 2014}}{{dead link|date=December 2017 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> Later that year, after an exhaustive casting process, Pablos filmed ''[[The Chosen Ones (2015 film)|Las Elegidas]]'' in Tijuana with non-professional actors.<ref name="Elegidas-Financiero">{{cite news|url=http://www.elfinanciero.com.mx/after-office/david-pablos-un-cineasta-contra-la-indolencia.html|title=David Pablos: un cineasta contra la indolencia|date=April 27, 2016|accessdate=May 11, 2016|work=El Financiero|publisher=Grupo Multimedia Lauman|language=Spanish|first=Rosario|last=Reyes}}</ref> The film was originally based on a book written by Mexican novelist [[Jorge Volpi]] from which Pablos developed a screenplay that features a love story that evolves in a complaint about kidnapping, white slave traffic and prostitution, with a "documentary tone".<ref name="Elegidas-Financiero"/> ''Las Elegidas'' competed at the [[Un Certain Regard]] section of the [[2015 Cannes Film Festival]] and later premiered at the Morelia International Film Festival.<ref name="Elegidas-Economista">{{cite news|url=http://eleconomista.com.mx/entretenimiento/2015/05/18/las-elegidas-impacta-cannes|title=Las elegidas impacta en Cannes|date=May 18, 2015|accessdate=May 11, 2016|work=El Economista|publisher=Periódico El Economista|language=Spanish}}</ref><ref name="Elegidas-FICM">{{cite news|url=http://moreliafilmfest.com/las-elegidas-de-david-pablos-se-estrenara-en-mexico-en-el-ficm/|title=Las Elegidas de David Pablos se estrenará en México en el FICM|date=January 10, 2015|accessdate=May 11, 2016|work=Morelia International Film Festival|publisher=FICM|language=Spanish}}</ref> ''[[Sight & Sound]]'' magazine ranked the film at number 118 of their list for the Best Films of 2015.<ref name="Elegidas-Sight">{{cite news|url=http://moreliafilmfest.com/las-20-mejores-peliculas-de-2015-segun-sight-sound/|title=Las 20 mejores películas de 2015 según Sight & Sound|date=November 30, 2015|accessdate=May 11, 2016|work=Morelia International Film Festival|publisher=FICM|language=Spanish}}</ref> In 2016, ''Las Elegidas'' received 13 nominations for the [[58th Ariel Awards]] and won five awards, including [[Ariel Award for Best Picture|Best Picture]], and [[Ariel Award for Best Direction|Best Director]] and Best Original Screenplay for Pablos.<ref name="Ariel-Nominees-2016">{{cite news|url=http://www.cinepremiere.com.mx/58431-nominados-al-ariel-2016.html|title=Nominados al Ariel 2016|date=April 13, 2016|accessdate=April 13, 2016|work=Cine Premiere|last=Magaña|first=Arturo|language=Spanish}}</ref> The film opened theatrically in Mexico on 14 theaters, which according to Pablos was "poor", and a week later was [[Streaming media|streamed]] internationally by [[Netflix]].<ref name="Pablos-Netflix">{{Cite news|url=http://www.eluniversal.com.mx/articulo/espectaculos/cine/2016/06/30/david-pablos-del-cine-los-videos-musicales|title=David Pablos, del cine a los videos musicales|work=El Universal|publisher=Compañía Periodística Nacional|accessdate=August 17, 2016|date=June 30, 2016|language=Spanish|first=Ariel|last=León}}</ref> Thanks to this distribution deal, Pablos was contacted by British band [[White Lies (band)|White Lies]] to hire him to direct a music video for the track "Take It Out On Me", the lead single of their album ''[[Friends (White Lies album)|Friends]]'' (2016), after Harry McVeigh, lead singer of the band, watched ''Las Elegidas''.<ref name="Pablos-Netflix"/> Pablos is currently (as of 2016) working on the film adaptation of the novel ''[[The Savage Detectives|Los Detectives Salvajes]]'' written by Chilean author [[Roberto Bolaño]].<ref name="Elegidas-Financiero"/>
Pablos directed ''20 y Más por el Arte'', a TV series created to celebrate [[XEIMT-TDT|Canal 22]]'s 20th Anniversary in 2013. The series followed 20 FONCA beneficiaries through their daily life and creative processes.<ref>{{Cite news|url=http://www.cultura.gob.mx/noticias/television/28714-inicia-transmisiones-20-y-mas-por-el-arte-en-canal-22.html|title=Inicia transmisiones 20 y más por el arte en Canal 22|publisher=Secretaría de Cultura|accessdate=May 11, 2016|date=August 21, 2013|language=Spanish}}</ref> In 2014, the film ''Las Tinieblas'', co-written by Pablos and director Daniel Castro Zimbrón, was shown included on the [[Cinéfondation]] official selection during the [[2014 Cannes Film Festival]].<ref name=BecaFonca/><ref>{{Cite news|url=http://latempestad.mx/cannes-2014-las-tinieblas-daniel-castro-zimbron-seleccion-oficial-cinefondation-entrevista-jurado-abbas-kiarostami-director-mexicano|title=Las Tinieblas en Cannes|work=La Tempestad|publisher=Periscopio Media|accessdate=May 11, 2016|language=Spanish|date=March 13, 2014}}{{dead link|date=December 2017 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> Later that year, after an exhaustive casting process, Pablos filmed ''[[The Chosen Ones (2015 film)|Las Elegidas]]'' in Tijuana with non-professional actors.<ref name="Elegidas-Financiero">{{cite news|url=http://www.elfinanciero.com.mx/after-office/david-pablos-un-cineasta-contra-la-indolencia.html|title=David Pablos: un cineasta contra la indolencia|date=April 27, 2016|accessdate=May 11, 2016|work=El Financiero|publisher=Grupo Multimedia Lauman|language=Spanish|first=Rosario|last=Reyes}}</ref> The film was originally based on a book written by Mexican novelist [[Jorge Volpi]] from which Pablos developed a screenplay that features a love story that evolves in a complaint about kidnapping, white slave traffic and prostitution, with a "documentary tone".<ref name="Elegidas-Financiero"/> ''Las Elegidas'' competed at the [[Un Certain Regard]] section of the [[2015 Cannes Film Festival]] and later premiered at the Morelia International Film Festival.<ref name="Elegidas-Economista">{{cite news|url=http://eleconomista.com.mx/entretenimiento/2015/05/18/las-elegidas-impacta-cannes|title=Las elegidas impacta en Cannes|date=May 18, 2015|accessdate=May 11, 2016|work=El Economista|publisher=Periódico El Economista|language=Spanish}}</ref><ref name="Elegidas-FICM">{{cite news|url=http://moreliafilmfest.com/las-elegidas-de-david-pablos-se-estrenara-en-mexico-en-el-ficm/|title=Las Elegidas de David Pablos se estrenará en México en el FICM|date=January 10, 2015|accessdate=May 11, 2016|work=Morelia International Film Festival|publisher=FICM|language=Spanish}}</ref> ''[[Sight & Sound]]'' magazine ranked the film at number 118 of their list for the Best Films of 2015.<ref name="Elegidas-Sight">{{cite news|url=http://moreliafilmfest.com/las-20-mejores-peliculas-de-2015-segun-sight-sound/|title=Las 20 mejores películas de 2015 según Sight & Sound|date=November 30, 2015|accessdate=May 11, 2016|work=Morelia International Film Festival|publisher=FICM|language=Spanish}}</ref> In 2016, ''Las Elegidas'' received 13 nominations for the [[58th Ariel Awards]] and won five awards, including [[Ariel Award for Best Picture|Best Picture]], and [[Ariel Award for Best Direction|Best Director]] and Best Original Screenplay for Pablos.<ref name="Ariel-Nominees-2016">{{cite news|url=http://www.cinepremiere.com.mx/58431-nominados-al-ariel-2016.html|title=Nominados al Ariel 2016|date=April 13, 2016|accessdate=April 13, 2016|work=Cine Premiere|last=Magaña|first=Arturo|language=Spanish}}</ref> The film opened theatrically in Mexico on 14 theaters, which according to Pablos was "poor", and a week later was [[Streaming media|streamed]] internationally by [[Netflix]].<ref name="Pablos-Netflix">{{Cite news|url=http://www.eluniversal.com.mx/articulo/espectaculos/cine/2016/06/30/david-pablos-del-cine-los-videos-musicales|title=David Pablos, del cine a los videos musicales|work=El Universal|publisher=Compañía Periodística Nacional|accessdate=August 17, 2016|date=June 30, 2016|language=Spanish|first=Ariel|last=León}}</ref> Thanks to this distribution deal, Pablos was contacted by British band [[White Lies (band)|White Lies]] to hire him to direct a music video for the track "Take It Out On Me", the lead single of their album ''[[Friends (White Lies album)|Friends]]'' (2016), after Harry McVeigh, lead singer of the band, watched ''Las Elegidas''.<ref name="Pablos-Netflix"/> In 2016, Pablos worked on the film adaptation of the novel ''[[The Savage Detectives|Los Detectives Salvajes]]'' written by Chilean author [[Roberto Bolaño]].<ref name="Elegidas-Financiero"/>


==Filmography==
==Filmography==
===Feature films===
===Feature films===
* ''[[La Vida Después]]'' (2013)
* ''[[La vida después]]'' (2013)
* ''[[The Chosen Ones (2015 film)|Las Elegidas]]'' (2015)
* ''[[The Chosen Ones (2015 film)|Las elegidas]]'' (2015)
* ''[[El Baile de los 41]]'' (2020)
* ''[[Dance of the 41 (film)|Dance of the 41]] (El baile de los 41)'' (2020)


===Documentaries===
===Documentaries===

Latest revision as of 18:49, 19 December 2023

David Pablos Sánchez
Pablos at the Paseo de la Fama induction in Tijuana, Mexico (2016)
Born (1983-07-28) July 28, 1983 (age 41)
Other namesDavid de Don Pablos
Alma materCentro de Capacitación Cinematográfica
Occupation(s)Director, editor, screenwriter
Years active2007–present

David Pablos (born July 28, 1983) is a Mexican director, editor and screenwriter. An active filmmaker since 2007, Pablos has been involved in six feature films, including shorts and documentaries. Pablos attained recognition for directing La Vida Después (2013) and Las Elegidas (2015).

Pablos has worked with non-professional actors on his narrative films, for which he has received awards at several international film festivals, including the Morelia International Film Festival and Cannes Film Festival. Pablos received an Ariel Award for Best Short Fiction Film in 2010 for La Canción de los Niños Muertos and in 2016, won for Best Director and Best Original Screenplay at the 58th Ariel Awards in Mexico for his work in the film Las Elegidas.

Early life and background

[edit]

Pablos was born in Tijuana, Baja California, Mexico and studied filmmaking at the Centro de Capacitación Cinematográfica (CCC) in Mexico City. Pablos also received a scholarship granted by the National Fund for Culture and Arts (FONCA) to specialize in screenwriting.[1]

Film career

[edit]

The type of films I like are the ones on which the filmmakers have their own voice and take risks, using the camera as an expansive tool, I think the camera should take the intent of the scene and I like to put a camera where it can tell you more about what happens and is not limited to display it. I am very attached to the composition, with the frames, I'm very obsessive on that part, because to me everything has to do with emotion, because it is what dictates the planes and everything.

David Pablos, Encuadres.[2]

Pablos earned his academic degree from the CCC with the short film La Canción de los Niños Muertos in 2008.[3] The film about five teenagers who lose their mother, starring Sebastián Aguirre and Rodrigo Azuela, won for Best Fiction Short Film at the Morelia International Film Festival and was screened during the Critics' Week of the 2009 Cannes Film Festival.[4][5] For this work, Pablos earned the Ariel Award for Best Live Action Short and also the SIGNIS Award during the 4th International Short Film Festival (FICMEX), being the SIGNIS jury's verdict that "the film narrative takes us into the complexity of disparate feelings as violence and tenderness, anger and forgiveness, rebellion and reconciliation."[2][6] After directing the documentaries La Escritura en la Pared and Una Frontera, Todas las Fronteras (2010), Pablos premiered in 2013 his first feature film, La Vida Después, also starring Azuela, Américo Hollander and María Renée Prudencio.[7] The film, about two brothers searching for their stranged mother, received the Klic Award granted by the Mexican movie theater chain Cinépolis during the Morelia Film Festival.[8] La Vida Después was the only Mexican film screened during the 70th Venice International Film Festival and according to Pablos is about "living in the same roof with a complete stranger, although that is your family... it has to do with the lack of communication".[9][10][11] About the thematic similarities between his first short film and his first feature film, Pablos stated to magazine Encuadres:

"I knew that I was interested in keep talking about family, namely, about brotherhood, but in the process I discovered what was the true essence of this film [La Vida Después], which is about family heritage emotionally more than physically and how your children refuse to follow the footsteps of their parents because often there is a kind of chain that is impossible to break and this generates feelings of frustration and rejection. My question was whether the chain can be broken or not, and what the consequences are and what involves the separation of the family that ["the mother"] loves." —David Pablos[2]

Pablos directed 20 y Más por el Arte, a TV series created to celebrate Canal 22's 20th Anniversary in 2013. The series followed 20 FONCA beneficiaries through their daily life and creative processes.[12] In 2014, the film Las Tinieblas, co-written by Pablos and director Daniel Castro Zimbrón, was shown included on the Cinéfondation official selection during the 2014 Cannes Film Festival.[1][13] Later that year, after an exhaustive casting process, Pablos filmed Las Elegidas in Tijuana with non-professional actors.[14] The film was originally based on a book written by Mexican novelist Jorge Volpi from which Pablos developed a screenplay that features a love story that evolves in a complaint about kidnapping, white slave traffic and prostitution, with a "documentary tone".[14] Las Elegidas competed at the Un Certain Regard section of the 2015 Cannes Film Festival and later premiered at the Morelia International Film Festival.[15][3] Sight & Sound magazine ranked the film at number 118 of their list for the Best Films of 2015.[16] In 2016, Las Elegidas received 13 nominations for the 58th Ariel Awards and won five awards, including Best Picture, and Best Director and Best Original Screenplay for Pablos.[17] The film opened theatrically in Mexico on 14 theaters, which according to Pablos was "poor", and a week later was streamed internationally by Netflix.[18] Thanks to this distribution deal, Pablos was contacted by British band White Lies to hire him to direct a music video for the track "Take It Out On Me", the lead single of their album Friends (2016), after Harry McVeigh, lead singer of the band, watched Las Elegidas.[18] In 2016, Pablos worked on the film adaptation of the novel Los Detectives Salvajes written by Chilean author Roberto Bolaño.[14]

Filmography

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Feature films

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Documentaries

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  • La Escritura en la Pared (2010)
  • Una Frontera, Todas las Fronteras (2010)

Short films

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  • El Mundo al Atardecer (2007)
  • La Canción de los Niños Muertos (2008)

References

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  1. ^ a b "Nominan en Cannes cinta de David Pablos, becario del Fonca en el programa Jóvenes Creadores" (in Spanish). Secretaría de Cultura. April 24, 2015. Retrieved May 11, 2016.
  2. ^ a b c Castañeda, Ulises (October 22, 2015). "David Pablos: El cine sobre los riesgos y las emociones". Revista Encuadres (in Spanish). Archived from the original on June 4, 2016. Retrieved May 11, 2016.
  3. ^ a b "Las Elegidas de David Pablos se estrenará en México en el FICM". Morelia International Film Festival (in Spanish). FICM. January 10, 2015. Retrieved May 11, 2016.
  4. ^ "La Canción de los Niños Muertos". Morelia International Film Festival (in Spanish). FICM. 2008. Retrieved May 11, 2016.
  5. ^ "Cortos mexicanos se proyectan en Cannes". El Universal (in Spanish). Compañía Periodística Nacional. May 19, 2009. Retrieved May 11, 2016.
  6. ^ "Short Shorts 2009: SIGNIS de México premió a La canción de los niños muertos". SIGNIS (in Spanish). Asociación Católica Mundial para la Comunicación. September 11, 2009. Archived from the original on June 4, 2016. Retrieved May 12, 2016.
  7. ^ "Las Elegidas – Horizontes Latinos". San Sebastian Film Festival (in Spanish). 2015. Retrieved May 11, 2016.
  8. ^ "La Vida Después". Morelia International Film Festival (in Spanish). FICM. 2013. Retrieved May 11, 2016.
  9. ^ "Venice film festival 2013: the full line-up". The Guardian. London. July 25, 2013. Retrieved May 11, 2016.
  10. ^ Olivares, Joan José (October 25, 2015). "La vida después, un filme pausado, contado con silencios: David Pablos". La Jornada (in Spanish). Desarrollo de Medios. Archived from the original on August 21, 2016. Retrieved May 11, 2016.
  11. ^ "La Vida Después, único filme mexicano en La Mostra". El Universal (in Spanish). Compañía Periodística Nacional. September 4, 2013. Retrieved May 12, 2016.
  12. ^ "Inicia transmisiones 20 y más por el arte en Canal 22" (in Spanish). Secretaría de Cultura. August 21, 2013. Retrieved May 11, 2016.
  13. ^ "Las Tinieblas en Cannes". La Tempestad (in Spanish). Periscopio Media. March 13, 2014. Retrieved May 11, 2016.[permanent dead link]
  14. ^ a b c Reyes, Rosario (April 27, 2016). "David Pablos: un cineasta contra la indolencia". El Financiero (in Spanish). Grupo Multimedia Lauman. Retrieved May 11, 2016.
  15. ^ "Las elegidas impacta en Cannes". El Economista (in Spanish). Periódico El Economista. May 18, 2015. Retrieved May 11, 2016.
  16. ^ "Las 20 mejores películas de 2015 según Sight & Sound". Morelia International Film Festival (in Spanish). FICM. November 30, 2015. Retrieved May 11, 2016.
  17. ^ Magaña, Arturo (April 13, 2016). "Nominados al Ariel 2016". Cine Premiere (in Spanish). Retrieved April 13, 2016.
  18. ^ a b León, Ariel (June 30, 2016). "David Pablos, del cine a los videos musicales". El Universal (in Spanish). Compañía Periodística Nacional. Retrieved August 17, 2016.
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