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Bernard van Orley often signed his paintings, especially in his early period before 1521, with the coat of arms of the Seigneurs d'Orley: [[argent]] two pallets [[gules]]. It had been contended that these are the signature of his father Valentin <ref>{{cite journal|author= S. Hartveld | title = Valentin van Orley| journal = The Burlington Magazine for Connoisseurs |volume = 69| issue = 405|date=December 1936| pages = 263–265+268–269}}</ref>
When [[Albrecht Dürer]] visited the Netherlands in 1520 to be present at the coronation of the new emperor, Charles V, he called Bernard van Orley "the Raphael of the Netherlands". Dürer, who stayed as a guest in van Orley's house between 27 August and 2 September 1520,<ref>[http://www.studiesinwesterntapestry.net/bib_earticles_delmarcel_passion.htm Studies in Western Tapestry]</ref> also painted a portrait which some scholars identify as van Orley.<ref>{{cite book|editor=Costantino Porcu |title=Dürer|publisher= Rizzoli|location=Milan|year=2004}}</ref>
Some important pupils of van Orley were [[Michael Coxcie]], [[Pieter Coecke van Aelst]] and [[Pieter de Kempeneer]], who continued in the style of [[Romanism]]. Other pupils, such as [[Lancelot Blondeel]] and [[Jan Vermeyen]] continued in the painter-designer tradition of their master.
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