Walter Pater: Difference between revisions

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== Influence ==
Toward the end of his life Pater's writings were exercising a considerable influence. The principles of what would be known as the [[Aestheticism|Aesthetic Movement]] were partly traceable to him, and his effect was particularly felt on one of the movement's leading proponents, [[Oscar Wilde]], who paid tribute to him in ''The Critic as Artist'' (1891). Among art critics influenced by Pater were [[Bernard Berenson]], [[Roger Fry]], [[Kenneth Clark]] and [[Richard Wollheim]]: among early literary Modernists, [[Marcel Proust]], [[James Joyce]], [[W. B. Yeats]], [[Paul Valéry]], [[Ezra Pound]], [[T. S. Eliot]] and [[Wallace Stevens]];<ref name="autogenerated1974"/> and Pater's influence can be traced in the subjective, stream-of-consciousness novels of the early 20th century. In literary criticism, Pater's emphasis on subjectivity and on the autonomy of the reader helped prepare the way for the revolutionary approaches to literary studies of the modern era. The Paterian sensibility is also apparent in the political philosophy of [[Michael Oakeshott]]. Among ordinary readers, idealists have found, and always will find inspiration in his desire "to burn always with this hard, gemlike flame", in his pursuit of the "highest quality" in "moments as they pass"."
[[File:Diadumenos pushkin.jpg|thumb|right|Copy of [[Polykleitos]]' '[[Diadumenos]]', discussed by Pater in 'The Age of Athletic Prizemen' (1894)]]