Rod Scribner: Difference between revisions

Content deleted Content added
Changed "virus" to just "disease" to reflect the fact that tuberculosis is a bacterium.
Line 37:
Rod Scribner started as an assistant animator for [[Friz Freleng]] in 1935, then as a animator for [[Ben Hardaway]] and [[Cal Dalton]] (and, briefly, [[Chuck Jones]]). Following the dissolution of Hardaway and Dalton's unit in 1939, he joined [[Tex Avery]]'s unit and worked with [[Robert McKimson]], [[Charles McKimson]], [[Virgil Ross]], and [[Sid Sutherland]].<ref name="Moon">[https://cartoonresearch.com/index.php/irv-spence-and-rod-scribner-one-shot-moonlighters/ Irv Spence and Rod Scribner, One-Shot Moonlighters]</ref><ref name=Barrier /><ref>{{Cite web|last=Hartley|first=Steven|date=November 2, 2013|title=Likely Looney, Mostly Merrie: 309. Of Fox and Hounds (1940)|url=http://likelylooneymostlymerrie.blogspot.com/2013/11/309-of-fox-and-hounds-1940.html|access-date=September 18, 2020|website=Likely Looney, Mostly Merrie}}</ref>
[[File:Tokyo Woes 190611 LTGC.webm|thumb|210px|left|Tokyo Woes, a World War II era cartoon released in 1945 for the US Navy. Directed by Clampett, it is animated by Scribner, along with [[Manny Gould]] and Robert McKimson, with the loose Lichty style that Scribner proposed. It also features some [[Stereotypes of East Asians in the United States|stereotypes of Japanese people]], which was common during the war.]]
In late 1941, after Tex Avery left to direct ''Speaking of Animals'' series for [[Jerry Fairbanks|Jerry Fairbank]] Productions, he was replaced as the unit director by [[Bob Clampett]]. Scribner's animation matched Clampett's expansive and energetic cartoons. This was caused by Scribner animating in ink with a pen or a brush, and since Scribner's animation, in Bill Melendez's words, was "very bold and kind of dirty", it would cause crises in the Ink and Paint Department, and the women had to choose which lines to trace. Clampett classics such as ''[[A Tale of Two Kitties]]'' (1942), ''[[Coal Black and de Sebben Dwarfs]]'' (1943), and ''[[The Great Piggy Bank Robbery]]'' (1946) showcase some of his trademark "[[George Lichty|Lichty]] style" of animation, which he proposed to Clampett. Clampett left Warner Bros. in 1945 to pursue a career in [[puppetry]] and television.<ref name="Moon" /><ref name=Barrier>{{Cite book|title=Hollywood cartoons : American animation in its golden age|last=Barrier|first=Michael|publisher=Oxford University Press|year=1999|pages=436|isbn=978-0-19-503759-3|url=https://archive.org/details/hollywoodcartoon00barr}}</ref><ref>[https://cartoonresearch.com/index.php/in-his-own-words-bob-clampett-at-warners/ In His Own Words: Bob Clampett at Warners]</ref> Following Clampett's departure, Scribner was transferred to the unit of recently-promoted fellow Clampett alumnus Robert McKimson, although Scribner would only animate on a small number of shorts prior to being hospitalized in late 1945.
 
He briefly was a cartoonist on Happy Comic's Rowdy Runner and a January 1945 issue of a military magazine called "Service Ribbin".<ref name="Moon" /> There are some claims from Scribner's family that Chuck Jones stole the Road Runner from Scribner, including a claim from Scribner's son Ty, who claims that he saw a Coyote chasing a Road Runner and that Scribner "pitched" it to Jones, although this claim is very unlikely and dubious since Scribner was at McKimson's unit.<ref>[https://www.youtube.com/watch?v=SJmApVrn5NE Chuck Jones STOLE the Roadrunner From Rod Scribner? | Riding the Shield | Looney Tunes Critic]</ref>