Rio Bravo (film): Difference between revisions

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* [[Leigh Brackett]]
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| based_on = {{based on|"Rio Bravo"|B. H. McCampbell}}
| starring = {{Plainlist|
* [[John Wayne]]
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| gross = $5.75 million (US and Canada rentals)<ref>{{cite journal |journal=[[Variety (magazine)|Variety]] |title=All-Time Film Rental Champs |date=October 15, 1990 |page=M182 |first=Lawrence |last=Cohn |publisher=[[Penske Business Media, LLC.]]}}</ref>
}}
'''''Rio Bravo''''' is a 1959 American [[Western (genre)|Western]] film directed and produced by [[Howard Hawks]] and starring [[John Wayne]], [[Dean Martin]], [[Ricky Nelson]], [[Angie Dickinson]], [[Walter Brennan]], and [[Ward Bond]]. Written by [[Jules Furthman]] and [[Leigh Brackett]], based on the short story "Rio Bravo" by B. H. McCampbell, the film stars Wayne as a Texan sheriff who arrests the brother of a powerful local rancher for murder and then has to hold the man in jail until a [[U.S. Marshal]] can arrive. With the help of a lame old man, a drunk, and a young gunfighter, they hold off the rancher's gang. ''Rio Bravo'' was filmed on location at [[Old Tucson Studios]] outside [[Tucson]], Arizona, in [[Eastmancolor]], with film processing provided by [[Technicolor]].<ref>{{cite journal |url=https://archive.org/details/americancinemato40unse/page/226/mode/2up?view=theater&q=%22rio+bravo%22 |title=Photographing ''Rio Bravo'' |last=Lightman |first=Herb A. |date=1959 |journal=[[American Cinematographer]] |volume=40 |issue=4 |pages=224–225, 251 |access-date=January 10, 2024}}</ref>
 
In 2014, ''Rio Bravo'' was deemed "culturally, historically, or aesthetically significant" by the [[Library of Congress]] and selected for preservation in the [[National Film Registry]].<ref>{{cite web |url=https://www.loc.gov/item/prn-14-210/ |title=Cinematic Treasures Named to National Film Registry |date=17 December 2014 |access-date=4 August 2018 |work=[[National Film Preservation Board]] |issn=0731-3527 |publisher=[[Library of Congress]] |archive-date=11 September 2018 |archive-url=https://web.archive.org/web/20180911175030/https://www.loc.gov/item/prn-14-210/ |url-status=live }}</ref><ref>{{Cite web|title=Complete National Film Registry Listing |url=https://www.loc.gov/programs/national-film-preservation-board/film-registry/complete-national-film-registry-listing/|website=Library of Congress|access-date=2020-05-08|archive-date=2016-10-31|archive-url=https://web.archive.org/web/20161031213743/https://www.loc.gov/programs/national-film-preservation-board/film-registry/complete-national-film-registry-listing/|url-status=live}}</ref>
 
==Plot==
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Nathan himself rides into town. Stumpy, having old grudges against Nathan for taking his land, threatens to shoot Joe if any trouble starts around the jail. In response, Nathan has his saloon musicians repeatedly play "[[El Degüello]]", {{aka}} "The Cutthroat Song". Colorado realizes the song means Nathan will show no mercy, and warns Chance.
 
Chance gives Dude back his old guns, some clothes and a black hat he left behind when he became a drunkard, and Dude gets a shave, trying to start afresh. Unfortunately, Stumpy doesn't recognize Dude when he returns, and shoots at him, shattering Dude's nerves. The next day, Dude is still shaky and finds himselfis ambushed by Burdette's men, who threaten to kill him unless Chance lets Joe go. Colorado and Feathers distract the men long enough for Chance to get his rifle, and he and Colorado shoot down the men and free Dude. Dude thinks about quitting and letting Colorado take his place, but when he hears "El Degüello" being played, he resolves to see the thing through to the end.
 
Dude and Chance return to the hotel so Dude can take a bath, but Burdette's men capture Carlos' wife Consuelo and use her to lure Chance into a trap. Dude tells Chance to take the men to the jail, under pretext that Stumpy would let Joe out. However, Stumpy opens fire, as Dude secretly predicted. In the chaos, some men drag Dude off to Nathan, who demands a trade{{--}}Dude for Joe. Chance agrees, but brings Colorado as backup. Dude and Joe brawl during the trade, and a firefight ensues. Stumpy throws some sticks of dynamite from the wagons into the warehouse where Burdette and his men are holed up; Chance and Dude detonate them with their guns, abruptly ending the fight.
 
With both Burdettes and their few surviving gunmen in jail, Chance is able to finally spendspends some time with Feathers and admit his feelings for her. Colorado volunteers to guard the jail, allowing Stumpy and Dude to enjoy a night out in the town.
 
==Cast==
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Exteriors for the film were shot at [[Old Tucson Studios]], just outside [[Tucson]].<ref>''Commemoration: Howard Hawks' Rio Bravo,'' Warner Bros. DVD supplement.</ref> Filming took place in the summer of 1958, and the movie's credits gave 1958 for the copyright; the film was released in March 1959.
 
''Rio Bravo'' is generally regarded as one of Hawks' best, and is known for its long opening scene which contains no dialogue. The film received favorable reviews, and was successful, taking in over [[US$]]5.575 million, the highest grossing Western of 1959.<ref>{{CitationCite book |last=Hughes |first=Howard |url=https://books.google.com/books?id=abaKDwAAQBAJ&dq=%22Rio+Bravo%22+%22box+office%22&pg=PA120 |title=Stagecoach to Tombstone: The Filmgoers' Guide to the Great Westerns needed|date=June2007-10-24 2008|publisher=Bloomsbury Publishing |isbn=978-0-85771-701-6 |pages=120 |language=en}}</ref><ref>{{Cite book |last=Boggs |first=Johnny D. |url=https://books.google.com/books?id=wQXHEAAAQBAJ&dq=%22Rio+Bravo%22+%22box+office%22&pg=PT78 |title=The American West on Film |date=2019-11-15 |publisher=Bloomsbury Publishing USA |isbn=979-8-216-04754-4 |language=en}}</ref>
 
A brief clip from ''Rio Bravo'' was among the archive footage later incorporated into the opening sequence of Wayne's last film, ''[[The Shootist]],'' to illustrate the backstory of Wayne's character.
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==Soundtrack==
[[File:Dean Martin - Rio Bravo 1959.jpg|thumb|right|upright|{{center|Dean Martin}}]]
The musical score was composed by [[Dimitri Tiomkin]]. His score includes the hauntingly ominous "''[[El Degüello]]''" theme, which is heard several times.<ref>[http://www.tshaonline.org/handbook/online/articles/xed01 The Handbook of Texas Online] {{Webarchive|url=https://web.archive.org/web/20160310183148/https://www.tshaonline.org/handbook/online/articles/xed01 |date=2016-03-10 }}, Texas State Historical Association (retrieved on November 22, 2006).</ref> The Colorado character identifies the tune as "The Cutthroat Song". He relates that the song was played on the orders of General [[Antonio López de Santa Anna]] to the Texans holed up in [[Battle of the Alamo|the Alamo]], to signify that no quarter would be given to them. The tune was used in Wayne's film ''[[The Alamo (1960 film)|The Alamo]]'' (1960). Composer [[Ennio Morricone]] recalled that director [[Sergio Leone]] asked him to write "Dimitri Tiomkin music" for ''[[A Fistful of Dollars]]''. The trumpet theme is similar to Tiomkin's "''Degüello''" (the Italian title of ''Rio Bravo'' was ''Un dollaro d'onore'', ''A Dollar of Honor'').<ref>{{citationCite book |last=Kalinak |first=Kathryn |url=https://books.google.com/books?id=45GpAgAAQBAJ&dq=%22Rio+Bravo%22+%22score%22&pg=PT163 |title=Music in the Western: Notes From the Frontier needed|date=March2012-05-22 2021|publisher=Routledge |isbn=978-1-136-62056-0 |pages=163 |language=en}}</ref>
 
Because the film starred a [[crooner]], Martin, and a [[teen idol]], Nelson, Hawks included three songs in the [[soundtrack]]. Before the big [[shootout|showdown]], in the [[jail|jail house]], Martin sings "My Rifle, My Pony, and Me" (which contains new lyrics by Webster to a Tiomkin tune that appeared in ''[[Red River (1948 film)|Red River]]''), accompanied by Nelson, after which Nelson sings a brief version of "[[Cindy (folk song)|Get Along Home, Cindy]]", accompanied by Martin and Brennan. Over the closing credits, Martin, backed by the [[Nelson Riddle]] Orchestra, sings a specially composed song, "Rio Bravo", written by Tiomkin with lyrics by [[Paul Francis Webster]]. Nelson later paid homage to both the film and his character, Colorado, by including the song "Restless Kid" on his 1959 [[LP (format)|LP]], ''Ricky Sings Again''.
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==''High Noon'' debate==
[[File:John Wayne and Dean Martin and Ricky Nelson in 'Rio Bravo', 1959.jpg|thumb|right|{{center|Theatrical poster, 1959}}]]
The film was made as a response to ''[[High Noon]]'',<ref name="michael munn">{{cite book|last1=Munn|first1=Michael|title=John Wayne: The Man Behind the Myth|date=2005|publisher=Penguin|location=New York|isbn=0451214145|page=190|url=https://books.google.com/books?id=qqatDJRg1NYC&q=john+wayne+high+noon+rio+bravo&pg=PA190|access-date=1 February 2015|archive-date=23 April 2021|archive-url=https://web.archive.org/web/20210423231622/https://books.google.com/books?id=qqatDJRg1NYC&q=john+wayne+high+noon+rio+bravo&pg=PA190|url-status=live}}</ref> which is sometimes thought to be an [[allegory]] for [[Hollywood blacklist|blacklisting in Hollywood]], as well as a critique of [[McCarthyism]].<ref>[http://tags.library.upenn.edu/rollmang/blacklist Blacklist] {{webarchive|url=https://web.archive.org/web/20090207032051/http://tags.library.upenn.edu/rollmang/blacklist |date=2009-02-07}}</ref> Wayne would later callcalled ''High Noon'' "un-American" and saysaid he did not regret helping run the writer, [[Carl Foreman]], out of the country.<ref name=manfred/> Director Howard Hawks went on the record to criticize ''High Noon'' by saying, "I didn't think a good sheriff was going to go running around town like a chicken with his head cut off asking for help, and finally his Quaker wife had to save him."<ref name="jeff stafford" /> According to film historian [[Emanuel Levy]], Wayne and Hawks teamed up deliberately to rebut ''High Noon'' by telling a somewhat similar story their own way: portraying a hero who does not show fear or inner conflict and who never repudiates his commitment to public duty, while only allying himself with capable people, despite offers of help from many other characters. Chance also cites concerns for the safety of those that offer to help and his fears are confirmed when the first such offer results in the character being quickly killed.<ref>{{cite web|last1=Levy|first1=Emanuel|title=High Noon: Why John Wayne Hated the Film|url=http://emanuellevy.com/comment/high-noon-why-john-wayne-hated-the-film-9/|website=Cinema 24/7|date=June 12, 2007 |access-date=1 February 2015|archive-date=26 April 2015|archive-url=https://web.archive.org/web/20150426161913/http://emanuellevy.com/comment/high-noon-why-john-wayne-hated-the-film-9/|url-status=live}}</ref> In ''Rio Bravo'', Chance is surrounded by allies—a deputy who is brave and good with a gun, despite recovering from alcoholism (Dude), a young untried but self-assured gunfighter (Colorado), a limping, crippled old man who is doggedly loyal (Stumpy), a Mexican innkeeper (Carlos), his wife (Consuelo), and an attractive young woman (Feathers)—and repeatedly turns down aid from anyone he does not think is capable of helping him.<ref name="jeff stafford">{{cite web|last1=Stafford|first1=Jeff|title=Rio Bravo|url=http://www.tcm.com/this-month/article/1069%7C0/Rio-Bravo.html|website=TCM Film Article|publisher=Turner Entertainment Network|access-date=1 February 2015|archive-date=14 May 2015|archive-url=https://web.archive.org/web/20150514195816/http://www.tcm.com/this-month/article/1069%7C0/Rio-Bravo.html|url-status=live}}</ref>
 
==Reception==
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==Comic book adaption==
* [[Dell Comics|Dell]] [[Four Color]] #1018 (June 1959), illustrated by [[Alex Toth]].<ref>{{gcdb issue|id=15302|title=Dell Four Color #1018}}</ref><ref>{{comicbookdb|type=issue|id=313752|title=Dell Four Color #1018}}</ref>
 
==See also==
* [[List of American films of 1959]]
* [[John Wayne filmography]]
 
==References==
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* {{AFI film|53001|Rio Bravo}}
* {{IMDb title|id=0053221|title=Rio Bravo}}
* {{AllMovie title|41469|Rio Bravo}}
* {{TCMDb title|16103}}
* {{Rotten-tomatoes|id=rio_bravo|title=Rio Bravo}}
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[[Category:Films adapted into comics]]
[[Category:1950s American films]]
[[Category:English-language Western (genre) films]]