Volume!: Difference between revisions

{{About|the academic journal|the 1990s CD-based music magazine|Volume (magazine)|quarterly architecture magazine|Volume Magazine|journalone volumesbook of a set or a series of periodicals|Volume (bibliography)}}

| formernames = Copyright Volume! <br>Musiques actuelles et problématiques plastiques

The journal's first issue was published in 2002,<ref>{{cite journal |doi=10.3917/res.141.0015 |title=En arrière la musique ! Sociologies des musiques populaires en france. La genèse d'un champ |year=2007 |last1=Le Guern |first1=Philippe |journal=Réseaux |volume=25 |issue=141–142 |pages=15 |url=http://www.cairn.info/resume.php?ID_ARTICLE=RES_141_0015 }}</ref><ref>{{cite journal |doi=10.3917/mouv.047.0220 |title=À propos des musiques populaires : Le rock |year=2006 |last1=Brandl |first1=Emmanuel |journal=Mouvements |volume=47-48 |issue=5 |pages=220 |doi-access=free }}</ref>, under the title ''Copyright Volume!''. It was created a year earlier by Gérôme Guibert, Marie-Pierre Bonniol, and Samuel Étienne, and opted for its current name in 2009. Étienne was its first [[editor-in-chief]] (2002–2008), before Stéphane Dorin (2009), Gérôme Guibert (2010-2017), Emmanuel Parent (2017-2022) took over. In 2024, Catherine Rudent and Louise Barrière started their five-year term at the head of the journal.

Recent topics include music genres (2023, n° 20-1), the relations between [[popular music studies]] and [[ethnomusicology]] (2022, n° 19-2), the [[Canterbury]] [[progressive rock]] scene (2022, n° 19-1), the question of expertise (2021, n° 18-2), work in popular music (2022, n° 18-1), [[hip-hop]] scenes (2021, n° 17-2), the pop voice (2021, n° 16-2/17-1), [[hacker|hacking]] (2020, n° 16-1), [[metal music]] (2019, n° 15-2), [[music videos]] (2018, n° 14–2), [[Music of Jamaica|Jamaican Music]] (2017, n° 13–2),<ref>Cf. [https://www.franceculture.fr/emissions/ping-pong/sebastien-carayol-et-thomas-vendryes this interview] with the editor, on [[France Culture]].</ref> French [[Punk rock|punk]] scenes (2016, N° 13–1),<ref>Cf. [https://www.franceinter.fr/emissions/la-marche-de-l-histoire/la-marche-de-l-histoire-30-novembre-2016 this interview] with the editors, on [[France Inter]], [https://www.franceculture.fr/emissions/la-fabrique-de-lhistoire/histoire-de-la-jeunesse-14-la-jeunesse-des-annees-80 this one] on [[France Culture]].</ref> [[The Beatles]] (2016, n° 12–2),<ref>Cf. [https://www.franceculture.fr/emissions/continent-musiques/sgt-peppers-et-autres-destins this interview] with Olivier Julien on [[France Culture]], [http://www.hors-serie.net/Diagonale-Sonore/2016-04-23/Pourquoi-pas-les-Beatles--id178 this one] on the program "Diagonale Sonore", or [http://www.iremus.cnrs.fr/fr/publications/volume-special-beatles-studies this page].</ref> French chanson and [[immigration]] (2015, n°12-1),<ref>Charline Lecarpentier, "[http://next.liberation.fr/musique/2016/01/25/de-la-diversite-dans-la-variete_1428871 De la diversité dans la variété]", ''Libération'', 26 January 2016.</ref><ref>The selected proceedings of the [http://www.pangee-network.com/2013/10/08/journees-detudes-avec-ma-gueule-de-meteque/ conference] held at the [[Bibliothèque Nationale de France]].</ref> "nostalgia" (2015, n°11-1),<ref>Raphaël Bourgois, "[http://www.franceculture.fr/emission-la-grande-table-2eme-partie-pourquoi-la-musique-2015-03-05 Le pouvoir nostalgique de la musique]", [[France Culture]], "La Grande Table", 5 March 2015.</ref> music and [[dance]] (2014, n°10-2),<ref>[http://www.cairn.info/revue-volume-2014-1.htm Table of contents here]</ref> "listening" (2013, n°10-1),<ref>Cf. [http://www.francemusique.fr/emission/label-pop/2013-2014/jedediah-sklower-et-catherine-guesde-revue-volume-02-17-2014-14-09 this interview] on Vincent Théval's show "Label Pop" on [[France Musique]].</ref> [[African-American music|Black music]] (2011, n°8-1)<ref>{{cite web |url=http://www.mondomix.com/actualite/1548/yves-raibaud-les-musiques-noires-obligent-a-envisager-les-influences-et-les-metissages.htm |title=Les musiques noires, des musiques liées à la couleur de peau ? |author=François Mauger |work=Mondomix |access-date=2012-07-31}}, {{cite web |url=http://www.europe1.fr/Musique/La-musique-noire-existe-t-elle-vraiment-1906775/ |title=La "musique noire" existe-t-elle vraiment ? |author=Susie Bourquier |work=Europe1 |date=6 March 2014 |access-date=2014-03-06}}</ref> [[gender studies|gender]] and race issues in [[hip hop]] (2011, n°8-2),<ref>Cf. Frédéric Sylvanise, [http://www.laviedesidees.fr/Y-a-t-il-une-musique-noire " Y a-t-il une musique noire ? "], ''La Vie des idées'', 29 October 2012. {{ISSN|2105-3030}}.</ref> "metal studies",<ref>[http://www.franceculture.fr/oeuvre-les-scenes-metal-sciences-sociales-et-pratiques-culturelles-radicales-de-gerome-guibert France Culture] documentary on the [[Hellfest (French music festival)|Hellfest]].</ref> "[[counterculture]]s" (2012, n°9-1 & 9–2),<ref>Cf. [http://www.citazine.fr/article/volume-fait-prendre-de-hauteur this review] on the website Citazine, [http://fgo-barbara.fr/1226 this conference] at the Centre Barbara-Fleury Goutte d'Or.</ref> and [[cover versions]] (2010, n°7-1 & 7–2),<ref>Cf. Jacques Munier during his segment "[http://www.franceculture.fr/emission-a-plus-d-un-titre-l-actualite-de-la-bande-dessinee-l-actualite-des-revues-2010-09-17.html L'actualité des revues]" on [[France Culture]], or Éric Deshayes on the website [http://neospheres.free.fr/disques/volume-reprise.htm Néosphères]. Cf. Thomas Vendryes (and Emmanuel Parent) [http://www.franceculture.fr/emission-la-fabrique-de-l-histoire-musiques-noires-34-2014-03-19 interviewed] on [[France Culture]], about his article on cover versions in [[Jamaican music]].</ref>

From 2002 to 2024, the journal was published by the independent publishing association {{Interlanguage link|[[Éditions Mélanie Seteun|fr}}]], which specializes in [[popular music studies]]. In 2025, it will join the catalogue of the [[Presses Universitaires de Rennes]].

Since November 2011, ''Volume !'' was included in the French academic journals portal {{Interlanguage link|[[OpenEdition.org|fr}}OpenEdition]] (formerly Revues.org)<ref>{{cite web |url=http://www.openedition.org/9173 |title=Volume ! |work=OpenEdition |access-date=2012-07-31}}</ref> and since December 2011 in the Belgian portal, [[Cairn.info]] (six latest issues, four under restricted access). Since June 2016, it is also on [[R%C3%A9pertoire_International_de_Litt%C3%A9rature_Musicale#Online_publications| RILM Abstracts of Music Literature with Full Text]].<ref>Cf.[http://rilm.org/fulltext/?journaltitle=volume RILM Abstracts with Full text].</ref>

The journal is a frequent partner of the French-speaking branch of the [[International Association for the Study of Popular Music]] (IASPM). In 2010, it established an "early research" (formerly "young researchers") prize with the French-speaking branch of the [[International Association for the Study of Popular Music]].<ref>{{cite web |url=https://journals.openedition.org/volume/2832 |title=Prix « Premières recherches » de l’IASPMl'IASPM – branche francophone d’Europed'Europe |date=10 November 2023 |publisher=IASPM - branche francophone d'Europe |access-date=2024-03-21}}</ref>.