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Line 1: {{About\|the academic journal\|the 1990s CD-based music magazine\|Volume (magazine)\|quarterly architecture magazine\|Volume Magazine\|~~journal~~one ~~volumes~~book of a set or a series of periodicals\|Volume (bibliography)}} {{Cleanup\|reason=Most (all?) references are just in-passing mentions that don't (or just weakly) support the statements made.\|date=May 2024}} {{Infobox journal \| title = Volume! the French journal of popular music studies \| cover = Logo_volume_bandeau.jpg \| formernames = Copyright Volume! <br>Musiques actuelles et problématiques plastiques \| abbreviation = Volume! \| discipline = [[Popular music studies]] Line 11 ⟶ 12: \| country = France \| history = 2002–present \| frequency = ~~Biannually~~Biannual \| openaccess = [[Delayed open access journal\|Delayed]], after 2 years \| license = Line 29 ⟶ 30: }} '''''Volume! The French Journal of Popular Music Studies''''' (subtitled in French: ''La revue des musiques populaires'') is a biannual ~~(May and November)~~ [[peer-reviewed]] [[academic journal]], created in 2001, and "dedicated to the study of contemporary [[popular music]]".<ref>{{cite journal \|author=Cécile Prévost-Thomas \|url=http://www.cairn.info/resume.php?ID_ARTICLE=ANSO_102_0403 \|title=Note de synthèse bibliographique : les nouvelles perspectives en sociologie de la musique \|journal=L'Année Sociologique \|volume=60 \|pages=403–417 \|doi=10.3917/anso.102.0403 \|access-date=2012-07-31 \|year=2010 \|issue=2\|doi-access=free }}</ref><ref>Philippe Le Guern, "The Study of popular music between sociology and aesthetics : a survey of current research in France", in Hugh Dauncey & Chris Cannon (eds.) (2003), ''Popular music in France from Chanson to Techno. Culture, Identity, Society'', Aldershot: Ashgate, pp. 7-8, note 2.</ref><ref>Reviewing issues n° 8-1 and 8-2, Frédéric Sylvanise - "maître de conférence" at the Paris 13 university - writes that the journal "contributes to essential discussions on contemporary popular music." Cf. [http://www.laviedesidees.fr/Y-a-t-il-une-musique-noire " Y a-t-il une musique noire ? "], ''La Vie des idées'', 29 October 2012. {{ISSN\|2105-3030}}.</ref><ref>Bruno Péquignot, "[http://www.entrevues.org/rdr/n49/ ''Volume!'' la revue de recherche sur les musiques populaires, 10 ans]", ''La Revue des revues'', n° 49, 2013, p. 89-93.</ref> == History == The journal'~~'Volume!''~~s first issue was ~~established~~published in 2002,<ref>{{cite journal \|doi=10.3917/res.141.0015 \|title=En arrière la musique ! Sociologies des musiques populaires en france. La genèse d'un champ \|year=2007 \|last1=Le Guern \|first1=Philippe \|journal=Réseaux \|volume=25 \|issue=141–142 \|pages=15 \|url=http://www.cairn.info/resume.php?ID_ARTICLE=RES_141_0015 }}</ref><ref>{{cite journal \|doi=10.3917/mouv.047.0220 \|title=À propos des musiques populaires : Le rock \|year=2006 \|last1=Brandl \|first1=Emmanuel \|journal=Mouvements \|volume=47-48 \|issue=5 \|pages=220 \|doi-access=free }}</ref> under the title ''Copyright Volume!''. It was created a year earlier by Gérôme Guibert, Marie-Pierre Bonniol, and Samuel Étienne, and ~~obtained~~opted for its current name in 2009. Étienne ~~([[Université de la Polynésie Française]])~~ was its first [[editor-in-chief]] (2002–2008), before Stéphane Dorin (2009), Gérôme Guibert (2010-2017), Emmanuel Parent (2017-2022) took over. In 2024, Catherine Rudent and Louise Barrière started their five-year term at the head of the journal. From 2002 to 2024, it was published by the [[Éditions Mélanie Seteun]], a publishing association specialized since 1998<ref>[http://www.journal-officiel.gouv.fr/association/index.php?ACTION=Rechercher&HI_PAGE=1&HI_COMPTEUR=0&original_method=get&WHAT=melanie+seteun&JTH_ID=&JAN_BD_CP=&JRE_ID=Pays-de-la-Loire%2FLoire-Atlantique&JAN_LIEU_DECL=Prefecture%2Floireatlantique&JTY_ID=&JTY_WALDEC=&JTY_SIREN=&JPA_D_D=&JPA_D_F=&rechercher.x=52&rechercher.y=8 Announcement] in ''[[Journal Officiel de la République Française]]''</ref> in [[popular music studies]].<ref>{{cite web \|url=http://www.seteun.net/spip.php?rubrique1 \|title=À propos \|publisher=Éditions Mélanie Seteun \|access-date=2012-07-31}}</ref>. In 2025, it will join the catalogue of the [[Presses Universitaires de Rennes]]. == Special issues == Line 40 ⟶ 39: The journal publishes special issues on various topics in popular music studies, [[new musicology]], [[ethnomusicology]],<ref>{{cite journal \|title=Twenty First Century Popular Music Studies \|volume=3 \|issue=2 \|pages=1–14 \|author=Rupert Till \|journal=IASPM@Journal \|date=June 2013 \|doi=10.5429/2079-3871(2013)v3i2.1en \|doi-access=free }}: "''There are various other international journals that mix PMS and ethnomusicological approaches, often based within, and reaching out from, a particular region. These include journals such as'' Latin American Music Review'','' South African Music Studies'','' Brazilian Journal of Song Studies'', and ''Volume! The French Journal of Popular Music Studies''."</ref> [[sociology]], [[geography]], [[cultural history]], [[cultural studies]], [[aesthetics]], [[communication studies]], etc. Recent topics include music genres (2023, n° 20-1), the relations between [[popular music studies]] and [[ethnomusicology]] (2022, n° 19-2), the [[Canterbury]] [[progressive rock]] scene (2022, n° 19-1), the question of expertise (2021, n° 18-2), work in popular music (2022, n° 18-1), [[hip-hop]] scenes (2021, n° 17-2), the pop voice (2021, n° 16-2/17-1), [[hacker\|hacking]] (2020, n° 16-1), [[metal music]] (2019, n° 15-2), [[music videos]] (2018, n° 14–2), [[Music of Jamaica\|Jamaican Music]] (2017, n° 13–2),<ref>Cf. [https://www.franceculture.fr/emissions/ping-pong/sebastien-carayol-et-thomas-vendryes this interview] with the editor, on [[France Culture]].</ref> French [[Punk rock\|punk]] scenes (2016, N° 13–1),<ref>Cf. [https://www.franceinter.fr/emissions/la-marche-de-l-histoire/la-marche-de-l-histoire-30-novembre-2016 this interview] with the editors, on [[France Inter]], [https://www.franceculture.fr/emissions/la-fabrique-de-lhistoire/histoire-de-la-jeunesse-14-la-jeunesse-des-annees-80 this one] on [[France Culture]].</ref> [[The Beatles]] (2016, n° 12–2),<ref>Cf. [https://www.franceculture.fr/emissions/continent-musiques/sgt-peppers-et-autres-destins this interview] with Olivier Julien on [[France Culture]], [http://www.hors-serie.net/Diagonale-Sonore/2016-04-23/Pourquoi-pas-les-Beatles--id178 this one] on the program "Diagonale Sonore", or [http://www.iremus.cnrs.fr/fr/publications/volume-special-beatles-studies this page].</ref> French chanson and [[immigration]] (2015, n°12-1),<ref>Charline Lecarpentier, "[http://next.liberation.fr/musique/2016/01/25/de-la-diversite-dans-la-variete_1428871 De la diversité dans la variété]", ''Libération'', 26 January 2016.</ref><ref>The selected proceedings of the [http://www.pangee-network.com/2013/10/08/journees-detudes-avec-ma-gueule-de-meteque/ conference] held at the [[Bibliothèque Nationale de France]].</ref> "nostalgia" (2015, n°11-1),<ref>Raphaël Bourgois, "[http://www.franceculture.fr/emission-la-grande-table-2eme-partie-pourquoi-la-musique-2015-03-05 Le pouvoir nostalgique de la musique]", [[France Culture]], "La Grande Table", 5 March 2015.</ref> music and [[dance]] (2014, n°10-2),<ref>[http://www.cairn.info/revue-volume-2014-1.htm Table of contents here]</ref> "listening" (2013, n°10-1),<ref>Cf. [http://www.francemusique.fr/emission/label-pop/2013-2014/jedediah-sklower-et-catherine-guesde-revue-volume-02-17-2014-14-09 this interview] on Vincent Théval's show "Label Pop" on [[France Musique]].</ref> [[African-American music\|Black music]] (2011, n°8-1)<ref>{{cite web \|url=http://www.mondomix.com/actualite/1548/yves-raibaud-les-musiques-noires-obligent-a-envisager-les-influences-et-les-metissages.htm \|title=Les musiques noires, des musiques liées à la couleur de peau ? \|author=François Mauger \|work=Mondomix \|access-date=2012-07-31}}, {{cite web \|url=http://www.europe1.fr/Musique/La-musique-noire-existe-t-elle-vraiment-1906775/ \|title=La "musique noire" existe-t-elle vraiment ? \|author=Susie Bourquier \|work=Europe1 \|date=6 March 2014 \|access-date=2014-03-06}}</ref> [[gender studies\|gender]] and race issues in [[hip hop]] (2011, n°8-2),<ref>Cf. Frédéric Sylvanise, [http://www.laviedesidees.fr/Y-a-t-il-une-musique-noire " Y a-t-il une musique noire ? "], ''La Vie des idées'', 29 October 2012. {{ISSN\|2105-3030}}.</ref> "metal studies",<ref>[http://www.franceculture.fr/oeuvre-les-scenes-metal-sciences-sociales-et-pratiques-culturelles-radicales-de-gerome-guibert France Culture] documentary on the [[Hellfest (French music festival)\|Hellfest]].</ref> "[[counterculture]]s" (2012, n°9-1 & 9–2),<ref>Cf. [http://www.citazine.fr/article/volume-fait-prendre-de-hauteur this review] on the website Citazine, [http://fgo-barbara.fr/1226 this conference] at the Centre Barbara-Fleury Goutte d'Or.</ref> and [[cover versions]] (2010, n°7-1 & 7–2),<ref>Cf. Jacques Munier during his segment "[http://www.franceculture.fr/emission-a-plus-d-un-titre-l-actualite-de-la-bande-dessinee-l-actualite-des-revues-2010-09-17.html L'actualité des revues]" on [[France Culture]], or Éric Deshayes on the website [http://neospheres.free.fr/disques/volume-reprise.htm Néosphères]. Cf. Thomas Vendryes (and Emmanuel Parent) [http://www.franceculture.fr/emission-la-fabrique-de-l-histoire-musiques-noires-34-2014-03-19 interviewed] on [[France Culture]], about his article on cover versions in [[Jamaican music]].</ref> ''Volume!'' publishes a "varia" section for articles not related to the main topic, plus editorials, letters, and [[book review]]s. == Publication & distribution == ~~== Distribution ==~~ === Publisher === From 2002 to 2024, the journal was published by the independent publishing association ~~{{Interlanguage link\|~~[[Éditions Mélanie Seteun~~\|fr}}~~]], which specializes in [[popular music studies]]. In 2025, it will join the catalogue of the [[Presses Universitaires de Rennes]]. === Print distribution === It's print version was originally distributed by the IRMA (now part of the French National Centre for Music), and has been distributed by {{Interlanguage link\|Les Presses du réel\|fr}} since 2015. === Online access === Since November 2011, ''Volume !'' was included in the French academic journals portal ~~{{Interlanguage link\|~~[[OpenEdition.org\|~~fr}}~~OpenEdition]] (formerly Revues.org)<ref>{{cite web \|url=http://www.openedition.org/9173 \|title=Volume ! \|work=OpenEdition \|access-date=2012-07-31}}</ref> and since December 2011 in the Belgian portal, [[Cairn.info]] (six latest issues, four under restricted access). Since June 2016, it is also on [[R%C3%A9pertoire_International_de_Litt%C3%A9rature_Musicale#Online_publications\| RILM Abstracts of Music Literature with Full Text]].<ref>Cf.[http://rilm.org/fulltext/?journaltitle=volume RILM Abstracts with Full text].</ref> === Abstracting and indexing === The journal is abstracted and indexed in the [[ProQuest\|International Index to Music Periodicals]],<ref>[http://www.proquest.com/documents/Title-List-International-Index-to-Music-Periodicals-Full-Text.html International Index to Music Periodicals title list].</ref> the [[Répertoire International de Littérature Musicale]],<ref>[http://journals.rilm.org/index.asp?alpha=V RILM Abstracts of Music Literature].</ref> the [[EBSCO Publishing\|Music Index]] and Music & Performing Arts Online. The articles dealing with [[jazz]] are indexed on the [[Darmstadt#Culture\|Jazz Institut Darmstadt]] bibliography<ref>[http://www.jazzinstitut.de/us.htm Jazz Institut website] {{Webarchive\|url=https://web.archive.org/web/20070427174332/http://www.jazzinstitut.de/us.htm \|date=2007-04-27 }}.</ref> and the ones dealing with [[Heavy metal music\|heavy metal]]/[[hard rock]] on the [[University of Central Missouri]]/ISMMS's metal studies bibliography.<ref>[http://www.ucmo.edu/metalstudies/metal_studies_home.html here]. A first version of this bibliography, edited by [[Keith Kahn Harris]] and Fabien Hein, was published in ''Volume!'' [http://journals.openedition.org/volume/467?lang=en here].</ref> ''Volume !'' is registered by the AERES<ref>As an independent administrative authority set up in 2007, the AERES (French evaluation agency for research and higher education) is tasked with evaluating research and higher education institutions, research organisations, research units, higher education programmes and degrees and with approving their staff evaluation procedures ([http://www.aeres-evaluation.com/Agency/Presentation/Profile-of-the-Agency Profile of the Agency]).</ref>{{failed verification\|date=June 2014}} in the 18th section ("Arts"). Line 62 ⟶ 61: == Events and partnerships == === French-speaking branch of the IASPM === The journal is a frequent partner of the French-speaking branch of the [[International Association for the Study of Popular Music]] (IASPM). In 2010, it established an "early research" (formerly "young researchers") prize with the French-speaking branch of the [[International Association for the Study of Popular Music]].<ref>{{cite web \|url=https://journals.openedition.org/volume/2832 \|title=Prix « Premières recherches » de ~~l’IASPM~~l'IASPM – branche francophone ~~d’Europe~~d'Europe \|date=10 November 2023 \|publisher=IASPM - branche francophone d'Europe \|access-date=2024-03-21}}</ref>. === Vibrations. Musiques, médias, société === Line 68 ⟶ 67: === Ashgate === It also published a special international, English edition of its "countercultures" issues with [[Ashgate Publishing]] (now owned by [[Routledge]])<ref>Cf. Jordan Blum, [http://www.popmatters.com/review/187143-countercultures-and-popular-music-by-jedediah-sklower-and-sheila-whi/ Review of Countercultures and Popular Music], ''[[Pop Matters]]'', 13 November 2014, and [http://www.popmatters.com/feature/189114-the-best-books-of-2014-nonfiction/P1/ this review].</ref> a partnership with the Éditions Mélanie Seteun that had already taken place for the publication of the book ''Stereo: Comparative Perspectives on the Sociological Study of Popular Music in France and Britain''.<ref>Hugh Dauncey and Philippe Le Guern (2010), ''[http://www.ashgate.com/isbn/9781409405689 Stereo: Comparative Perspectives on the Sociological Study of Popular Music in France and Britain]'', Farnham: [[Ashgate Publishing]], {{ISBN\|978-1-4094-0568-9}} ; Sheila Whiteley et Jedediah Sklower (2014), ''[http://www.ashgate.com/isbn/9781472421067 Countercultures and Popular Music]'', Farnham: [[Ashgate Publishing]], {{ISBN\|978-1-4724-2106-7}}.</ref> === Conferences === Line 95 ⟶ 94: [[Category:Music journals]] [[Category:Multilingual journals]] ~~[[Category:English-language journals]]~~ ~~[[Category:French-language journals]]~~ [[Category:Popular music]] [[Category:Academic journals established in 2002]]