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===Modern===
[[File:Dario Fo in Venice Film Festival 02.jpg|thumb|Italian Nobel-winner [[Dario Fo]] received international acclaim for his highly improvisational style]]
Modern theatrical improvisation games began as drama exercises for children, which were a staple of drama education in the early 20th century thanks in part to the [[progressive education]] movement initiated by [[John Dewey]] in 1916.<ref>{{cite web|url=http://www.interactiveimprov.com/tspwb1hist.html|title=TheatreSports History|work=interactiveimprov.com}}</ref> Some people credit American [[Dudley Riggs]] as the first [[vaudeville|vaudevillian]] to use audience suggestions to create improvised sketches on stage. Improvisation exercises were developed further by [[Viola Spolin]] in the 1940s, 50s, and 60s, and codified in her book ''Improvisation For The Theater'',<ref name="Spolin">{{cite book|title=Improvisation for the Theater Third Edition|author=Viola Spolin|year=1999|publisher=Northwestern University Press |isbn=978-0-8101-4008-0}}</ref> the first book that gave specific techniques for learning to do and teach improvisational theater. In 1977, [[Clive Barker (editor)|Clive Barker]]'s book ''Theatre Games'' (several translations and editions) spread the ideas of improv internationally. British playwright and director [[Keith Johnstone]] wrote ''[[Impro: Improvisation and the Theatre]]'', a book outlining his ideas on improvisation, and invented [[Theatresports]], which has become a staple of modern improvisational comedy and is the inspiration for the popular television show ''[[Whose Line Is It Anyway? (U.S. TV series)|Whose Line Is It Anyway?]]''
 
Viola Spolin influenced the first generation of modern American improvisers at [[The Compass Players]] in [[Chicago]], which led to [[The Second City]]. Her son, [[Paul Sills]], along with [[David Shepherd (producer)|David Shepherd]], started The Compass Players. Following the demise of the Compass Players, Paul Sills began The Second City. They were the first organized improv troupes in Chicago, and the modern Chicago improvisational comedy movement grew from their success.<ref name=Wonderful>The story of the Compass Players and its development into The Second City is told by first-hand interviews in Jeffrey Sweet's book "Something Wonderful Right Away" (Limelight Editions, 2004)</ref><ref name=Compass>Janet Coleman's "The Compass: The Improvisational Theatre that Revolutionized American Comedy" (Centennial Publications of The University of Chicago Press, 1991).</ref>
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Rob Wittig and Mark C. Marino have developed a form of improv for online theatrical improvisation called [[netprov]].<ref>{{cite web|url=http://www.dichtung-digital.de/en/journal/aktuelle-nummer/?postID=577|title=Current Issue - Dichtung Digital|work=dichtung-digital.de|access-date=2014-11-03|archive-date=2021-02-24|archive-url=https://web.archive.org/web/20210224133241/http://www.dichtung-digital.de/en/journal/aktuelle-nummer/?postID=577|url-status=dead}}</ref> The form relies on [[social media]] to engage audiences in the creation of dynamic fictional scenarios that evolve in real-time.
 
==Comedy==
==Improvisational comedy==
[[File:Improvisers in Chicago.jpeg|thumb|Three improvisers performing longform improv comedy at the Gorilla Tango Theatre in Chicago.]]
Modern improvisational comedy, as it is practiced in the West, falls generally into two categories: shortform and longform.
 
Shortform improv consists of short scenes usually constructed from a predetermined [[Theater game|game]], structure, or idea and driven by an audience suggestion. Many short formshortform exercises were first created by Viola Spolin, who called them theatre games, influenced by her training from recreational games expert [[Neva Boyd]].<ref name="Spolin"/> The short-formshortform improv comedy television series ''[[Whose Line Is It Anyway?]]'' has familiarized American and British viewers with short-formshortform.
 
Longform improv performers create shows in which short scenes are often interrelated by story, characters, or themes. Longform shows may take the form of an existing type of theatre, for example a full-length play or [[Broadway theatre|Broadway]]-style [[musical theater|musical]] such as [[Spontaneous Broadway]]. One of the better-known longform structures is [[Harold (improvisation)|the Harold]], developed by [[IO Theater|ImprovOlympic]] co-founder [[Del Close]]. Many such longform structures now exist. Actors such as Will Ferrell, Tina Fey, and Steve Carrell found their start in longform improv.<ref>{{Cite web |last=Holloway |first=Dan |date=March 5, 2013 |title=The Difference Between Long- and Short-Form Improv |url=https://www.backstage.com/magazine/article/difference-long-short-form-improv-48935/ |access-date=March 29, 2023 |website=Backstage}}</ref>
 
Longform improvisation is especially performed in Chicago, New York City, Los Angeles, Austin, Dallas, Boston, Minneapolis, Phoenix, Philadelphia, San Francisco, Seattle, Detroit, Toronto, Vancouver, and Washington, D.C., and is building a growing following in Baltimore,<ref>{{Cite web|url=https://www.baltimoresun.com/entertainment/arts/bs-fe-comedy-20170522-story.html|title = Baltimore's comedy scene continues to grow, nurture aspiring talent| date=24 May 2017 }}</ref> Denver, Kansas City, Montreal, Columbus, New Orleans, Omaha, Rochester, NY,<ref>{{cite web|url=http://rochesterhomepage.net/fulltext?nxd_id=351262 |title=Fall Back Comedy Festival this weekend |access-date=2015-01-29 |url-status=bot: unknowndead |archive-url=https://web.archive.org/web/20121103093553/http://rochesterhomepage.net/fulltext?nxd_id=351262 |archive-date=November 3, 2012}}</ref> and Hawaii. Outside the United States, longform improv has a [[List of improvisational theatre companies#Improvisational theatre companies in the United Kingdom|growing presence in the United Kingdom]], especially in cities such as London,<ref>[[List ofBristol, improvisational theatre companies]]{{Circular reference|date=May 2017}}</ref> BristolGlasgow, and at the [[Edinburgh Festival Fringe]].
 
==Non-comedic, experimental, and dramatic, narrative-based improvisational theater==
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[[The Open Theatre]] was founded in New York City by a group of former students of acting teacher [[Nola Chilton]], and joined shortly thereafter by director [[Joseph Chaikin]], formerly of [[The Living Theatre]], and Peter Feldman. This avant-garde theatre group explored political, artistic, and social issues. The company, developing work through an improvisational process drawn from Chilton and [[Viola Spolin]], created well-known exercises, such as "sound and movement" and "transformations", and originated radical forms and techniques that anticipated or were contemporaneous with [[Jerzy Grotowski]]'s "[[poor theater]]" in Poland.{{citation needed|date=May 2021}} During the sixties, Chaikin and the Open Theatre developed full theatrical productions with nothing but the actors, a few chairs, and a bare stage, creating character, time, and place through a series of transformations the actors physicalized and discovered through improvisations.
 
On the west coast, [[Action Theatre (Ruth Zaporah)|Ruth Zaporah]] developed [[Action Theatre (Ruth Zaporah)|Action Theater™Theatre]], a physically based improvisation form that treats language, movement and voice equally. Action Theater™Theatre performances have no scripts, no preplanned ideas and create full-length shows or shorter performances. Longform, dramatic, and narrative-based improvisation is well-established on the west coast with companies such as San Francisco's [[BATS Improv]]. This format allows for full-length plays and musicals to be created improvisationally.
 
==Applying improv principles in life==
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==In film and television==
Many directors have made use of improvisation in the creation of both mainstream and experimental films. Many [[silent film]]makers such as [[Charlie Chaplin]] and [[Buster Keaton]] used improvisation in the making of their films, developing their gags while filming and altering the [[Plot (narrative)|plot]] to fit. The [[Marx Brothers]] were notorious for deviating from the script they were given, their [[ad lib]]s often becoming part of the standard routine and making their way into their films. Many people, however, make a distinction between ad-libbing and improvising.<ref>{{cite web |date=September 22, 2012 |title=improvise v. ad-lib |url=https://forum.wordreference.com/threads/improvise-v-ad-lib.2495051/ |titlewebsite=improvise v. ad-lib[[WordReference]]}}</ref>{{User-generated inline|date=May 2024|certain=yes}}
{{more citations needed section|date=February 2012}}
Many directors have made use of improvisation in the creation of both mainstream and experimental films. Many [[silent film]]makers such as [[Charlie Chaplin]] and [[Buster Keaton]] used improvisation in the making of their films, developing their gags while filming and altering the [[Plot (narrative)|plot]] to fit. The [[Marx Brothers]] were notorious for deviating from the script they were given, their [[ad lib]]s often becoming part of the standard routine and making their way into their films. Many people, however, make a distinction between ad-libbing and improvising.<ref>{{cite web|url=https://forum.wordreference.com/threads/improvise-v-ad-lib.2495051/|title=improvise v. ad-lib}}</ref>
 
The British director [[Mike Leigh]] makes extensive use of improvisation in the creation of his films, including improvising important moments in the characters' lives that will not even appear in the film. ''[[This Is Spinal Tap]]'' and other [[mockumentary]] films of director [[Christopher Guest]] were created with a mix of scripted and unscripted material. ''[[Blue in the Face]]'' is a 1995 comedy directed by Wayne Wang and Paul Auster created in part by the improvisations during the filming of ''[[Smoke (film)|Smoke]]''.
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Some of the best known American film directors who used improvisation in their work with actors are [[John Cassavetes]], [[Robert Altman]], Christopher Guest, and [[Rob Reiner]].
 
Improv comedy techniques have also been used in hit television shows such as [[HBO|HBO's]] ''[[Curb Your Enthusiasm]]'' created by [[Larry David]], the UK Channel 4 and ABC television series ''[[Whose Line Is It Anyway? (U.S. TV series)|Whose Line Is It Anyway]]'' (and its spinoffs ''[[Drew Carey's Green Screen Show]]'' and ''[[Drew Carey's Improv-A-Ganza]]''), Nick Cannon's improv comedy show ''[[Wild 'N Out]]'', and ''[[Thank God You're Here]]''. A very early American improv television program was the weekly half-hour ''What Happens Now?''<ref>{{cite web|url=https://www.archive.org/details/radiodailyoctdec49unse/page/n134|title=Tele Topics|work=Television Daily|year=1949}}</ref> which premiered on New York's [[WWOR-TV|WOR-TV]] on October 15, 1949, and ran for 22 episodes. "The Improvisers" were six actors (including [[Larry Blyden]], [[Ross Martin]], and Jean Alexander – Jean Pugsley at the time) who improvised skits based on situations suggested by viewers. In Canada, the series ''[[Train 48]]'' was improvised from scripts which contained a minimal outline of each scene, and the comedy series ''[[This Sitcom Is...Not to Be Repeated]]'' incorporated dialogue drawn from a hat during the course of an episode. The American show ''Reno 911!'' also contained improvised dialogue based on a plot outline. ''[[Fast and Loose (TV series)|Fast and Loose]]'' is an improvisational game show, much like ''Whose Line Is It Anyway?''. The BBC sitcoms ''[[Outnumbered (UK TV series)|Outnumbered]]''<ref>{{cite web|url=https://www.theguardian.com/media/2008/dec/06/television-bbc|title=BBC sitcom lets kids improvise|author=Ben Dowell|work=the Guardian|date=6 December 2008}}</ref> and ''[[The Thick of It]]''<ref>{{cite web|url=https://www.independent.co.uk/arts-entertainment/tv/features/the-thick-of-it-back-in-the-loop-1805589.html|title=The Thick of It: Back in the loop|work=The Independent|date=23 October 2011}}</ref> also had some improvised elements in them.
 
==Psychology==
In the field of the psychology of [[consciousness]], Eberhard Scheiffele explored the altered state of consciousness experienced by actors and improvisers in his scholarly paper ''Acting: an altered state of consciousness''.<ref>{{cite journal |last1=Scheiffele |first1=Eberhard |journal=Research in Drama Education: The Journal of Applied Theatre and Performance |title=an altered state of consciousness |date=2001 |volume= 6 |issue=2 |doi=10.1080/13569780120070722 |pages=179–191|s2cid=145796956 }}</ref> According to G. William Farthing in ''The Psychology of Consciousness'' comparative study, actors routinely enter into an altered state of consciousness (ASC).<ref>{{cite web |url=http://sci-con.org/2004/12/levels-of-consciousness/ |title=Levels of Consciousness |work=sci-con.org }}</ref> Acting is seen as altering most of the 14 dimensions of changed subjective experience which characterize ASCs according to Farthing, namely: attention, perception, imagery and fantasy, inner speech, memory, higher-level thought processes, meaning or significance of experiences, time experience, emotional feeling and expression, level of arousal, self-control, suggestibility, body image, and sense of personal identity.
 
In the growing field of [[Drama Therapy]], [[psychodrama]]tic improvisation, along with other techniques developed for [[Drama Therapy]], are used extensively. The ''[[Yes, and...|"Yes, and"]]'' rule has been compared to [[Milton Erickson]]'s ''utilization'' process and to a variety of acceptance-based psychotherapies. Improv training has been recommended for [[couples therapy]] and therapist training, and it has been speculated that improv training may be helpful in some cases of [[social anxiety disorder]].<ref>{{cite web|url=http://www.sfxmachine.com/docs/yes,_and.pdf|title=Yes, and: Acceptance, Resistance, and Change in Improv, Aikido, and Psychotherapy}}</ref><ref>{{Cite web|url=https://www.bbc.co.uk/programmes/p05xcvc2|title=BBC World Service - People Fixing The World, Improvising Your Way Out of Anxiety|website=[[BBC]]|date=13 February 2018 |language=en-GB|access-date=2018-11-12}}</ref>
 
==Structure and process==
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==Notable contributors to the field==
[[Image:Brave New Workshop-20071217.jpg|thumb|Two theater members in front of the former building on [[Hennepin Avenue]] in [[Minneapolis]].]]
[[Brave New Workshop|The Brave New Workshop Comedy Theater]] (BNW), is a sketch and improvisational comedy theater based in [[Minneapolis]], [[Minnesota]]. Started by [[Dudley Riggs]] in 1958, the artists of the BNW have been writing, performing and producing live [[sketch comedy]] and improvisation performances for 62 years &ndash; longer than any other theater in the nation.<ref>{{cite web |url=https://www.bravenewworkshop.com/ |title=Brave New Workshop Main {{!}} stan harry styles for clear skin ;0Improv, Satire and Comedy since 1958 |access-date=November 19, 2019 |quote=The Brave New Workshop has been crafting audacious, hilarious, and thought-provoking original comedy, improv and satire in Minneapolis since 1958 – longer than any other theatre in the U.S. }}</ref> Notable alumni of the BNW include [[Louie Anderson]], [[Mo Collins]], [[Tom Davis (comedian)|Tom Davis]], [[Al Franken]], [[Penn Jillette]], [[Carl Lumbly]], [[Paul Menzel]], [[Pat Proft]], Annie Reirson, Taylor Nikolai, [[Nancy Steen]], [[Peter Tolan]], [[Linda Wallem]], [[Lizz Winstead]], [[Peter MacNicol]], [[Melissa Peterman]], and [[Cedric Yarbrough]].
 
Some key figures in the development of improvisational theatre are [[Viola Spolin]] and her son [[Paul Sills]], founder of Chicago's famed [[The Second City|Second City]] troupe and originator of [[Theater Games]], and [[Del Close]], founder of [[ImprovOlympic]] (along with [[Charna Halpern]]) and creator of a popular longform improv format known as [[Harold (improvisation)|The Harold]]. Others include [[Keith Johnstone]], the British teacher and writer–author of ''[[Impro]]'', who founded the Theatre Machine and whose teachings form the foundation of the popular shortform [[Theatresports]] format, [[Dick Chudnow]], founder of [[ComedySportz]] which evolved its family-friendly show format from Johnstone's Theatersports, and Bill Johnson, creator/director of The Magic Meathands,<ref>{{cite web | last=Thompson | first=Mike | title=The Magic Meathands | website=magicmeathands.com | date=2007-11-15 | url=http://magicmeathands.com/ | archive-url=https://web.archive.org/web/20071115124528/http://magicmeathands.com/ | archive-date=2007-11-15 | url-status=dead | access-date=2021-02-12}}</ref> who pioneered the concept of "Commun-edy Outreach" by tailoring performances to non-traditional audiences, such as the homeless and foster children.
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In the late 1990s, [[Matt Besser]], [[Amy Poehler]], [[Ian Roberts (American actor)|Ian Roberts]], and [[Matt Walsh (comedian)|Matt Walsh]] founded the [[Upright Citizens Brigade Theatre]] in New York and later they founded one in Los Angeles, each with an accompanying improv/sketch comedy school. In September 2011 the UCB opened a third theatre in New York City's East Village, known as UCBeast.
 
[[Hoopla Impro]] are the founders of the UK and London's first improv theatre.<ref>{{cite news |last1=Paskett |first1=Zoe |title=London's Best Improv Comedy Clubs and Nights |url=https://www.standard.co.uk/go/london/arts/londons-best-improv-comedy-clubs-and-nights-a3834651.html |publisher=[[Evening Standard]] |date=10 May 2018|language=en}}</ref><ref>{{cite web |title=Improv Comedy Club |url=https://www.hooplaimpro.com/improv-comedy-club-london-bridge.html |website=hooplaimpro.com}}</ref> They also run an annual UK improv festival<ref>{{cite web |title=Improv has got big! |url=https://www.comedy.co.uk/live/features/improv_has_got_big/ |publisher=[[British Comedy Guide]] |date=25 April 2019}}</ref> and improv marathon.<ref>{{cite news |last1=Holmes |first1=Paul |title=Hoopla Improv Marathon |url=https://thevelvetonion.com/2017/10/17/hoopla-improv-marathon/amp/ |work=The Velvet Onion |date=17 October 2017 |language=en}}</ref><ref>{{cite web |title=The Hoopla Improv Marathon |url=https://www.hooplaimpro.com/the-hoopla-improv-marathon}}</ref>
 
In 2015, [[The Free Association]] opened in London as a counterpart to American improv schools.<ref>{{Cite web|url=http://www.femalefirst.co.uk/culture/improvised-comedy-the-free-association-1103011.html|title=The Rise Of Improvised Comedy By Sarah Powell|date=October 31, 2017|website=www.femalefirst.co.uk|language=en|access-date=2019-03-07}}</ref>
 
In 2016, [[The Glasgow Improv Theatre]] started putting on shows and teaching classes in Glasgow, growing the improv scene in Scotland.<ref>{{Cite web|url=https://www.theskinny.co.uk/comedy/interviews/learning-to-fail-glasgow-improv-theatre|title=Learning to Fail with Glasgow Improv Theatre By Sam Gonçalves|date=November 17, 2022|website=www.theskinny.co.uk|language=en|access-date=2023-11-17}}</ref>
 
Gunter Lösel compared the existing improvisational theater theories (including Moreno, Spolin, Johnstone, and Close), structured them and wrote a general theory of improvisational theater.<ref>''Das Spiel mit dem Chaos - Zur Performativität des Improvisationstheaters''. Gunter Lösel. Bielefeld: transcript Verlag, 2013.</ref>
 
[[Alan Alda]]'s book ''If I Understood You, Would I Have This Look on My Face?''<ref>{{Cite book|isbn = 978-0812989144|title = If I Understood You, Would I Have this Look on My Face?: My Adventures in the Art and Science of Relating and Communicating|last1 = Alda|first1 = Alan|year = 2017| publisher=Random House }}</ref>{{full citation needed|date=February 2021}} investigates the way in which improvisation improves communication in the sciences. The book is based on his work at [[Alan Alda Center for Communicating Science]] at [[Stony Brook University]]. The book has many examples of how improvisational theater games can increase communication skills and develop empathy.
 
==See also==
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==Further reading==
{{ref begin}}
* Abbott, John. 2007. ''The Improvisation Book''. London: Nick Hern Books. {{ISBN|978-1-85459-961-2}}.
* Besser, Matt; Ian Roberts, Matt Walsh. 2013. ''The Upright Citizens Brigade Comedy Improvisation Manual'', Comedy Council of Nicea, {{ISBN|978-0989387804}}
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* Ryan Madson, Patricia. 2005. "Improv Wisdom: Don't Prepare, Just Show Up" New York: Bell Tower. {{ISBN|1-4000-8188-2}}
* [[Viola Spolin|Spolin, Viola]]. 1967. ''Improvisation for the Theater''. Third rev. ed. Evanston, Il.: Northwestern University Press, 1999. {{ISBN|0-8101-4008-X}}.
* {{cite book |last1=Wasson |first1=Sam |title=Improv Nation: How We Made a Great American Art |date=2017 |publisher=[[Houghton Mifflin Harcourt]] |isbn=9780544557208}}
{{ref end}}
 
==External links==