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{{Short description|American folklorist (1917–2009)}}
{{Infobox person
| name = Archie Green
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==Early life and work==
Born Aaron Green in [[Winnipeg]], [[Manitoba]] he moved with his parents to [[Los Angeles|Los Angeles, California]] in 1922. He grew up in southern California, began college at [[UCLA]], and transferred to the [[University of California at Berkeley]], from which he received a bachelor's degree in political science in 1939. He joined the [[Civilian Conservation Corps]] and spent his year of service in a camp on the [[Klamath River]] as a road builder and firefighter. He then worked in the [[San Francisco
In 1942 Green purchased the album ''Work Songs of the U.S.A.'' performed by folk singer [[Lead Belly|Huddie "Leadbelly" Ledbetter]]. His love of music and especially the song "Old Man" sparked his interest in folkloristics, but it was to be nearly two decades before he returned to formal academia.
==Academic career==
Green enrolled in graduate school in 1958, earning an M.L.S. degree from the University of Illinois in 1960 and a Ph.D. in folklore from the [[University of Pennsylvania]] in 1968. He combined his support for labor and love of country music in the research that became his first book, ''Only a Miner''. In the same period he recorded "Girl of Constant Sorrow," an LP of songs sung by [[Sarah Ogan Gunning]], the sister of coalminer, songwriter, and labor leader [[Jim Garland]]. Green joined the [[University of Illinois at Urbana-Champaign]] in 1960, where he held a joint appointment in the Institute of Labor and Industrial Relations and the English Department until 1972. Working as a senior staff associate at the [[AFL-CIO]] Labor Studies Center in the early 1970s, he initiated programs presenting workers' traditions at the [[Smithsonian Institution]]'s Festival of American Folklife on the [[National Mall]], and from 1969 to 1976 he left academia to live in Washington, D.C., where he led the successful legislative campaign to enact the American Folklife Preservation Act.<ref>Benjamin Feline, ''Romancing the Folk: Public Memory & American Roots Music'' (The University of North Carolina Press, 2000), pp. 179-180.</ref> He became known for his work on occupational folklore and on early [[hillbilly music]] recordings. In 1975 he joined the faculty of the [[University of Texas at Austin]]. He was awarded the Bingham Humanities Professorship at the [[University of Louisville]] in 1977, and was a [[Woodrow Wilson Center]] fellow in Washington,
==Later work==
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[[Category:Canadian musicologists]]
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[[Category:Historians of the Industrial Workers of the World]]
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