Pat and Margaret: Difference between revisions

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{{Short description|British  drama telefilm}}
{{Use British English|date=November 2023}}
{{Use dmy dates|date=April 2022}}
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==Plot==
Margaret Mottershead works as a cook at a [[motorway service area]]. She joins her colleagues on a trip to London, where they have been invited to see a recording of the television show ''Magic Moments'' (a parody of ''[[Surprise, Surprise (TV series)|Surprise, Surprise]]''). Pat Bedford, the glamourousglamorous British star of an American [[soap opera]], appears on the show to promote her memoir, unaware that she herself is one of the surprises. The host brings Margaret on stage and reveals that Pat is her long-lost sister. Pat is embarrassed by her working class [[Northern England|Northern]] origins, but hugs Margaret and feigns happiness in order to appear gracious and likeable.
 
Unaware of Pat's true feelings, her assistant, Claire, arranges for Margaret to stay with Pat at her luxury hotel. The next morning, a film crew from ''Magic Moments'' arrives to follow the pair getting to know each other, and Pat resigns herself to staged bonding for the cameras. Margaret phones her boyfriend, Jim, to tell him that she will return home shortly, but his disapproving mother does not pass on the message.
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==Production==
The film was created and written by Wood, whose last full-length drama was ''[[Happy Since I Met You]]'' in 1981.<ref name="Duguid">{{cite web|last=Duguid|first=Mark|title=''Pat and Margaret'' (1994)|url=http://www.screenonline.org.uk/tv/id/1246899/|work=[[Screenonline]]|publisher=[[British Film Institute]]|accessdateaccess-date=26 September 2010}}</ref> It was directed by [[Gavin Millar]], recommended to Wood by Julie Walters,<ref name="rees">{{Cite book |title=Let's Do It: The Authorised Biography of Victoria Wood |first=Jasper |last=Rees |chapter=Chapter 16: Henry and Albert, Margaret and Pat |isbn=9781409184126 |location=London |publisher=[[Orion Publishing Group|Trapeze]] |year=2020}}</ref> and produced by Ruth Caleb.<ref name="Rampton">{{cite news|last=Rampton|first=James|title='Ooo, it's that woman off telly': Victoria Wood has moved from the sketch to the big picture. James Rampton joined her on location as filming for ''Pat and Margaret'' drew to close|url=https://www.independent.co.uk/arts-entertainment/film--ooo-its-that-woman-off-telly-victoria-wood-has-moved-from-the-sketch-to-the-big-picture-james-rampton-joined-her-on-location-as-filming-for-pat-and-margaret-drew-to-close-1413539.html |archive-url=https://ghostarchive.org/archive/20220525/https://www.independent.co.uk/arts-entertainment/film--ooo-its-that-woman-off-telly-victoria-wood-has-moved-from-the-sketch-to-the-big-picture-james-rampton-joined-her-on-location-as-filming-for-pat-and-margaret-drew-to-close-1413539.html |archive-date=25 May 2022 |url-access=subscription |url-status=live|accessdateaccess-date=26 September 2010|newspaper=[[The Independent]]|date=13 July 1994}}</ref> Wood was accustomed to a level of control over the direction of her scripts, which led to frustration with Millar, who at one point told her, "Go away [and] let me do it", and on another occasion reminded Anne Reid, "[Victoria's] not directing this; I'm directing this." Nevertheless, Wood liked and admired Millar, and acknowledged that she had a "nosy, critical, interfering side".<ref name="rees"/>
 
An early draft of the script was rejected by [[London Weekend Television|LWT]], who told Wood, "A film is not a sketch, you know."<ref name="Rampton" /> The script underwent significant changes between the second and third drafts, as Wood worked in material "possibly suggested by [her] sessions of [[psychotherapy|therapy]]", such as her own issues stemming from maternal abandonment, assisted by [[script editor]] [[Robyn Slovo]]. The third draft also reworked the character of Claire as Celia Imrie had become pregnant, and added the running gag of Pat's [[malapropism]]s.<ref name="rees"/>
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* Margaret's flat – Grafton Road, [[Acton, London|Acton]]<ref name="Rampton" />
* Jim's mother's house – 65 Oozehead Lane, [[Blackburn]]
* Pat and Margaret's childhood home – Woodlea Road, Blackburn<ref>{{cite news |title=Five Years Ago: Stars in the street |url=https://www.lancashiretelegraph.co.uk/news/6121337.five-years-ago-stars-street/ |accessdateaccess-date=22 October 2020 |work=Lancashire Telegraph|date=8 June 1999}}</ref>
* Vera's house – Longacre, Billinge End Road, Blackburn
* The Swiss Cottage Cafe – The Green, [[Darwen]]
 
==Reception==
The film was watched by more than 10&nbsp;million viewers.<ref>{{cite news|last=Brown|first=Maggie|title=Talk of the Trade: Big money but little interest in TV films|url=https://www.independent.co.uk/news/media/talk-of-the-trade--big-money-but-little-interest-in-tv-films-1568406.html |archive-url=https://ghostarchive.org/archive/20220525/https://www.independent.co.uk/news/media/talk-of-the-trade--big-money-but-little-interest-in-tv-films-1568406.html |archive-date=25 May 2022 |url-access=subscription |url-status=live|accessdateaccess-date=26 September 2010|newspaper=[[The Independent]]|date=17 January 1995}}</ref>
 
After going on location during filming, James Rampton for ''[[The Independent]]'' wrote that the film "contains many lines of vintage Victoria...And – judging from the script – the film is not a three-minute idea tortuously spun out over 90, but a living, breathing feature, with characters rather than caricatures and pathos rather than punchlines."<ref name="Rampton" /> For [[Screenonline]], Mark Duguid wrote the drama is Wood's "most ambitious, rounded and mature work to date" and describes it as "rapturously received". On Wood's comparisons with [[Alan Bennett]], he says that she "certainly shares Bennett's gift for characterisation and his ear for comic but natural dialogue".<ref name="Duguid" /> ''The Daily Telegraph''<nowiki>'</nowiki>s Judith Woods described ''[[Victoria Wood: As Seen on TV]]'', ''[[Dinnerladies (TV series)|Dinnerladies]]'' and ''[[Acorn Antiques]]'' as "character-led television gems".<ref>{{cite news|last=Woods|first=Judith|title=Don't laugh... she's serious|url=https://www.telegraph.co.uk/culture/theatre/comedy/3665296/Dont-laugh...-shes-serious.html|archive-url=https://web.archive.org/web/20130217035551/http://www.telegraph.co.uk/culture/theatre/comedy/3665296/Dont-laugh...-shes-serious.html|url-status=dead|archive-date=17 February 2013|accessdateaccess-date=26 September 2010|newspaper=[[The Daily Telegraph]]|date=22 May 2007}}</ref>
 
The film won the [[Broadcasting Press Guild]] Award for best single drama, and the best actress and best screenplay awards at the [[Reims Television Festival]].<ref>{{cite web|title=Victoria Wood|url=http://www.speakerscorner.co.uk/file/631bb31c648373e6b5917e0e78ada1fe/victoria-wood-comedienne-cabaret-music-awards-host-after-dinner-stand-up.html|publisher=Speakers Corner|accessdateaccess-date=26 September 2010}}</ref> The drama was also nominated for two [[British Academy Television Awards]] in 1994: [[British Academy Television Award for Best Single Drama|Best Single Drama]], and [[British Academy Television Award for Best Actress|Best Actress]] for Wood.<ref>{{cite web|title=Television Nominations 1994|url=http://www.bafta.org/awards/television/nominations/?year=1994|publisher=[[British Academy of Film and Television Arts|BAFTA]]|accessdateaccess-date=26 September 2010}}</ref>
 
==References==