The Gross Clinic: Difference between revisions

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'''''The Gross Clinic''''' or '''''The Clinic of Dr. Gross''''' is an 1875 painting by American artist [[Thomas Eakins]]. It is [[oil on canvas]] and measures {{convert|8|ft|cm}} by {{convert|6.5|ft|cm}}.
 
The painting depicts Dr. [[Samuel D. Gross]], a seventy-year-old professor dressed in a black frock coat, lecturing a group of [[Jefferson Medical College]] students. Included among the group is a self-portrait of Eakins, who is seen at the right-hand side of the painting, next to the tunnel railing, with a white cuffed sleeve sketching or writing.<ref name=Smarth>{{cite web|last=Floryan|first=Meg|title=Eakins's The Gross Clinic|url=httphttps://smarthistory.khanacademy.org/eakins-the-gross-clinic.html/|work=[[Smarthistory]]|publisher=[[Khan Academy]]|accessdate=FebruaryMarch 114, 20132024}}</ref> Seen over Dr. Gross's right shoulder is the clinic clerk, Dr. Franklin West, taking notes on the operation.
 
Eakins's signature is painted on the front of the surgical table.
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==Restorations==
{{main|Conservation-restoration of Thomas Eakins' The Gross Clinic}}
The painting has [[art restoration|been restored]] three times. The first restoration between 1917 and 1925 substantially damaged the painting, rendering secondary figures in the composition inconsistently bright or reddish in color.<ref name="K1">Kennedy, Randy [https://www.nytimes.com/2010/07/19/arts/design/19eakins.html "Shedding Darkness on an Eakins Painting", ''The New York Times'', July 18, 2010]</ref> In 1929, [[Susan Macdowell Eakins]], the artist's widow, wrote a letter of complaint regarding the "fancy red light" that had falsified the painting's intended tones.<ref name=Smarth/><ref name="K1"/><ref name=PMARestore1961>{{cite web|title=The Conservation Project|url=http://www.philamuseum.org/conservation/14.html?page=2|work=Philadelphia Museum of Art (website)|publisher=Philadelphia Museum of Art|accessdate=2011-06-04}}</ref>
 
The painting's backing was reinforced with plywood by H. Stevenson in 1915. This was replaced in 1940 by [[Hannah Mee Horner]], who glued the painting to a plywood backing. Within two decades, this backing began to warp and threatened to tear the painting in half.<ref name=PMARestoreProject>{{cite web|title=The 1961 Conservation Treatment of ''The Gross Clinic''|url=http://www.philamuseum.org/conservation/14.html?page=3|work=Philadelphia Museum of Art (website)|publisher=Philadelphia Museum of Art|accessdate=2011-06-04}}</ref>