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{{Aan}}
==Untitled==
This page archives discussions upto the end of Oct 2006. [[User:Mukerjee|mukerjee]] ([[User talk:Mukerjee|talk]]) 05:17, 19 November 2006 (UTC)
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:, but they did not extensively employ them. (For the [[Chinese writing system]], moveable type would be markedly less efficient than for European [[alphabet]]s.)
I have removed this because I consider it (a) inaccurate, and (b) a POV statement. This statement implies that the use of logographic scripts is less efficient than the use of alphabets. Although it is true that there are thousands of Chinese characters, it is only a significantly smaller number that is used most. You probably know this... Also, if the statement was simply ''true'', there'd be no need for a justification added in brackets (this is where you defend your POV). I think what I don't like about this snipped is the choice of ''extensively''. The range of printed products, for example, was more extensive than in European until much later.
Also, maybe you'd enjoy reading the contribution about Gutenberg's using different letters above on this page... Now how's that for efficiency?
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John Man is one source of Gutenberg using the [[golden ratio]] in his page proportions. He says "The half-folio page (30.7 x 44.5 centimetres) was made up of two rectangles – the whole page and its text area – based on the so-called 'golden section', which specifies a crucial relationship between short and long sides. The proportions are complicated to work out, and produce an irrational number, as pi is, but it is a ratio of about 5:8. They are proportions which, as the Greeks knew when they built the Parthenon, are peculiarly easy on the eye, and were therefore common in both archtecture and art." Now, considering that the proportions he cites are 1:1.45, which is born out by measurements on this figures, and neglecting his unfounded opinions about what the Greeks might have known about the golden ratio, the most generous interpretation is that he is using "golden section" as representative of that broad class of ratios in the range 1.4 to 1.7 that have been shown to be "easy on the eye" and that are known to be commonplace in proportions of rectangular art and architecture. Given this wide discrepancy between the actual page proportions and Rosarivo's claim that Gutenberg used the golden ratio, what are we as wikipedia articles to make of this peculiar claim? And what conclusion did the "experts at the Gutenberg Museum" come to when they "analyzed" it? Perhaps Jossi has that volume and will let us know. [[User:Dicklyon|Dicklyon]] 07:08, 9 September 2006 (UTC)
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