Nu-metal

Nu-metal
Nu-metal
Stilistisk oprindelse:	Alternativ metal; Funk metal; Groove metal; Grunge; Heavy metal; Industrial metal; Rapcore; Alternativ rock; Hardcore punk
Kulturel oprindelse:	Tidlige 1990'er i USA
Typiske instrumenter:	Guitar – Bas – Trommer – Turntable – Keyboard – Synthesizer – Vokal
Mainstream popularitet:	Udbredelse sent fra 1990'erne til begyndelsen af 2007.
	v; d; r;

Nu metal (også kendt som nü-metal,^[3] aggro-metal,^[1]^[4] neo-metal^[5] eller new metal) er en subgenre^[6] af heavy metal.^[3]^[7]^[8]^[9] Det er en fusion genre^[8] som kombinerer elementer fra heavy metal med andre genrer, herunder grunge og hip hop. Genren fik i slutningen af 1990'erne og begyndelsen af 2000'erne.

Guitar

Guitarens væsentlige rolle i nu-metal er mere simpel. For det meste er der ingen guitarsoloer i musikken. Der bruges i stedet nedstemte strenge for at skabe en tungere lyd. Tit bliver der også brugt 7-strengede guitarer frem for de sædvanlige 6-strengede guitarer.

Eksempler Nu-metal bands

Kilder

^ ^a ^b "Genre: Alternative Metal". Allmusic. Arkiveret fra originalen 13. februar 2011. Hentet 22. maj 2010. By the latter half of the '90s, most new alt-metal bands were playing some combination of simplified thrash, rap, industrial, hardcore punk, and grunge. This new sound was more about grinding textures... Korn, Deftones, Marilyn Manson, and Limp Bizkit were the biggest stars of this new movement -- sometimes dubbed aggro-metal, nu-metal...
^ Bowar, Chad. "Heavy Metal: More Metal Genres". About.com. The New York Times Company. Arkiveret fra originalen 25. juli 2011. Hentet 28. april 2010. Combining heavy metal riffs with hip-hop influences and rapped lyrics, this genre became very popular in the late '90s through the early 2000's and then fell from favor.
^ ^a ^b Pieslak, Jonathan (2008). "Sound, text and identity in Korn's 'Hey Daddy'". Popular Music. 27: 35-52. doi:10.1017/S0261143008001451. Arkiveret fra originalen 18. september 2019. Hentet 27. februar 2012.
^ Van Pelt, Doug (2004). "Static X". Rock Stars on God: 20 Artists Speak Their Mind about Faith. Relevant Media Group. s. 180. ISBN 0972927697.
^ "Amen > Overview". Allmusic. Retrieved 11 February 2011.
^ Wilson, Scott (2008). Great Satan's rage: American negativity and rap/metal in the age of supercapitalism. Manchester University Press. s. 119. ISBN 0719074630, 9780719074639. {{cite book}}: Mere end en |pages= og |page= angivet (hjælp); Tjek |isbn=: invalid character (hjælp)
^ Halnon, Karen Bettez (2006). "Heavy Metal Carnival and Dis-alienation: The Politics of Grotesque Realism". Symbolic Interaction. 29 (1): 33-48. doi:10.1525/si.2006.29.1.33. Arkiveret fra originalen 24. juli 2011. Hentet 27. februar 2012.
^ ^a ^b Tompkins, Joseph (2009). "What's the Deal with Soundtrack Albums? Metal Music and the Customized Aesthetics of Contemporary Horror". Cinema Journal. 49 (1). doi:10.1353/cj.0.0155.{{cite journal}}: CS1-vedligeholdelse: url-status (link)
^ Robinson, Greg (2008). Ozzfest. The Rosen Publishing Group. s. 10. ISBN [[Special:BookSources/1404217568, ISBN 9781404217560|1404217568, [[Internationalt Standardbognummer|ISBN]] [[Special:BookSources/9781404217560 |9781404217560]]]]. {{cite book}}: Mere end en |pages= og |page= angivet (hjælp); Tjek |isbn=: invalid character (hjælp)

[Allmusic-1] "Genre: Alternative Metal". Allmusic. Arkiveret fra originalen 13. februar 2011. Hentet 22. maj 2010. By the latter half of the '90s, most new alt-metal bands were playing some combination of simplified thrash, rap, industrial, hardcore punk, and grunge. This new sound was more about grinding textures... Korn, Deftones, Marilyn Manson, and Limp Bizkit were the biggest stars of this new movement -- sometimes dubbed aggro-metal, nu-metal...

[Chad_Bowar-2] Bowar, Chad. "Heavy Metal: More Metal Genres". About.com. The New York Times Company. Arkiveret fra originalen 25. juli 2011. Hentet 28. april 2010. Combining heavy metal riffs with hip-hop influences and rapped lyrics, this genre became very popular in the late '90s through the early 2000's and then fell from favor.

[daddy-3] Pieslak, Jonathan (2008). "Sound, text and identity in Korn's 'Hey Daddy'". Popular Music. 27: 35-52. doi:10.1017/S0261143008001451. Arkiveret fra originalen 18. september 2019. Hentet 27. februar 2012.

[4] Van Pelt, Doug (2004). "Static X". Rock Stars on God: 20 Artists Speak Their Mind about Faith. Relevant Media Group. s. 180. ISBN 0972927697.

[5] "Amen > Overview". Allmusic. Retrieved 11 February 2011.

[6] Wilson, Scott (2008). Great Satan's rage: American negativity and rap/metal in the age of supercapitalism. Manchester University Press. s. 119. ISBN 0719074630, 9780719074639. {{cite book}}: Mere end en |pages= og |page= angivet (hjælp); Tjek |isbn=: invalid character (hjælp)

[7] Halnon, Karen Bettez (2006). "Heavy Metal Carnival and Dis-alienation: The Politics of Grotesque Realism". Symbolic Interaction. 29 (1): 33-48. doi:10.1525/si.2006.29.1.33. Arkiveret fra originalen 24. juli 2011. Hentet 27. februar 2012.

[horror-8] Tompkins, Joseph (2009). "What's the Deal with Soundtrack Albums? Metal Music and the Customized Aesthetics of Contemporary Horror". Cinema Journal. 49 (1). doi:10.1353/cj.0.0155.{{cite journal}}: CS1-vedligeholdelse: url-status (link)

[ozzfest-9] Robinson, Greg (2008). Ozzfest. The Rosen Publishing Group. s. 10. ISBN [[Special:BookSources/1404217568, ISBN 9781404217560|1404217568, [[Internationalt Standardbognummer|ISBN]] [[Special:BookSources/9781404217560 |9781404217560]]]]. {{cite book}}: Mere end en |pages= og |page= angivet (hjælp); Tjek |isbn=: invalid character (hjælp)

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