File:Hans Holbein d. J. 013.jpg
Original file (2,024 × 2,677 pixels, file size: 387 KB, MIME type: image/jpeg)
Captions
Summary
[edit]Hans Holbein the Younger: Lais of Corinth | |||||||||||||||||||||||||||
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Artist |
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Title | |||||||||||||||||||||||||||
Object type | painting | ||||||||||||||||||||||||||
Genre | mythological painting | ||||||||||||||||||||||||||
Depicted people | Lais of Corinth | ||||||||||||||||||||||||||
Date | 1526 | ||||||||||||||||||||||||||
Medium | mixed media on lime panel | ||||||||||||||||||||||||||
Dimensions |
height: 35.6 cm (14 in) ; width: 26.7 cm (10.5 in) dimensions QS:P2048,+35.6U174728 dimensions QS:P2049,+26.7U174728 |
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Collection |
institution QS:P195,Q194626 |
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Accession number |
322 (Kunstmuseum Basel) |
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Inscriptions |
Name and year :
Inscribed on the stone parapet in front |
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Notes |
This painting portrays the famous Lais of Corinth, a courtesan of ancient Greece who charged a high price for her favours. It has been suggested that Holbein is also referring to the Lais who was the lover of Apelles, the great painter of antiquity (Holbein was called "Apelles" in humanist circles). The model, the same used for Holbein's Darmstadt Madonna and for his Venus and Amor (right), has been identified as Magdalena Offenburg, who may have been Holbein's mistress. Holbein's Lais was painted a year or two after Venus and Amor and, in effect, acts as its companion piece, though Holbein does not appear to have originally planned the second painting. According to some commentators, the portrayal of the sitter as a courtesan may contain a coded message by Holbein about his relationship with Magdalena. Art historian Peter Claussen, however, dismisses this interpretation as "pure nonsense". Both paintings employ the same colours and depict the same costume and drapery. Holbein adopts the style of Leonardo and the Lombard muralists, whose work he may have studied during a visit to Italy. He uses Leonardo's sfumato (smoky) technique to blend the skin tones, as well as the device of the parapet to set the subject back from the viewer. References:
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References |
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Source/Photographer | The Yorck Project (2002) 10.000 Meisterwerke der Malerei (DVD-ROM), distributed by DIRECTMEDIA Publishing GmbH. ISBN: 3936122202. | ||||||||||||||||||||||||||
Permission (Reusing this file) |
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Other versions |
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Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
Public domainPublic domainfalsefalse |
The work of art depicted in this image and the reproduction thereof are in the public domain worldwide. The reproduction is part of a collection of reproductions compiled by The Yorck Project. The compilation copyright is held by Zenodot Verlagsgesellschaft mbH and licensed under the GNU Free Documentation License.
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 16:36, 19 May 2005 | 2,024 × 2,677 (387 KB) | File Upload Bot (Eloquence) (talk | contribs) | {{Painting| |Title=<br /> ** ''de:'' Lais Corinthiaca |Technique=<br /> ** ''de:'' Tempera auf Holz |Dimensions=<br /> ** ''de:'' 35,5 × 26,7 cm |Location=<br /> ** ''de:'' Basel |Country=<br /> ** ''de:'' Deutschland und Großbritanien |Gallery=<br /> * |
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